L'Arpa Festante
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L'Arpa Festante
is a German chamber orchestra, specializing in the revival and performance of unknown works, especially from the Baroque music, Baroque era. It was established in Munich in 1983 by Michi Gaigg, who also led the ensemble as concertmaster until 1995. The ensemble takes its name from Giovanni Battista Maccioni's dramatic cantata (''The Festive Harp'') which was first performed in 1653, inaugurating what was to become the Bavarian State Opera. plays in varying ensembles of up to 40 players, often with choirs and soloists. Early music is played on period instruments in historically informed performances. The orchestra's focus is on revivals of less-known works of the Baroque in Southern Germany, music by members of the Bach family, and oratorios of the Baroque and Classical period (music), Classical periods. The orchestra played Bach's Mass in B minor with the Frankfurter Kantorei, conducted by Winfried Toll. They performed the work at the Cathedral of Trier with the cathedral choir ...
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Chamber Orchestra
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. J ...
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Christian Ernst Graf
Christian Ernst Friedrich Graf ( Rudolstadt, 30 June 1723 – The Hague, 17 July 1804) was a Dutch Kapellmeister (, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term ha ... and composer of German descent. He was Kapellmeister to William V, Prince of Orange and resident in the Netherlands from 1762, where he changed the spelling of his name to Graaf. He was the son of Kapellmeister :de:Johann Graf (1684–1750) and brother of the flautist Friedrich Hartmann Graf.Bertil H. Van Boer Historical Dictionary of Music of the Classical Period 2012- Page 239 "The son of Kapellmeister Johann Graf (1684–1750) and brother to Christian Ernst Graf, he joined a military regiment in 1743, being wounded and interned during the Seven Years' War. In 1759 upon his release he moved to Hamburg, and in ..." ...
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Gerhild Romberger
Gerhild Romberger is a German mezzo-soprano and contralto concert singer. Career Born in Sögel, Germany, Romberger studied music pedagogy at the Hochschule für Musik Detmold, and then voice with Heiner Eckels. She graduated in 1990 with the artistic diploma (''künstlerische Reifeprüfung'') and took the concert exam in 1992. She took master classes with Hartmut Höll, Annie Schoonus, and Mitsuko Shirai. Her repertories are mezzo and contralto parts in Lied, oratorio, and concert, from Baroque to contemporary. She has collaborated with the conductors Enoch zu Guttenberg, Manfred Honeck, Hermann Max, Ralf Otto, Hans-Christoph Rademann and Christoph Spering, and others. She made several recordings and has performed internationally, for example singing Beethoven's Missa solemnis in South America. She appeared in his Ninth Symphony at the Beethovenfest of 2013, alongside Susanne Bernhard, Andreas Schager and Franz-Josef Selig, with the Bamberg Symphony chorus and orchestra, ...
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Julia Kleiter
Julia Kleiter (born 5 May 1980) is a German operatic soprano and a concert singer. After her debut as Mozart's ''The Magic Flute, Pamina'' at the Opéra Bastille in Paris, she has appeared at major international opera houses, especially the Zurich Opera, and festivals, including the Salzburg Festival. She is also active as a concert singer, and has recorded Bach with Nikolaus Harnoncourt, among others. Early life and education Kleiter was born in Limburg an der Lahn, and as a girl, she sang in the Mädchenkantorei Limburg, Mädchenkantorei (girls' chorale) at the Limburg Cathedral, later in the Cathedral Choir. She studied voice at the Musikhochschule Hamburg with William Workman and at the Musikhochschule Köln with Klesie Kelly. She first focused on concert singing. Operatic career In 2004, Kleiter made her stage debut as Pamina in Mozart's ''The Magic Flute, Die Zauberflöte'' at the Opéra Bastille in Paris, conducted by Jiří Kout. She then performed the same role in ...
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Ralf Otto
Ralf Otto (born 1956) is a German conductor, especially known as a choral conductor and academic teacher. He founded the Vokalensemble Frankfurt, focused on contemporary music and winning competitions including Let the Peoples Sing. Since 1986, he has been director of the Bachchor Mainz, with a tradition of performing Bach cantatas in broadcast church services. He added late romantic and contemporary works to their repertoire and made international tours with them. They made world premiere recordings of some cantatas by Bach's oldest son, Wilhelm Friedemann Bach, among other recordings. Otto was professor of choral conducting at the Folkwang Hochschule from 1990 to 2006, when he took the same position at the Hochschule für Musik Mainz. Life and career Vokalensemble Frankfurt Otto was born in Kassel. While still studying church music at the Musikhochschule Frankfurt, Otto founded the Vokalensemble Frankfurt in 1981. With this chamber choir, consisting of young, partly professi ...
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Requiem (Mozart)
The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. The autograph manuscript shows the finished and orchestrated Introit in Mozart's hand, and detailed drafts of the Kyrie and the sequence Dies irae as far as the first eight bars of the Lacrymosa movement, and the Offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Benedictus and the Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is know ...
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Carl Heinrich Graun
Carl Heinrich Graun (7 May 1704 – 8 August 1759) was a German composer and tenor. Along with Johann Adolph Hasse, he is considered to be the most important German composer of Italian opera of his time. Biography Graun was born in Wahrenbrück in the Electorate of Saxony. In 1714, he followed his brother, Johann Gottlieb Graun, to the school of the Kreuzkirche, Dresden, and sang in the Dresdner Kreuzchor and the chorus of the Dresden Opera. He studied singing with Christian Petzold and composition with Johann Christoph Schmidt. In 1724, Graun moved to Braunschweig, singing at the opera house and writing six operas for the company. In 1735, Graun moved to Rheinsberg in Brandenburg, after he had written the opera ''Lo specchio della fedeltà'' for the marriage of the then crown prince Frederick (the Great) and Elisabeth Christine in Schloss Salzdahlum in 1733. He was ''Kapellmeister'' to Frederick the Great from his ascension to the throne in 1740 until Graun's death nineteen ...
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David Pohle
David Pohle (1624 – 20 December 1695) was a German composer of the Baroque era. His surname is also spelled Pohl, Pohlen, Pole, Pol or Bohle. Biography Pohle was born in Marienberg into a family of civic musicians. He was a pupil of Heinrich Schütz in Dresden.Snyder. He and his brother Samuel joined the ''Kapelle'' of Christian I, Duke of Saxe-Merseburg as instrumentalists. From 1650 to 1652 his presence at Kassel is documented. From 1653 he was at the Holstein-Gottorp court in Schleswig. In a baptismal record of 1660 he is named as "'' Concertmeister'' to the prince of Magdeburg", namely Augustus, Duke of Saxe-Weissenfels. Pohle became the ''Kapellmeister'' for the Duke's court at Halle that same year, succeeding Philipp Stolle. The poet and dramatist David Elias Heidenreich worked in the Saxon courts as an official, and provided the libretti for a number of the ''Singspiel'' operas that Pohle composed. Christian Ritter was also at Halle, as organist, for some years up to 1 ...
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Johann Philipp Förtsch
Johann Philipp Förtsch (14 May 1652 - 14 December 1732) was a German baroque composer, statesman and doctor. Life Förtsch was born in Wertheim and possibly received his musical education from Johann Philipp Krieger. Moving to Hamburg in 1674 to write librettos, he then became in the 1680s one of the main composers in the heyday of the Oper am Gänsemarkt. In later life he returned to medicine. Works Operas (all lost) * Das unmöglichste Ding (Lukas von Bostel, after Lope de Vega, 1684) * Der hochmüthige, gestürzte und wieder erhabene Crösus (Lukas von Bostel, after Nicolò Minato, 1684) * Der Grosse Alexander in Sidon (Christian Heinrich Postel, after Aurelio Aureli, Hamburg 1688) * Die Heilige Eugenia, or the Conversion of Alexandria to Christianity (Christian Heinrich Postel, probably after Girolamo Bartolommei, Hamburg 1688) * Der im Christenthum biß in den Todt beständige Märtyrer Polyeuctes (Heinrich Elmenhorst, after Pierre Corneille, Hamburg 1688) * Der mächtige M ...
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Carus-Verlag
Carus-Verlag is a German music publisher founded in 1972 and based in Stuttgart. Carus was founded by choral conductor Günter Graulich and his wife Waltraud with an emphasis on choral repertoire. The catalogue currently includes more than 26,000 works (January 2016). The company produces the standard editions of the complete works of Josef Rheinberger and Max Reger.''Harald Wanger, Rheinberger-Archivar, Organist, Pädagoge'' Harald Wanger, Franz-Georg Rössler, Robert Allgäuer - 2003 p. 48 Carus-Verlag, Musikalische Schätze abseits bekannter Pfade - Harald Wanger und der Carus-Verlag "Für den Carus-Verlag ist die Verbindung zu Harald Wanger und dem Josef Rheinberger-Archiv ein Glücksfall." Record label The company also produces CDs to accompany some of its printed editions. Currently the publishers are working on recordings accompanying the complete editions of Wilhelm Friedemann Bach. Opera rarities include Schubert's ''Sakuntala'' and Johann Rudolf Zumsteeg Johann Rudo ...
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Rupert Ignaz Mayr
Rupert Ignaz Mayr (1646 in Schärding – 7 February 1712 in Freising) was a German violinist, composer and Kapellmeister in Munich at the court of Maximilian II Emanuel, Elector of Bavaria Maximilian, Maximillian or Maximiliaan (Maximilien in French) is a male given name. The name " Max" is considered a shortening of "Maximilian" as well as of several other names. List of people Monarchs *Maximilian I, Holy Roman Emperor (1459†....Historic Brass Society Newsletter 2005 - No 18 - Page 65 "Rupert Ignaz Mayr was a minor master active in Bavaria during the last quarter of the 17th and early-18th century." References 1646 births 1712 deaths German Baroque composers German classical violinists Male classical violinists German violinists German male violinists People from Schärding District 18th-century classical composers German classical composers German male classical composers 18th-century German composers 18th-century German male musicians {{German ...
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Christmas Oratorio
The ''Christmas Oratorio'' (German: ''Weihnachtsoratorium''), , is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It is in six parts, each part a cantata intended for performance on one of the major feast days of the Christmas period. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next complete public performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The ''Christmas Oratorio'' is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander). The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the ''Asce ...
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