L'Absente
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L'Absente
''L'Absente'' is the fourth studio album by French composer and musician Yann Tiersen. When French film director Jean-Pierre Jeunet asked Tiersen if he was interested in writing the film score for ''Amélie'', Tiersen was already working on ''L'Absente''. The album was released on 5 June 2001 through EMI France, and was preceded by two promotional singles for "À quai" and "Bagatelle". ''L'Absente'' is an album of great variety with Tiersen playing many instruments including an old-fashioned typewriter and a pot, and it is characterized by several guests contributions provided by the 35-member Ensemble Orchestral Synaxis conducted by Guillaume Bourgogne, French folk rock group Têtes Raides, singers Dominique A, Lisa Germano, Neil Hannon, and Belgian actress Natacha Régnier, ondes Martenot player Christine Ott, Christian Quermalet, guitarist Marc Sens, viola player Bertrand Lambert, violinists Yann Bisquay and Sophie Naboulay, saxophonist Grégoire Simon, and drummer Sacha Toor ...
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Yann Tiersen
Yann Tiersen (born 23 June 1970) is a French Breton musician and composer. His musical career is split between studio recordings, music collaborations and film soundtracks songwriting. His music incorporates a large variety of classical and contemporary instruments, primarily the electric guitar, the piano, synthesisers and the violin, but also instruments such as the melodica, xylophone, toy piano, harpsichord, piano accordion or even typewriter. Tiersen is often mistaken for a soundtrack composer; as he is quoted about himself: "I'm not a composer and I really don't have a classical background," but his real focus is on touring and recording studio albums, which are often used for film soundtracks. Tracks taken from his first three studio albums were used for the soundtrack of the 2001 French film ''Amélie''. Biography and career The early years: 1970–1992 Tiersen was born in 1970 in Brest, in the department of Finistère, part of Brittany in northwestern France, into a ...
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Amélie (soundtrack)
''Amélie'' is the soundtrack to the 2001 French film ''Amélie''. Director Jean-Pierre Jeunet was introduced to the accordion- and piano-driven music of Yann Tiersen by his production assistant. Greatly impressed, he immediately bought Tiersen's entire catalogue and eventually commissioned him to compose pieces for the film. The soundtrack features both compositions from Tiersen's first three albums, as well as new items, variants of which can be found on his fourth album, '' L'Absente'', which he was writing at the same time. Besides the accordion and piano, the music features parts played with harpsichord, banjo, bass guitar, vibraphone, and even a bicycle wheel at the end of "La Dispute" (which plays over the opening titles in the motion picture). Before discovering Tiersen, Jeunet wanted composer Michael Nyman to score the film. "Les Jours Tristes" was co-written with Neil Hannon of The Divine Comedy (band), The Divine Comedy. The track later received English lyrics, and w ...
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C'était Ici
''C'était ici'' is the second live album of French Avant-Garde musician and composer Yann Tiersen. It was recorded during three concerts performed on 15, 16, and 17 February 2002, at the Cité de la Musique in Paris, France. The album is noteworthy because of the many collaborators appearing in the performances such as the 35-member orchestral group Synaxis, conducted by Guillaume Bourgogne, Claire Pichet, Christine Ott, Christian Quermalet, Marc Sens, Nicolas Stevens, Jean-François Assy, Renaud Lhoest, Olivier Tilkin, Ronan le bars, Les Têtes Raides, Dominique A and Lisa Germano. On this album, the track entitled "La Noyée" is actually a piece by Serge Gainsbourg featured on the original soundtrack of the 1970 film ''Le Roman d'un voleur de chevaux'', a 1970 film directed by Abraham Polonsky and Fedor Hanzekovic starring Yul Brynner, Eli Wallach, Jane Birkin, Serge Gainsbourg among many others. Yann Tiersen's piece with the same title, "La Noyée II", is the track numbe ...
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Ian Caple
Ian Caple is an English recording engineer, record producer, programmer and mixer. History Caple's career began at EMI Music in 1979. After training at Abbey Road Studios, he became an engineer at EMI's KPM studios in Denmark Street London. He worked with Shriekback on their early albums at KPM as well as Kate Bush Simple Minds and Adam & The Ants. He left in 1984 to work as a freelance engineer/producer/programmer and mixer. Through the 1980s he worked again with Shriekback as well as many other Indie artists including the Pale Fountains, Jah Wobble, The Colourfield, Julian Cope, The Mekons, The Chameleons, The Wolfhounds, and East Village In 1989, he produced ''The Mekons Rock 'n Roll'' album which features in Pitchfork's top 100 albums of the '80s and is number 272 in Spin Magazine's ' 300 best albums of the past 30 years ' In the early 1990s, he co - produced the debut album for Tindersticks. The album – ''Tindersticks'', was released in 1993 and was voted album of the ...
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Neil Hannon
Edward Neil Anthony Hannon (born 7 November 1970) is a Northern Irish singer and songwriter. He is the creator and front man of the chamber pop group The Divine Comedy, and is the band's sole constant member. Hannon wrote the theme tunes for the television sitcoms ''Father Ted'' and '' The IT Crowd''. Early life and education Hannon was born in Derry, Northern Ireland, the son of Brian Hannon, a Church of Ireland minister in the Diocese of Derry and Raphoe and later Bishop of Clogher. He spent some of his youth in Fivemiletown before moving with his family to Enniskillen, in County Fermanagh, in 1982. While there, he attended Portora Royal School. Hannon enjoyed synthesizer-based music as a youngster; he has identified the Human League and Orchestral Manoeuvres in the Dark (OMD) as "the first music that really excited im. In the late 1980s he developed a fondness of the electric guitar, becoming an "indie kid". Career Hannon is founder and mainstay of The Divine Comedy, a ba ...
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Christine Ott
Christine Ott (born 10 August 1963) is a French pianist, vocalist, ondist,"Making the Ondes Martnot Speak"
, on de London philharmonia website, music by Christine Ott and composer. She was a member of 's band for eight years and played in classical orchestras for ten. She has collaborated with , , and

Virgin Records
Virgin Records is a record label owned by Universal Music Group. It originally founded as a British independent record label in 1972 by entrepreneurs Richard Branson, Simon Draper, Nik Powell, and musician Tom Newman. It grew to be a worldwide success over time, with the success of platinum performers Paula Abdul, Janet Jackson, Devo, Tangerine Dream, Genesis, Phil Collins, OMD, the Human League, Culture Club, Simple Minds, Lenny Kravitz, the Sex Pistols, and Mike Oldfield among others, meaning that by the time it was sold, it was regarded as a major label, alongside other large international independents such as A&M and Island Records. Virgin Records was sold to EMI in 1992. EMI was in turn taken over by Universal Music Group (UMG) in 2012 with UMG creating the Virgin EMI Records division. The Virgin Records name continues to be used by UMG in certain markets such as Germany and Japan. Virgin Records America Virgin Records America, Inc. was the company's North American ...
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Billboard Magazine
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off into ...
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Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Uses ...
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Rhodes Piano
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digita ...
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