L'Arroseur Arrosé
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L'Arroseur Arrosé
''L'Arroseur Arrosé'' (; also known as ''The Waterer Watered '' and ''The Sprinkler Sprinkled'') is an 1895 in film, 1895 France, French Short subject, short black-and-white silent film, silent comedy film directed and produced by Auguste and Louis Lumière, Louis Lumière and starring François Clerc (actor), François Clerc and Benoît Duval. It was first screened on June 10, 1895. It is the earliest known instance of film comedy, the first use of film to portray a fictional story, and the first use of a promotional film poster. The film was originally known as ''Le Jardinier'' ("The Gardener") or ''Le Jardinier et le petit espiègle'', and is sometimes referred to in English as ''The Tables Turned on the Gardener'', and ''The Sprinkler Sprinkled''. Plot Shot in Lyon in the spring of 1895, the film portrays a simple practical joke in which a gardener is tormented by a boy who steps on the Garden hose, hose that the gardener is using to water his plants, cutting off the water ...
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Auguste And Louis Lumière
The Lumière brothers (, ; ), Auguste Marie Louis Nicolas Lumière (19 October 1862 – 10 April 1954) and Louis Jean Lumière (5 October 1864 – 6 June 1948), were French manufacturers of photography equipment, best known for their ''Cinématographe'' motion picture system and the short films they produced between 1895 and 1905, which places them among the earliest filmmakers. Their screening of a single film on 22 March 1895 for around 200 members of the "Society for the Development of the National Industry" in Paris was probably the first presentation of projected film. Their first commercial public screening on 28 December 1895 for around 40 paying visitors and invited relations has traditionally been regarded as the birth of cinema. Either the techniques or the business models of earlier filmmakers proved to be less viable than the breakthrough presentations of the Lumières. History The Lumière brothers were born in Besançon, France, to Charles-Antoine Lumière (1 ...
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Spanking
Spanking is a form of corporal punishment involving the act of striking, with either the palm of the hand or an implement, the buttocks of a person to cause physical pain. The term spanking broadly encompasses the use of either the hand or implement, the use of implements can also refer to the administration of more specific types of corporal punishment such as caning, paddling and slippering. Some parents spank children in response to undesired behavior. Adults more commonly spank boys than girls both at home and in school. Some countries have outlawed the spanking of children in every setting, including homes, schools, and penal institutions, while others permit it when done by a parent or guardian. Terminology In American English, dictionaries define spanking as being administered with either the open hand or an implement such as a paddle. Thus, the standard form of corporal punishment in US schools (use of a paddle) is often referred to as a ''spanking''. In North Ameri ...
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Copyright Law
A copyright is a type of intellectual property that gives its owner the exclusive right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require "fixing" copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution. Copyrights can be granted by public law and are in that case considered "territorial rig ...
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Marcellin Auzolle
Marcellin may refer to: * Marcellin (given name) * Raymond Marcellin (1914–2004), French politician * Marcellin Champagnat (1789-1840), Catholic Saint and educator ; places * Marcellin College, Bulleen, a Marist Catholic secondary boys' school situated in Bulleen, Victoria, Australia * Marcellin College, Auckland, an integrated, co-educational college in Royal Oak, Auckland, New Zealand * Marcellin College Randwick, a systemic Roman Catholic, secondary, day school for boys, located in Randwick, a south-eastern suburb of Sydney, New South Wales, Australia ; other * Marcellin Act In France, associated communes (french: communes associées) were created by the Commune Merger Act of July 16, 1971 (also called the ''Marcellin Act''). It permits the formerly independent communes to maintain certain institutions, such as * a del ..., a law establishing the Associated communes of France * Saint-Marcellin (other) {{disambiguation, surname ...
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Léon Trotobas
Leon, Léon (French) or León (Spanish) may refer to: Places Europe * León, Spain, capital city of the Province of León * Province of León, Spain * Kingdom of León, an independent state in the Iberian Peninsula from 910 to 1230 and again from 1296 to 1301 * León (historical region), composed of the Spanish provinces León, Salamanca, and Zamora * Viscounty of Léon, a feudal state in France during the 11th to 13th centuries * Saint-Pol-de-Léon, a commune in Brittany, France * Léon, Landes, a commune in Aquitaine, France * Isla de León, a Spanish island * Leon (Souda Bay), an islet in Souda Bay, Chania, on the island of Crete North America * León, Guanajuato, Mexico, a large city * Leon, California, United States, a ghost town * Leon, Iowa, United States * Leon, Kansas, United States * Leon, New York, United States * Leon, Oklahoma, United States * Leon, Virginia, United States * Leon, West Virginia, United States * Leon, Wisconsin (other), United States, several ...
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Aspect Ratio (image)
The aspect ratio of an image is the ratio of its width to its height, and is expressed with two numbers separated by a colon, such as ''16:9'', sixteen-to-nine. For the ''x'':''y'' aspect ratio, the image is ''x'' units wide and ''y'' units high. Common aspect ratios are 1.85:1 and 2.39:1 in cinematography, 4:3 and 16:9 in television photography, and 3:2 in still photography. Some common examples The common film aspect ratios used in cinemas are 1.85:1 and 2.39:1.The 2.39:1 ratio is commonly labeled 2.40:1, e.g., in the American Society of Cinematographers' ''American Cinematographer Manual'' (Many widescreen films before the 1970 SMPTE revision used 2.35:1). Two common videographic aspect ratios are 4:3 (1.:1), the universal video format of the 20th century, and 16:9 (1.:1), universal for high-definition television and European digital television. Other cinema and video aspect ratios exist, but are used infrequently. In still camera photography, the most common aspect ra ...
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35mm Movie Film
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips wide. The standard image exposure length on 35 mm for movies ("single-frame" format) is four perforations per frame along both edges, which results in 16 frames per foot of film. A variety of largely proprietary gauges were devised for the numerous camera and projection systems being developed independently in the late 19th century and early 20th century, as well as a variety of film feeding systems. This resulted in cameras, projectors, and other equipment having to be calibrated to each gauge. The 35 mm width, originally specified as inches, was introduced around 1890 by William Kennedy Dickson and Thomas Edison, using 120 film stock supplied by George Eastman. ...
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Cinématographe
Cinematograph or kinematograph is an early term for several types of motion picture film mechanisms. The name was used for movie cameras as well as film projectors, or for complete systems that also provided means to print films (such as the Cinématographe Lumière). History A device by this name was invented and patented as the "Cinématographe Léon Bouly" by French inventor Léon Bouly on February 12, 1892. Bouly coined the term "cinematograph," from the Greek for "writing in movement."Abel, Richard. Encyclopedia of Early Cinema. 1st ed. London: Routledge, 2004. Due to a lack of money, Bouly could not develop his ideas properly and maintain his patent fees, so the Lumière brothers were free to adopt the name. In 1895, they applied it to a device that was mostly their own invention. The Lumière brothers made their first film, ''Workers Leaving the Lumière Factory'' (''Sortie de l'usine Lumière de Lyon''), that same year. The first commercial, public screening of cinema ...
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Documentary Film
A documentary film or documentary is a non-fictional film, motion-picture intended to "document reality, primarily for the purposes of instruction, education or maintaining a Recorded history, historical record". Bill Nichols (film critic), Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries". Early documentary films, originally called "actuality films", lasted one minute or less. Over time, documentaries have evolved to become longer in length, and to include more categories. Some examples are Educational film, educational, observational and docufiction. Documentaries are very Informational listening, informative, and are often used within schools as a resource to teach various principles. Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic. Social media platfor ...
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Narrative
A narrative, story, or tale is any account of a series of related events or experiences, whether nonfictional (memoir, biography, news report, documentary, travel literature, travelogue, etc.) or fictional (fairy tale, fable, legend, thriller (genre), thriller, novel, etc.). Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb ''narrare'' (to tell), which is derived from the adjective ''gnarus'' (knowing or skilled). Narration (i.e., the process of presenting a narrative) is a rhetorical modes, rhetorical mode of discourse, broadly defined (and paralleling argumentation, description, and exposition (narrative), exposition), is one of four rhetorical modes of discourse. More narrowly defined, it is the fiction-writing mode in which a narrator communicates directly to an audience. The school of literary criticism known as Russian formalism has applied metho ...
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L'Arrivée D'un Train En Gare De La Ciotat
''L'arrivée d'un train en gare de La Ciotat'' (translated from French into English as ''The Arrival of a Train at La Ciotat Station'', ''Arrival of a Train at La Ciotat'' (US) and ''The Arrival of the Mail Train'', and in the United Kingdom as ''Train Pulling into a Station'') is an 1895 French short documentary film directed and produced by Auguste and Louis Lumière. Contrary to myth, it was not shown at the Lumières' first public film screening on 28 December 1895 in Paris, France: the programme of ten films shown that day makes no mention of it. Its first public showing took place in January 1896. It is indexed as Lumière No. 653. Synopsis This 50-second silent film shows the entry of a train pulled by a steam locomotive into the gare de La Ciotat, the train station of the French southern coastal town of La Ciotat, near Marseille. Like most of the early Lumière films, ''L'arrivée d'un train en gare de La Ciotat'' consists of a single, unedited view illustrating an as ...
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Fred Ott's Sneeze
''Fred Ott's Sneeze'' (also known as ''Edison Kinetoscopic Record of a Sneeze'') is an 1894 short, black-and-white, silent film shot by William K.L. Dickson and featuring Fred Ott. It is the oldest surviving motion picture with a copyright. In the approximately five-second film, which was shot in January 1894, one of Thomas Edison's assistants, Fred Ott, takes a pinch of snuff and sneezes. According to the Library of Congress, the film was "made for publicity purposes, as a series of still photographs to accompany an article in ''Harper's Weekly''." In 2015, the United States Library of Congress selected the film for preservation in the National Film Registry, finding it "culturally, historically, or aesthetically significant." Production The film was produced by the Edison Manufacturing Company, which had begun making films in 1890 under the direction of Dickson, one of the earliest film pioneers. It was filmed within the Black Maria studio at West Orange, New Jersey, which wa ...
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