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L'Amour Sourcier
''El amor brujo'' (, "The sorcerer love") is a ballet by Manuel de Falla to a libretto by María de la O Lejárraga García, although for years it was attributed to her husband Gregorio Martínez Sierra. It exists in three versions as well as a piano suite drawn from four of its movements. Andalusian in character, its music includes the celebrated ''Danza ritual del fuego (Ritual Fire Dance)'', the ''Canción del fuego fatuo (Song of the Will-o'-the-Wisp)'' and the ''Danza del terror''. Its songs use the Andalusian Spanish dialectal modality. The plot: a gypsy in a love unreturned goes to her arts of magic to soften the ingrate's heart, and succeeds, after a night of enchantments, recitations and ritual dances, so that at dawn he awakens to love; bells proclaim her triumph. Versions and performance history Gitanería (1915) ''El amor brujo'' was commissioned in 1914 as a ''gitanería'', or danced gypsy entertainment, dedicated to the flamenco dancer and cantaora Pastora Imper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Amor Brujo
''El amor brujo'' (, "The sorcerer love") is a ballet by Manuel de Falla to a libretto by María de la O Lejárraga García, although for years it was attributed to her husband Gregorio Martínez Sierra. It exists in three versions as well as a piano suite drawn from four of its movements. Andalusian in character, its music includes the celebrated '' Danza ritual del fuego (Ritual Fire Dance)'', the ''Canción del fuego fatuo (Song of the Will-o'-the-Wisp)'' and the ''Danza del terror''. Its songs use the Andalusian Spanish dialectal modality. The plot: a gypsy in a love unreturned goes to her arts of magic to soften the ingrate's heart, and succeeds, after a night of enchantments, recitations and ritual dances, so that at dawn he awakens to love; bells proclaim her triumph. Versions and performance history Gitanería (1915) ''El amor brujo'' was commissioned in 1914 as a ''gitanería'', or danced gypsy entertainment, dedicated to the flamenco dancer and cantaora Pastora Imperio. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Reiner
Frederick Martin "Fritz" Reiner (December 19, 1888 – November 15, 1963) was a prominent conductor of opera and symphonic music in the twentieth century. Hungarian born and trained, he emigrated to the United States in 1922, where he rose to prominence as a conductor with several orchestras. He reached the pinnacle of his career while music director of the Chicago Symphony Orchestra in the 1950s and early 1960s. Life and career Reiner was born in Budapest, Austria-Hungary into a secular Jewish family that resided in the Pest area of the city. After preliminary studies in law at his father's urging, Reiner instead decided to pursue the study of piano, piano pedagogy, and composition at the Franz Liszt Academy. During his last two years there, his piano teacher was the young Béla Bartók. After early engagements at opera houses in Budapest and Dresden (June 1914 to November 1921), where he worked closely with Richard Strauss, he moved to the United States in 1922 to take ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Philharmonia Orchestra
The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia's younger conductors, the most important to its development was Herbert von Karajan who, though never formally chief conductor, was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London's five symphony orchestras in its first two decades. From the late 1950s to the early 1970s the orchestra's chief conductor was Otto Klemperer, with whom the orchestra gave many concerts and made numerous recordings of the core orchestral repertoire. During Klemperer's tenure Legge, citing the difficulty of maintaining the orchestra's high standards, attempted to disband it in 1964, but the players, backed by Klemp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Maria Giulini
Carlo Maria Giulini (; 9 May 1914 – 14 June 2005) was an Italian conductor. From the age of five, when he began to play the violin, Giulini's musical education was expanded when he began to study at Italy's foremost conservatory, the Conservatorio Santa Cecilia in Rome at the age of 16. Initially, he studied the viola and conducting; then, following an audition, he won a place in the Orchestra dell'Accademia Nazionale di Santa Cecilia. Although he won a conducting competition two years later, he was unable to take advantage of the prize, which was the opportunity to conduct, because of being forced to join the army during World War II despite being a pacifist. As the war was ending, he hid until the liberation to avoid continuing to fight alongside the Germans. While in hiding, he married his girlfriend, Marcella, and they remained together until her death in 1995. Together, they had three children. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirley Verrett
Shirley Verrett (May 31, 1931 – November 5, 2010) was an American operatic mezzo-soprano who successfully transitioned into soprano roles, i.e. soprano sfogato. Verrett enjoyed great fame from the late 1960s through the 1990s, particularly well known for singing the works of Verdi and Donizetti. Early life and education Born into an African-American family of devout Seventh-day Adventists in New Orleans, Louisiana, Verrett was raised in Los Angeles, California. She sang in church and showed early musical abilities, but initially a singing career was frowned upon by her family. Later Verrett went on to study with Anna Fitziu and with Marion Szekely Freschl at the Juilliard School in New York. In 1961 she won the Metropolitan Opera National Council Auditions. International career In 1957, Verrett made her operatic debut in Britten's ''The Rape of Lucretia'' under her then-married name of Shirley Carter. She later used the name Shirley Verrett-Carter, and ultimately just Shirle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philadelphia Orchestra
The Philadelphia Orchestra is an American symphony orchestra, based in Philadelphia, Pennsylvania. One of the " Big Five" American orchestras, the orchestra is based at the Kimmel Center for the Performing Arts, where it performs its subscription concerts, numbering over 130 annually, in Verizon Hall. From its founding until 2001, the Philadelphia Orchestra gave its concerts at the Academy of Music. The orchestra continues to own the Academy, and returns there one week per year for the Academy of Music's annual gala concert and concerts for school children. The Philadelphia Orchestra's summer home is the Mann Center for the Performing Arts. It also has summer residencies at the Saratoga Performing Arts Center, and since July 2007 at the Bravo! Vail Valley Festival in Vail, Colorado. The orchestra also performs an annual series of concerts at Carnegie Hall. From its earliest days the orchestra has been active in the recording studio, making extensive numbers of recordings, primar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopold Stokowski
Leopold Anthony Stokowski (18 April 1882 – 13 September 1977) was a British conductor. One of the leading conductors of the early and mid-20th century, he is best known for his long association with the Philadelphia Orchestra and his appearance in the Disney film ''Fantasia'' with that orchestra. He was especially noted for his free-hand conducting style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from the orchestras he directed. Stokowski was music director of the Cincinnati Symphony Orchestra, the Philadelphia Orchestra, the NBC Symphony Orchestra, New York Philharmonic Symphony Orchestra, the Houston Symphony Orchestra, the Symphony of the Air and many others. He was also the founder of the All-American Youth Orchestra, the New York City Symphony, the Hollywood Bowl Symphony Orchestra and the American Symphony Orchestra. Stokowski conducted the music for and appeared in several Hollywood films, most notably Disney's ''Fant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marina De Gabaráin
Marina de Gabaráin (191713 June 1972) was a Spanish mezzo-soprano. Her international career began at Glyndebourne in 1952, where she appeared in Rossini's ''La Cenerentola'' as Angelina (Cinderella), which became her signature role. Life Born in San Sebastián (Donostia) in 1917, Gabaráin initially trained in Italy with Giuseppe Pais,Joaquín Martín de Sagarmínaga, ''Diccionario de cantantes líricos españoles'', Acento Editorial, 1997, p. 151 who also taught Renata Tebaldi. Continuing her studies with and Pierre Bernac in Paris, her final training was with Elena Gerhardt in London, under whom she graduated from the Royal College of Music in 1950. Her first professional work was for BBC Radio, broadcasting Spanish and Hispano-American songs. Her stage debut was in the title role of Bizet's ''Carmen'', during Carl Rosa Opera's Scottish 1949 tour. She achieved international recognition when she appeared in the title role of Angelina in Rossini's ''La Cenerentola'' at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre De La Suisse Romande
The Orchestre de la Suisse Romande (OSR) is a Swiss symphony orchestra, based in Geneva at the Victoria Hall. In addition to symphony concerts, the OSR performs as the opera orchestra in productions at the Grand Théâtre de Genève. History Ernest Ansermet founded the OSR in 1918, together with Paul Lachenal, with a contingent of 48 players and a season of six months' duration. Besides Swiss musicians, the OSR players initially came from other countries, including Austria, France, Germany and Italy. Ansermet gradually increased the percentage of Swiss musicians in the orchestra, attaining 80% Swiss personnel by 1946. He remained the music director of the OSR for 49 years, from 1918 to 1967. A Swiss radio orchestra based in Lausanne was merged into the OSR in 1938. Subsequently, the OSR began to broadcast radio concerts regularly on Swiss radio. The orchestra had a long-standing contract for recordings with Decca Records, dating from the tenure of Ansermet, and made over 300 rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Ansermet
Ernest Alexandre Ansermet (; 11 November 1883 – 20 February 1969)"Ansermet, Ernest" in ''The New Encyclopædia Britannica''. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 435. was a Swiss conductor. Biography Ansermet was born in Vevey, Switzerland. Originally he was a mathematics professor, teaching at the University of Lausanne. He began conducting at the Casino in Montreux in 1912, and from 1915 to 1923 was the conductor for Diaghilev's Ballets Russes. Travelling in France for this, he met both Claude Debussy and Maurice Ravel, and consulted them on the performance of their works. During World War I, he met Igor Stravinsky, who was exiled in Switzerland, and from this meeting began the conductor's lifelong association with Russian music. In 1918 Ansermet founded his own orchestra, the Orchestre de la Suisse Romande (OSR). He toured widely in Europe and America and became famous for accurate performances of difficult modern music, making first reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre De La Société Des Concerts Du Conservatoire
The Orchestre de la Société des concerts du Conservatoire was a symphony orchestra established in Paris in 1828. It gave its first concert on 9 March 1828 with music by Beethoven, Rossini, Meifreid, Rode and Cherubini. Administered by the philharmonic association of the ''Conservatoire de Paris'', the orchestra consisted of professors of the Conservatoire and their pupils. It was formed by François-Antoine Habeneck in pioneering fashion, aiming to present Beethoven's symphonies, but over time it became more conservative in its programming.Nichols R. The Harlequin Years – Music in Paris 1917–1929. Thames and Hudson, London, 2002. Its long existence kept the tradition of playing taught at the Conservatoire prominent in French musical life. The orchestra occupied the center-stage of French musical life throughout the 19th and most of the 20th centuries. A major tour of the US took place in 1918, appearing in 52 cities. Later that year it made the first of its many recordings. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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