|
L'Éclair (quotidien)
''L'Éclair'' (''The Lightning Flash'') is an opéra comique in 3 acts by Fromental Halévy to a libretto by Jules-Henri Vernoy de Saint-Georges. ''L'Éclair'' was premiered by the Paris Opéra-Comique at the Salle de la Bourse on 16 December 1835; Jacques Offenbach was a cellist in the orchestra. The opera was well received which placed Halévy in the unusual position of having two simultaneous successes on the Paris stage (the other being his grand opera masterpiece, ''La Juive''). It was first performed in the United States on 16 February 1837 at the Théâtre d'Orléans in New Orleans.Loewenberg 1978, column 774. It remained popular in the 19th century ( Emma Calvé sang in it in 1885) and has been revived in modern times. Some of its arias (including the tenor aria 'Quand de la nuit') have been recorded. Roles Synopsis :Place: Contemporary Boston :Time: It recounts the amours of the Englishman George and the American Lyonel for two sisters, Henriette and the widow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph-Antoine-Charles Couderc
Joseph-Antoine-Charles Couderc (10 March 1810 – 16 April 1875) was a French operatic tenor (and later baritone) prominent on the stages of the Opéra Comique in Paris where he created numerous roles. Life and career Couderc was born in Toulouse where his father had a grocery shop. He was working in his father's business when Louis Benoît Alphonse Révial (1810-1871) a tenor from Toulouse already studying at the Conservatoire de Paris convinced him to study singing and facilitated his entry to the conservatory in 1830. After studying singing there under Louis Nourrit, Couderc made his debut as Rodolphe in Boieldieu's ''Le petit chaperon de rouge'' at the Opéra-Comique in 1834. He created several roles with the company between 1834 and 1841 and was greatly admired for his acting ability. He sang in Belgium from 1842 until 1850 when he returned to the Opéra-Comique where he remained for the rest of his career singing leading tenor and later baritone roles.Duckett, William (ed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1835 Operas
Events January–March * January 7 – anchors off the Chonos Archipelago on her second voyage, with Charles Darwin on board as naturalist. * January 8 – The United States public debt contracts to zero, for the only time in history. * January 24 – Malê Revolt: African slaves of Yoruba Muslim origin revolt in Salvador, Bahia. * January 26 – Queen Maria II of Portugal marries Auguste de Beauharnais, 2nd Duke of Leuchtenberg, in Lisbon; he dies only two months later. * January 26 – Saint Paul's in Macau largely destroyed by fire after a typhoon hits. * January 30 – An assassination is attempted against United States President Andrew Jackson in the United States Capitol (the first assassination attempt against a President of the United States). * February 1 – Slavery is abolished in Mauritius. * February 20 – 1835 Concepción earthquake: Concepción, Chile, is destroyed by an earthquake; the resulting tsunami destroys the neighboring city of Talcahuano. * Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Fromental Halévy
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pougin, Arthur
Arthur Pougin ( 6 August 1834 – 8 August 1921) was a French musical and dramatic critic and writer. He was born at Châteauroux (Indre) and studied music at the Conservatoire de Paris under Jean Delphin Alard, Alard (violin) and Napoléon Henri Reber, Reber (harmony). In 1855 he became Conducting, conductor at the Théâtre Beaumarchais, and afterward leader at Musard's concerts, subconductor at the Folies-Nouvelles, and from 1860 to 1863 he was first violin at the Opéra-Comique. He was in turn ''feuilletoniste'' to ''Le Soir'', ''La Tribune'', ''L'Événement-Journal, L'Événement'' and ''Le Journal Officiel'', besides being a frequent contributor to all the important French musical periodicals. His work in connection with François-Joseph Fétis, Fétis's ''Biographie universelle des musiciens, Biographie universelle'', for which he prepared a supplement (two volumes, 1878–80), has, however, been found to be lacking in thoroughness. He edited the new edition of Clément and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chouquet, Gustave
Gustave Chouquet (16 April 1819 – 30 January 1886)Grove & Charlton 2001. was a French music historian, music critic, and teacher of French. Early life and career Born Adolphe-Gustave Chouquet in Le Havre, he spent six years in Paris studying at the Massin Institute, but devoted almost all his spare time to studying voice and piano and attending concerts at the Paris Conservatory. In 1836, after receiving his degree ('' bachelier ès lettres''), he returned to Le Havre, where his father was a banker. The latter lost his fortune in creating a railroad company (from Paris to the sea), and in 1840 the family moved to the United States. Gustave produced his first essays of music criticism in New York.Fétis, "Chouquet (Adolphe-Gustave)", 1978vol. 1, pp. 181–182 He was also a professor of French literature and history and published several textbooks of French language instruction. After sixteen years devoted to education, a respiratory ailment caused him to move back to France, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boston
Boston (), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial center of the New England region of the United States. It is the 24th- most populous city in the country. The city boundaries encompass an area of about and a population of 675,647 as of 2020. It is the seat of Suffolk County (although the county government was disbanded on July 1, 1999). The city is the economic and cultural anchor of a substantially larger metropolitan area known as Greater Boston, a metropolitan statistical area (MSA) home to a census-estimated 4.8 million people in 2016 and ranking as the tenth-largest MSA in the country. A broader combined statistical area (CSA), generally corresponding to the commuting area and including Providence, Rhode Island, is home to approximately 8.2 million people, making it the sixth most populous in the United States. Boston is one of the oldest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Chollet
Jean-Baptiste Marie Chollet (20 May 1798 – 10 January 1892) was a French musician and operatic baritone. He also composed a few romances and nocturnes. He married the opera singer Geneviève-Aimé-Zoë Prévost and their daughter Caroline Chollet also became an opera singer under the stage name Mademoiselle Monrose. Life Born in Paris, Chollet studied at the Conservatoire de Paris, where from the age of eight he studied solfège and violin. He graduated with a prize in solfège in 1814 and began singing as a high baritone in the church choir at Saint-Eustache, Paris, where his father was choirmaster. In 1815 he also became a chorus member at the Opéra de Paris, then at the Théâtre-Italien, and finally at the Théâtre Feydeau, where he remained for two years. In 1818 he took the stage name ''Dôme-Chollet'' and appeared with a troupe of comic actors. In 1823 he was at the Théâtre du Havre, playing the roles of Martin, Lays and Soulié, which he continued to play during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Chouquet, Gustave")
