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Kōji Wakamatsu
was a Japanese film director who directed such ''pinku eiga'' films as and . He also produced Nagisa Ōshima's controversial film ''In the Realm of the Senses'' (1976). He has been called "the most important director to emerge in the pink film genre," and one of "Japan's leading directors of the 1960s." His 2010 film, ''Caterpillar'', was nominated for the Golden Bear at the 60th Berlin International Film Festival. Early life Kōji Wakamatsu was born in Wakuya, Miyagi, Japan on 1 April 1936, from a poor family of rice farmers. Wakamatsu worked in several menial jobs, namely as a construction worker, before becoming a yakuza, as "a member of the Yasuma-gumi clan in the Shinjuku ward of Tokyo". After his criminal experience, he unsuccessfully enrolled in television before beginning his film career with Nikkatsu in 1963. Career Between 1963 and 1965, he directed 20 exploitation films for the studio, based on sensational topics of the day. He became interested in the Pink Film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wakuya, Miyagi
is a town located in Miyagi Prefecture, Japan. , the town had an estimated population of 15,763 in 6028 households, and a population density of 190 persons per km². The total area of the town is . The area is noted for its rice production. Geography Wakuya is in north-central Miyagi Prefecture in the flatlands of the Ōsaki Plains. Neighboring municipalities Miyagi Prefecture *Ishinomaki * Tome * Ōsaki * Misato Climate Wakuya has a humid climate (Köppen climate classification ''Cfa'') characterized by mild summers and cold winters. The average annual temperature in Wakuya is 11.0 °C. The average annual rainfall is 1224 mm with September as the wettest month. The temperatures are highest on average in August, at around 23.9 °C, and lowest in January, at around -0.7 °C. Demographics Per Japanese census data, the population of Wakuya has declined over the past 40 years. History The area of present-day Wakuya was part of ancient Mutsu Province, and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japan
Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the north toward the East China Sea, Philippine Sea, and Taiwan in the south. Japan is a part of the Ring of Fire, and spans Japanese archipelago, an archipelago of List of islands of Japan, 6852 islands covering ; the five main islands are Hokkaido, Honshu (the "mainland"), Shikoku, Kyushu, and Okinawa Island, Okinawa. Tokyo is the Capital of Japan, nation's capital and largest city, followed by Yokohama, Osaka, Nagoya, Sapporo, Fukuoka, Kobe, and Kyoto. Japan is the List of countries and dependencies by population, eleventh most populous country in the world, as well as one of the List of countries and dependencies by population density, most densely populated and Urbanization by country, urbanized. About three-fourths of Geography of Japan, the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shōhei Imamura
was a Japanese film director. His main interest as a filmmaker lay in the depiction of the lower strata of Japanese society. A key figure in the Japanese New Wave, who continued working into the 21st century, Imamura is the only director from Japan to win two Palme d'Or awards. Biography Early life Imamura was born to an upper-middle-class doctor's family in Tokyo in 1926. For a short time following the end of the war, Imamura participated in the black market selling cigarettes and liquor. He studied Western history at Waseda University, but spent more time participating in theatrical and political activities. He cited a viewing of Akira Kurosawa's ''Rashomon'' in 1950 as an early inspiration, and said he saw it as an indication of the new freedom of expression possible in Japan in the post-war era. Upon graduation from Waseda in 1951, Imamura began his film career working as an assistant to Yasujirō Ozu at Shochiku Studios on films like ''Early Summer'' and ''Tokyo Story''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claustrophobia
Claustrophobia is the fear of confined spaces. It can be triggered by many situations or stimuli, including elevators, especially when crowded to capacity, windowless rooms, and hotel rooms with closed doors and sealed windows. Even bedrooms with a lock on the outside, small cars, and tight-necked clothing can induce a response in those with claustrophobia. It is typically classified as an anxiety disorder, which often results in panic attacks. The onset of claustrophobia has been attributed to many factors, including a reduction in the size of the amygdala and classical conditioning. One study indicates that 5–10% of the world population is affected by severe claustrophobia, but only a small percentage of these people receive some kind of treatment for the disorder. The term ''claustrophobia'' comes from Latin ' "a shut in place" and Greek ', '' phóbos'', "fear". Signs and symptoms Claustrophobia is classified as a mental and behavioral disorder, specifically an anxiety d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand-held Camera
Hand-held camera or hand-held shooting is a filmmaking and video production technique in which a camera is held in the camera operator's hands as opposed to being mounted on a tripod or other base. Hand-held cameras are used because they are conveniently sized for travel and because they allow greater freedom of motion during filming. Newsreel camera operators frequently gathered images using a hand-held camera. Virtually all modern video cameras are small enough for hand-held use, but many professional video cameras are designed specifically for hand-held use such as for electronic news-gathering (ENG), and electronic field production (EFP). Hand-held camera shots often result in a shaky image, unlike the stable image from a tripod-mounted camera. Purposeful use of this technique is called shaky camera and can be heightened by the camera operator during filming, or artificially simulated in post-production. To prevent shaky shots, a number of image stabilization technologies hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freeze Frame Shot
In film and video, a freeze frame is when a single frame of content shows repeatedly on the screen—"freezing" the action. This can be done in the content itself, by printing (on film) or recording (on video) multiple copies of the same source frame. This produces a static shot that resembles a still photograph. ''Freeze frame'' is a term in live stage performance, for a technique in which actors freeze at a particular point to enhance a scene or show an important moment in production. Spoken word may enhance the effect, with a narrator or one or more characters telling their personal thoughts regarding the situation. Examples Film *The first known freeze frame was in director Alfred Hitchcock's 1928 film ''Champagne''. *An early use of the freeze frame in classic Hollywood cinema was Frank Capra's 1946 Christmas film ''It's A Wonderful Life'' where the first appearance of the adult George Bailey (played by James Stewart) on-screen is shown as a freeze frame. *A memorable freez ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eirin
The , also known as , is Japan's self-regulatory film regulator. Eirin was established on the model of the now-defunct American Motion Picture Producers and Distributors Association's Production Code Administration in June 1949, succeeding the US-led occupation authorities' role of film censorship during the Occupation of Japan. It classifies films into one of four categories depending on their suitability for viewing by minors of different ages. Description As in other countries, Eirin classifies films to indicate their suitability for minors. It considers eight criteria, such as whether the film contains sexual or violent material, and gives the film a rating in one of four categories. Although the ratings are sometimes controversial, Eirin's defenders argue that its independence shields film makers from the more draconian alternative, government censorship. During the opening credits (or in some cases, on the copyright screen immediately following the ending credits) o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15th Berlin International Film Festival
The 15th annual Berlin International Film Festival was held from 25 June to 6 July 1965. The festival started selecting the jury members on its own rather than countries sending designated representatives. The Golden Bear was awarded to the French film '' Alphaville'' directed by Jean-Luc Godard. Jury The following people were announced as being on the jury for the festival: * John Gillett, film critic (United Kingdom) - Jury President * Alexander Kluge, director, producer and writer (West Germany) * Ely Azeredo, film critic (Brazil) * Monique Berger, journalist and film critic (France) * Kyushiro Kusakabe, film critic (Japan) * Jerry Bresler, film producer (United States) * Karena Niehoff, journalist and film critic (West Germany) * , director and producer (West Germany) * Hans-Dieter Roos, film critic (West Germany) Films in competition The following films were in competition for the Golden Bear award: Key : Awards The following prizes were awarded by the Jury: * Gold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secrets Behind The Wall
, AKA ''Affairs Within Walls'' and ''Skeleton in the Closet'', is a 1965 Japanese pink film written and directed by Kōji Wakamatsu. It was one of the first ''pink films'' to be shown outside Japan when it was entered into the 15th Berlin International Film Festival The 15th annual Berlin International Film Festival was held from 25 June to 6 July 1965. The festival started selecting the jury members on its own rather than countries sending designated representatives. The Golden Bear was awarded to the Fren .... Cast * * * * * References External links * * * 1965 films 1960s pornographic films Japanese black-and-white films 1960s Japanese-language films Films directed by Kōji Wakamatsu Pink films 1960s Japanese films {{porn-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daydream (1964 Film)
is a 1964 Japanese pink film. It was the first erotic film to have a big budget and a mainstream release in Japan, and was shown at the Venice Film Festival and given two releases in the United States. Director Tetsuji Takechi remade the film in hardcore versions in 1981 and 1987. Both of these remakes starred actress Kyōko Aizome. Background Early erotic films In the years since the end of World War II, eroticism had been gradually making its way into Japanese cinema. The first kiss to be seen in Japanese film—discreetly half-hidden by an umbrella—caused a national sensation in 1946. In the mid-1950s, the controversial ''taiyozoku'' films on the teen-age "Sun Tribe", such as Ko Nakahira's ''Crazed Fruit'' (1956), introduced unprecedented sexual frankness into Japanese films. At the same time, films such as Shintoho's female pearl-diver films starring buxom Michiko Maeda, began showing more flesh than would have previously been imaginable in the Japanese cinema. Neverthele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetsuji Takechi
was a Japanese theatrical and film director, critic, and author. First coming to prominence for his theatrical criticism, in the 1940s and 1950s he produced influential and popular experimental kabuki plays. Beginning in the mid-1950s, he continued his innovative theatrical work in ''noh'', ''kyōgen'' and modern theater. In late 1956 and early 1957 he hosted a popular TV program, ''The Tetsuji Takechi Hour'', which featured his reinterpretations of Japanese stage classics. In the 1960s, Takechi entered the film industry by producing controversial soft-core theatrical pornography. His 1964 film ''Daydream'' was the first big-budget, mainstream ''pink film'' released in Japan. After the release of his 1965 film '' Black Snow'', the government arrested him on indecency charges. The trial became a public battle over censorship between Japan's intellectuals and the government. Takechi won the lawsuit, enabling the wave of softcore ''pink films'' which dominated Japan's domestic cine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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