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L'Apparition
''The Apparition'' (French: ''L'Apparition'') is a painting by French artist Gustave Moreau, painted between 1874 and 1876. It shows the biblical character of Salome dancing in front of Herod Antipas with a vision of John the Baptist's severed head. The 106 cm high and 72,2 cm wide watercolor held by the Musée d'Orsay in Paris elaborates on an episode told in the Gospel of Matthew 14:6–11 and Gospel of Mark, Mark 6:21–29. On a feast held for Herod Antipas' birthday, the princess Salome dances in front of the king and his guests. This pleased him so much he promises her anything she wished for. Incited by her mother Herodias, who was reproved by the John the Baptist for her illegitimate marriage to Herod Antipas, Herod, Salome demands John's head on a charger (table setting), charger. Regretful but compelled to keep his word in front of everyone present, Herod complies with Salome's demand. John the Baptist is Beheading of John the Baptist, beheaded, his head brought o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Moreau
Gustave Moreau (; 6 April 1826 – 18 April 1898) was a French artist and an important figure in the Symbolist movement. Jean Cassou called him "the Symbolist painter par excellence".Cassou, Jean. 1979. ''The Concise Encyclopedia of Symbolism.'' Chartwell Books, Inc., Secaucus, New Jersey, 292 pp. He was an influential forerunner of symbolism in the visual arts in the 1860s, and at the height of the symbolist movement in the 1890s, he was among the most significant painters. Art historian Robert Delevoy wrote that Moreau "brought symbolist polyvalence to its highest point in ''Jupiter and Semele''."Delevoy, Robert L. 1978. ''Symbolist and Symbolism.'' Editions D'Art Albert Skira, Geneva//Rizzoli International Publishing, Inc. New York. 247 pp. He was a prolific artist who produced over 15,000 paintings, watercolors, and drawings. Moreau painted allegories and traditional biblical and mythological subjects favored by the fine art academies. J. K. Huysmans wrote, "Gustave Moreau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée D'Orsay
The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe. In 2021 the museum had one million visitors, up 30 percent from attendance in 2020, but far behind earlier years due to the COVID-19 pandemic. Despite the drop, it ranked fifteenth in the list of most-visited art museums in 2020. History The museum building was or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beheading Of John The Baptist
The beheading of John the Baptist, also known as the decollation of Saint John the Baptist or the beheading of the Forerunner, is a biblical event commemorated as a holy day by various Christian churches. According to the New Testament, Herod Antipas, ruler of Galilee under the Roman Empire, had imprisoned John the Baptist because he had publicly reproved Herod for divorcing his first wife and unlawfully taking his sister-in-law (his brother’s wife) as his second wife Herodias. He then ordered him to be killed by beheading. As a non-Biblical source, Jewish historian Josephus also recounts that Herod had John imprisoned and killed, stating, however, that the real reason Herod had for doing so was "the great influence John had over the people", which might persuade John "to raise a rebellion (for they seemed ready to do anything he should advise)". Josephus further states that many of the Jews believed that the military disaster that later on fell upon Herod was God's punish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
À Rebours
''À rebours'' (; translated ''Against Nature'' or ''Against the Grain'') is an 1884 novel by the French writer Joris-Karl Huysmans. The narrative centers on a single character: Jean des Esseintes, an eccentric, reclusive, ailing aesthete. The last scion of an aristocratic family, Des Esseintes loathes nineteenth-century bourgeois society and tries to retreat into an ideal artistic world of his own creation. The narrative is almost entirely a catalogue of the neurotic Des Esseintes's aesthetic tastes, musings on literature, painting, and religion, and hyperaesthesic sensory experiences. ''À rebours'' contains many themes that became associated with the Symbolist aesthetic. In doing so, it broke from Naturalism and became the ultimate example of "Decadent" literature, inspiring works such as Oscar Wilde's ''The Picture of Dorian Gray'' (1890). In his preface for the 1903 publication of the novel, Huysmans wrote that he had the idea to portray a man "soaring upwards into dream ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome
Salome (; he, שְלוֹמִית, Shlomit, related to , "peace"; el, Σαλώμη), also known as Salome III, was a Jewish princess, the daughter of Herod II, son of Herod the Great, and princess Herodias, granddaughter of Herod the Great, and stepdaughter of Herod Antipas. She is known from the New Testament, where she is not named, and from an account by Flavius Josephus. In the New Testament, the stepdaughter of Herod Antipas demands and receives the head of John the Baptist. According to Josephus, she was first married to her uncle Philip the Tetrarch, after whose death (AD 34), she married her cousin Aristobulus of Chalcis, thus becoming queen of Chalcis and Armenia Minor. The gospel story of her dance at the birthday celebration of her stepfather, who had John the Baptist beheaded at her request, inspired art, literature and music over an extended period of time. Among the paintings are those by Titian and Gustave Moreau. Oscar Wilde's 1891 eponymous play, and its 190 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fin De Siècle
() is a French term meaning "end of century,” a phrase which typically encompasses both the meaning of the similar English idiom "turn of the century" and also makes reference to the closing of one era and onset of another. Without context, the term is typically used to refer to the end of the 19th century. This period was widely thought to be a period of social degeneracy, but at the same time a period of hope for a new beginning. The "spirit" of often refers to the cultural hallmarks that were recognized as prominent in the 1880s and 1890s, including ennui, cynicism, pessimism, and "a widespread belief that civilization leads to decadence.” The term is commonly applied to French art and artists, as the traits of the culture first appeared there, but the movement affected many European countries. The term becomes applicable to the sentiments and traits associated with the culture, as opposed to focusing solely on the movement's initial recognition in France. The ideas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orientalism
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist painting, depicting more specifically the Middle East, was one of the many specialisms of 19th-century academic art, and the literature of Western countries took a similar interest in Oriental themes. Since the publication of Edward Said's ''Orientalism (book), Orientalism'' in 1978, much academic discourse has begun to use the term "Orientalism" to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, the West Essentialism, essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of Imperialism, imperial power. Implicit in this fabrication, writes Said, is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Necrophilia
Necrophilia, also known as necrophilism, necrolagnia, necrocoitus, necrochlesis, and thanatophilia, is sexual attraction towards or a sexual act involving Cadaver, corpses. It is classified as a paraphilia by the World Health Organization (WHO) in its ''International Classification of Diseases'' (ICD10, ICD) diagnostic manual, as well as by the American Psychiatric Association in its ''Diagnostic and Statistical Manual'' (DSM). Origins of term Various terms for the crime of corpse-violation animate sixteenth- through nineteenth-century works on law and legal medicine. The plural term "nécrophiles" was coined by Belgian physician Joseph Guislain in his lecture series, ''Leçons Orales Sur Les Phrénopathies,'' given around 1850, about the contemporary necrophiliac François Bertrand: Psychiatrist Bénédict Morel popularised the term about a decade later when discussing Bertrand. History In the ancient world, sailors returning corpses to their home country were often accused ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Moréas
Jean Moréas (; born Ioannis A. Papadiamantopoulos, Ιωάννης Α. Παπαδιαμαντόπουλος; 15 April 1856 – 31 March 1910), was a Greek poet, essayist, and art critic, who wrote mostly in the French language but also in Greek during his youth. Biography Moréas was born into a distinguished Athenian family on April 15, 1856. His ancestors included two well-known men of the Greek War of Independence, namely his paternal grandfather and namesake Ioannis Papadiamantopoulos, born in Corinth but of ultimately Epirote ancestry (he was executed after the fall of Missolonghi), and his maternal great uncle Iakovos Tombazis (c. 1782–1829), from Hydra, who became one of the first admirals of the Greek navy. Moreas's father was Adamantios Papadiamantopoulos from Patras; a judge, scholar, and poet.; ; ; . Moreas received a French education, and went to Paris in 1875 to study law at the University of Paris. While in France, he began associating with literary circle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medusa
In Greek mythology, Medusa (; Ancient Greek: Μέδουσα "guardian, protectress"), also called Gorgo, was one of the three monstrous Gorgons, generally described as winged human females with living venomous snakes in place of hair. Those who gazed into her eyes would turn to stone. Most sources describe her as the daughter of Phorcys and Ceto, although the author Hyginus makes her the daughter of Gorgon and Ceto. Medusa was beheaded by the Greek hero Perseus, who then used her head, which retained its ability to turn onlookers to stone, as a weapon until he gave it to the goddess Athena to place on her shield. In classical antiquity, the image of the head of Medusa appeared in the evil-averting device known as the ''Gorgoneion''. According to Hesiod and Aeschylus, she lived and died on Sarpedon, somewhere near Cisthene. The 2nd-century BC novelist Dionysios Skytobrachion puts her somewhere in Libya, where Herodotus had said the Berbers originated her myth as part of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joris-Karl Huysmans
Charles-Marie-Georges Huysmans (, ; 5 February 1848 – 12 May 1907) was a French novelist and art critic who published his works as Joris-Karl Huysmans (, variably abbreviated as J. K. or J.-K.). He is most famous for the novel ''À rebours'' (1884, published in English as ''Against the Grain'' and as ''Against Nature''). He supported himself by way of a 30-year career in the French civil service. Huysmans's work is considered remarkable for its idiosyncratic use of the French language, large vocabulary, descriptions, satirical wit and far-ranging erudition. First considered part of Naturalism, he became associated with the decadent movement with his publication of ''À rebours.'' His work expressed his deep pessimism, which had led him to the philosophy of Arthur Schopenhauer. In later years, his novels reflected his study of Catholicism, religious conversion, and becoming an oblate. He discussed the iconography of Christian architecture at length in '' La cathédral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grosvenor Gallery
The Grosvenor Gallery was an art gallery in London founded in 1877 by Sir Coutts Lindsay and his wife Blanche. Its first directors were J. Comyns Carr and Charles Hallé. The gallery proved crucial to the Aesthetic Movement because it provided a home for those artists whose approaches the more classical and conservative Royal Academy did not welcome, such as Edward Burne-Jones and Walter Crane. History The gallery was founded in Bond Street, London, in 1877 by Sir Coutts Lindsay and his wife Blanche. They engaged J. Comyns Carr and Charles Hallé as co-directors. Lindsay and his wife were well-born and well-connected, and both were amateur artists. Blanche was born a Rothschild, and it was her money which made the whole enterprise possible. The Grosvenor displayed work by artists from outside the British mainstream, including Edward Burne-Jones, Walter Crane and other members of the Pre-Raphaelite Brotherhood. But it also featured work by others that were widely shown elsew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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