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L'Orfeo Barockorchester
L'Orfeo Barockorchester is an Austrian Ensemble of historically informed performance. Presentation The international baroque and opera orchestra, founded in 1996 by Michi Gaigg and Carin van Heerden at the Anton Bruckner Privatuniversität, has received several awards for first recordings. The repertoire, as can be seen from the discography, ranges from Suites of the French Baroque music through the Sinfonia of the Sturm und Drang to the literature of the Klassik and the Romantic music. Works Most of the operas listed below were staged and performed during the : * Georg Philipp Telemann: ''Miriways'' * Wolfgang Amadeus Mozart: ''La Betulia liberata'' * Christoph Willibald Gluck: ''Orfeo ed Euridice'' * Gioachino Rossini: ''La cambiale di matrimonio'' * Georg Philipp Telemann: ''Orpheus oder Die wunderbare Beständigkeit der Liebe'' * Gioachino Rossini: ''La scala di seta'' * Joseph Haydn: ''L'isola disabitata'' * Joseph Haydn: ''L’incontro improvviso'' * Gioachino Rossini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of #Early instruments, period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament (music), temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no Sound recording and reproduction, sound recordings exist of music before the late 19th century, historically informed performance is largely derived from Musicology, music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Scala Di Seta
''La scala di seta'' (''The Silken Ladder'' or ''Die seidene Leiter'') is an operatic '' farsa comica'' in one act by Gioachino Rossini to a libretto by Giuseppe Maria Foppa. It was first performed in Venice, Italy, at the Teatro San Moisè on 9 May 1812. The overture has been frequently recorded and continues to be featured in the modern concert repertoire. From 1810 to 1813, the young Rossini composed four Italian ''farse'', beginning with ''La cambiale di matrimonio'' (''The Bill of Marriage''), his first opera, and ending with ''Il Signor Bruschino''. These types of short pieces were popular in Venice at the end of the 18th century and the beginning of the 19th century. The pieces were intimate, with a cast of five to seven singers, always including a pair of lovers, at least two comic parts, and one or two other minor roles. The style called for much visual comedy improvised by the players. As compared to many genres of opera, acting and comedic talent is more important ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Fils
Anton Fils (also Antonín Fils, Johann Anton Fils, Johann Anton Filtz), 22 September 1733 (baptized) – 14 March 1760 (buried) was a German classical composer. Fils was born in Eichstätt, in the Bishopric of Eichstätt. Long thought to have been of Bohemian origin (e.g., ), despite having been described as "from Bavaria" by Friedrich Wilhelm Marpurg in 1756, his true origins were discovered in the 1960s . Fils studied law and theology at the University of Ingolstadt, and in 1754 became part of the "Mannheimer Hofkapelle" as a cellist. The Mannheim orchestra at the time was led by Johann Stamitz . In 1757 Fils married Elizabeth Range, and in 1759 the couple bought a house. Although he died at age 26, he left an extensive body of work, including at least thirty-four symphonies. Although he composed about thirty concertos, mainly for cello and for flute, only about half have survived . Fils died in Mannheim and was buried on 14 March 1760 . In his book ''Ideas for an Aesth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emma Kirkby
Dame Carolyn Emma Kirkby, (; born 26 February 1949) is an English soprano and early music specialist. She has sung on over 100 recordings. Education and early career Kirkby was educated at Hanford School, Sherborne School for Girls in Dorset, and Somerville College, Oxford University. Her father was Geoffrey John Kirkby, a Royal Navy Officer. Kirkby did not originally intend to become a professional singer. In the late 1960s, while she was studying classics at Oxford, she joined the Schola Cantorum of Oxford, a student choir which, at the time, was being conducted by Andrew Parrott. After graduation, Kirkby went to work as a school teacher, but became increasingly involved in singing with the growing number of music ensembles that were being founded during the Early music revival of the early 1970s. She married Parrott, and sang with his Taverner Choir which he founded in 1973. Her vocal career developed throughout the 1970s, and she became noted as a soloist in performan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Christian Bach
Johann Christian Bach (September 5, 1735 – January 1, 1782) was a German composer of the Classical period (music), Classical era, the eighteenth child of Johann Sebastian Bach, and the youngest of his eleven sons. After living in Italy for several years, Bach moved to London in 1762, where he became known as "the London Bach". He is also sometimes known as "the English Bach", and during his time spent living in the British capital, he came to be known as John Bach. He is noted for playing a role in influencing the concerto styles of Joseph Haydn, Haydn and Wolfgang Amadeus Mozart, Mozart. He contributed significantly to the development of the new sonata principle. Life Johann Christian Bach was born to Johann Sebastian Bach, Johann Sebastian and Anna Magdalena Bach in Leipzig, Germany. His distinguished father was already 50 at the time of his birth—an age gap exemplified by the sharp differences in the musical styles of father and son. Even so, father Bach instructed Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedikt Anton Aufschnaiter
Benedikt Anton Aufschnaiter (baptised 21 February 1665, Kitzbühel – buried 24 January 1742, Passau) was an Austrian Baroque composer. Aufschnaiter received much of his musical education in Vienna, where he lived for several years. Later he got a post at the band near to the emperor's court. On 16 January 1705, he was appointed ''Kapellmeister'' at the Passau court by Bishop-Cardinal Johann Philipp von Lamberg as a successor to Georg Muffat. Aufschnaiter died there in January 1742. He was married twice and from the second marriage, he had a son. Most of Aufschnaiter's 300 surviving works are sacred. In his ''Regulæ Fundamentales Musurgiæ'', he named Giacomo Carissimi, Orlande de Lassus, Johann Kaspar Kerll and Adam Gumpelzhaimer as his idols. List of selected works Theoretical works *''Regulæ Fundamentales Musurgiæ'' (Fundamental rules on composing good music) Compositions *''Concors discordia'' op. 2 (Nürnberg 1695) – six serenades for orchestra *''Dulcis Fidium Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Christoph Wagenseil
Georg Christoph Wagenseil (29 January 1715 – 1 March 1777) was an Austrian composer. He was born in Vienna, and became a favorite pupil of the Vienna court's Kapellmeister, Johann Joseph Fux. Wagenseil himself composed for the court from 1739 to his death. He also held positions as harpsichordist and organist. His pupils included Johann Baptist Schenk (who was to teach Ludwig van Beethoven), and Marie Antoinette. He traveled little, and died in Vienna having spent most of his life there. Wagenseil was a well-known musical figure in his day — both Joseph Haydn and Wolfgang Amadeus Mozart are known to have been familiar with his works. His early works are Baroque, while his later pieces are in the Classical style. He composed a number of operas, choral works, symphonies,Kucaba, John.: "Thematic Index" in ''The Symphony 1720 - 1840'' Series B - Volume III, ed. Barry S. Brooks (New York & London, 1981) pp. xxxvii - l concertos, chamber music and keyboard Keyboard m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignaz Holzbauer
Ignaz Jakob Holzbauer (18 September 1711 – 7 April 1783) was an Austrian composer of symphonies, concertos, operas, and chamber music, and a member of the Mannheim school. His aesthetic style is in line with that of the ''Sturm und Drang'' "movement" of German art and literature. Biography Holzbauer was born in Vienna. Despite the opposition of his parents, who intended him for the law, he studied music, and in 1745 became kapellmeister to Count Rottal and at the Court Theatre of Vienna. Later he was kapellmeister at Stuttgart, Germany. His operas include ''Il figlio delle selve'', which was the opening performance of the Schlosstheater Schwetzingen in 1753. Its success led to a job offer from the court at Mannheim, Germany, where he stayed for the rest of his life, continuing to compose and to teach, his students including Johann Anton Friedrich Fleischmann (1766–1798), the pianist, and Carl Stamitz. Holzbauer died in Mannheim, having been entirely deaf for some years. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quichotte Auf Der Hochzeit Des Comacho
' (''Don Quixote at Camacho's Wedding''), TVWV 21:32, is a one-act comic serenata by Georg Philipp Telemann. The libretto by the student poet Daniel Schiebeler is based on chapter 20 of volume 2 of Cervantes's novel ''Don Quixote''. The opera premiered on 5 November 1761 in Hamburg. When first performed, it was given the title: '; later it was also known as ' (Don Quixote, the Knight of the Lions). History Miguel de Cervantes's novel "El ingenioso hidalgo Don Quijote de la Mancha", published in 1605 and 1615, is part of mainstream World literature. The scene of the hero and his squire taking part in the wedding of Camacho was chosen by the poet Daniel Schiebeler (1741–1771) when he was a student aged 18 for the libretto of a ''Singspiel'', entitled ''Basilio und Quiteria'', which he offered to the composer Georg Philipp Telemann, around 60 years his senior. Telemann was agreeable, but made substantial changes to the text. The opera premiered on 5 November 1761, when Telemann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zaide
''Zaide'' (originally, ''Das Serail'') is an unfinished German-language opera, K. 344, written by Wolfgang Amadeus Mozart in 1780. Emperor Joseph II, in 1778, was in the process of setting up an opera company for the purpose of performing German opera. One condition required of the composer to join this company was that he should write a comic opera. At Salzburg in 1779 Mozart began work on a new opera (now known as ''Zaide'' although Mozart did not give it such a title). It contains spoken dialogue, which also classifies it as a ''Singspiel'' (literally, "singing play"). Only the arias and ensembles from the first two acts were composed. Missing are an overture and third act. It was popular at the time for operas to depict the rescue of enslaved Westerners from Muslim courts, since Muslim pirates were preying on Mediterranean shipping, particularly to obtain slaves for various purposes. This story portrays Zaide's effort to save her beloved, Gomatz. Mozart was composing f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Anton Benda
Georg Anton Benda ( cz, Jiří Antonín Benda, italic=no, link=no; 30 June 17226 November 1795) was a composer, violinist and Kapellmeister of the classical period from the Kingdom of Bohemia. Biography Born into a family of notable musicians in Old Benatek (today Benátky nad Jizerou), Bohemia, he studied at the Piarist Gymnasium (grammar school) in Kosmanos and at the Jesuit Gymnasium in Gitschin from 1735 to 1742. Benda was 19 when Frederick the Great bestowed upon him in 1741 the position of second violinist in the chapel of Berlin. The following year Benda was summoned to Potsdam as a composer and arranger for his older brother Franz, himself an illustrious composer and violinist. Seven years later, in 1749, he entered the service of the Duke of Gotha as '' Kapellmeister,'' where he constantly cultivated his talents for composition, specializing in religious music. A stipend from the duke allowed Benda to take a study trip to Italy in 1764. He returned to Gotha in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Signor Bruschino
''Il signor Bruschino, ossia Il figlio per azzardo'' ''(Signor Bruschino, or The Accidental Son)'' is a one act operatic farce ( farsa giocosa per musica) by Gioachino Rossini to a libretto by Giuseppe Maria Foppa, based upon the 1809 play ''Le fils par hasard, ou ruse et folie'' by René de Chazet and Maurice Ourry. The opera was first performed in Venice at the Teatro San Moisè on 27 January 1813. Between 1810 and 1813, the young Rossini composed five pieces for the Teatro San Moisè, beginning with ''La cambiale di matrimonio'' (''Bill of Exchange of Marriage''), his first opera, and ending with ''Il signor Bruschino''. These farse were short pieces, popular in Venice at the end of the 18th century and the beginning of the 19th century. They were intimate, with a cast of five to eight singers, always including a pair of lovers, here Sofia and Florville, at least two comic parts, here Bruschino senior, Gaudenzio and Filiberto, and one or more minor roles, here Marianna, Brusc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
