|
L'ambassadrice
''L'ambassadrice'' is an opera or opéra comique in 3 acts by composer Daniel Auber. The work's French language libretto was written by Eugène Scribe and Jules-Henri Vernoy de Saint-Georges. The opera's world premiere was staged by the Opéra-Comique at the Théâtre des Nouveautés in Paris on 21 December 1836. It was revived in Paris on 4 January 2013 by the opera company Les Frivolités Parisiennes at the initiative of two research fellows who specialized in nineteenth-century historically informed performance Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of ..., Pierre Girod (vocal coach) and Charlotte Loriot (stage director). Roles References {{DEFAULTSORT:Ambassadrice French-language operas Opéras comiques Operas by Daniel Auber Operas 1836 operas Opera world pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie-Julie Halligner
Marie-Julie Boulanger, née Marie-Julie Halligner (29 January 1786 – 23 July 1850), was a French mezzo-soprano. She performed her entire career under the stage name Mme Boulanger, appearing in the world premieres of '' Le maître de chapelle'', '' L'ambassadrice'', ''Le domino noir'', and ''La fille du régiment''. Biography Born in Paris, her parents were middle-class shopkeepers. She was the older sister of Sophie Halligner, an actress at the Odéon-Théâtre de l'Europe and the Théâtre de l'Ambigu-Comique who had married the actor Frédérick Lemaître in 1826. Halligner entered the Paris Conservatory in 1806 to study ''solfeggio''; she was a pupil of Charles-Henri Plantade and Pierre-Jean Garat. Halligner's debut at the Opéra-Comique in 1811 was considered "an immense success". A notable soubrette at the Opéra-Comique between 1811 and 1835, she continued performing until 1845, though her voice had started to fail her in the later years. She performed in the wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salle De La Bourse
The Salle de la Bourse was a Parisian theatre located on the rue Vivienne in the 2nd arrondissement, across from the Paris Bourse, hence the name. It was successively the home of the Théâtre des Nouveautés (1827–1832), the Opéra-Comique (1832–1840), and the Théâtre du Vaudeville (1840–1869). The theatre was demolished in 1869. Théâtre des Nouveautés (1827–1832) The Salle de la Bourse was built to the designs of the French architect François Debret for the first Théâtre des Nouveautés, which opened there on 1 March 1827. The founder was Cyprien Bérard, a former director of the Théâtre du Vaudeville. The programs consisted of ballads, opéras comiques (Hector Berlioz was a chorister there for a few months), satires and political plays. The theatre suffered the prohibitions of censorship and had recurrent difficulties with the Opéra-Comique, which refused to share its privileges. However, for other reasons Bérard was forced to close his theatre on 15 Feb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph-Antoine-Charles Couderc
Joseph-Antoine-Charles Couderc (10 March 1810 – 16 April 1875) was a French operatic tenor (and later baritone) prominent on the stages of the Opéra Comique in Paris where he created numerous roles. Life and career Couderc was born in Toulouse where his father had a grocery shop. He was working in his father's business when Louis Benoît Alphonse Révial (1810-1871) a tenor from Toulouse already studying at the Conservatoire de Paris convinced him to study singing and facilitated his entry to the conservatory in 1830. After studying singing there under Louis Nourrit, Couderc made his debut as Rodolphe in Boieldieu's ''Le petit chaperon de rouge'' at the Opéra-Comique in 1834. He created several roles with the company between 1834 and 1841 and was greatly admired for his acting ability. He sang in Belgium from 1842 until 1850 when he returned to the Opéra-Comique where he remained for the rest of his career singing leading tenor and later baritone roles.Duckett, William (ed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laure Cinti-Damoreau
Laure Cinti-Damoreau (6 February 1801 – 25 February 1863) was a French soprano particularly associated with Rossini roles. Life and career Born Laure-Cinthie Montalant in Paris, she studied in Paris with Charles-Henri Plantade, tenor Giulio Marco Bordogni and soprano Angelica Catalani, who devised her stage name of Cinti by italianizing her middle name and engaged her at the Théâtre-Italien in Paris. There she made her professional debut in ''Una cosa rara'' by Vicente Martin y Soler on 8 January 1816. When Catalani's management went bankrupt in 1818, she was reengaged by the new company that had been formed at the Théâtre Louvois, where her roles included Cherubino and Rosina. In 1822 she appeared at the King's Theatre in London.Robinson. After complementary studies with composer Gioachino Rossini, she sang in the Paris premiere of ''Elisabetta, regina d'Inghilterra'' and created the role of Countess Folleville in ''Il viaggio a Reims''. She made her debut at the Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1836 Operas
Events January–March * January 1 – Queen Maria II of Portugal marries Prince Ferdinand Augustus Francis Anthony of Saxe-Coburg-Gotha. * January 5 – Davy Crockett arrives in Texas. * January 12 ** , with Charles Darwin on board, reaches Sydney. ** Will County, Illinois, is formed. * February 8 – London and Greenwich Railway opens its first section, the first railway in London, England. * February 16 – A fire at the Lahaman Theatre in Saint Petersburg kills 126 people."Fires, Great", in ''The Insurance Cyclopeadia: Being an Historical Treasury of Events and Circumstances Connected with the Origin and Progress of Insurance'', Cornelius Walford, ed. (C. and E. Layton, 1876) p76 * February 23 – Texas Revolution: The Battle of the Alamo begins, with an American settler army surrounded by the Mexican Army, under Santa Anna. * February 25 – Samuel Colt receives a United States patent for the Colt revolver, the first revolving barrel multishot firearm. * March ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Daniel Auber
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François Novelli
Jean-François Novelli (born in 1970) is a contemporary French tenor born in Fontainebleau. Career Novelli holds a master's degree in musicology in the Sorbonne, winner of the Concours général and first prize for recorder, and turns to singing. He graduated from the Conservatoire de Paris after receiving the teachings of A-M Bondi, Rachel Yakar, Christiane Patard and was immediately admitted to postgraduate studies. Noticed, he is one of the young talents selected for the midem of Cannes. Fascinated by baroque music, he won the First Prize of the Sinfonia competition in 1997 with Patricia Petibon and the ensemble (jury présided by Gustav Leonhardt). He perfected his skills with the tenor Howard Crook and collaborated with the principal French formations specialized in the repertoires of the 17th and 18th centuries: Il Seminario Musicale, Les Arts Florissants, les Talens Lyriques, Le Concert Spirituel, Le Poème Harmonique, the Éléments, the Ensemble Jacques Moderne, Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
