Käthe Heidersbach
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Käthe Heidersbach
Käthe Heidersbach (30 October 1897 – 26 February 1979) was a German operatic soprano. Life and career Born in Breslau, Heidersbach first wanted to become a pianist and studied piano at the conservatory of her home town. She then took singing lessons with Juan Luria (who was later interned by the Nazi regime and murdered at the Sobibor extermination camp in 1943), Lola Beeth and Fred Husler. The soprano made her debut in 1922 at the Detmold's Stadttheater and was engaged by the Wrocław Opera from 1924 to 1927. From 1927 to 1944, she was engaged at the Staatsoper Unter den Linden in Berlin. Guest performances led the artist to Dresden, Amsterdam, Vienna, Zurich, Hamburg, Munich and Barcelona. She was engaged at the Bayreuth Festival from 1928 to 1934, where she sang Waldvogel, Freia, Gutrune, Elsa and Eva, and in 1934 a flower girl in the first Bayreuth new production of Parsifal since Richard Wagner's world premiere production. In 1934 she was appointed a Prussian Kamme ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Ernst Klee
Ernst Klee (15 March 1942, Frankfurt – 18 May 2013, Frankfurt) was a German journalist and author. As a writer on Germany's history, he was best known for his exposure and documentation of medical crimes in Nazi Germany, much of which was concerned with the Action T4 or involuntary euthanasia program. He is the author of ''"The Good Old Days": The Holocaust Through the Eyes of the Perpetrators and Bystanders'' first published in the English translation in 1991. Life and work Klee was first trained as a sanitary and heating technician. Afterwards, he caught up on his university entrance requirements and then studied theology and social education. As a journalist in the 1970s, he looked at socially excluded groups, such as the homeless, psychiatric patients and the disabled. During this period, he collaborated with Gusti Steiner, who laid the foundation for the federal German emancipatory movement of the disabled at that time. In 1997, he received the ''Geschwister-Scholl-Preis ...
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Max Lorenz (tenor)
Max Lorenz (born Max Sülzenfuß; 10 May 1901 – 11 January 1975) was a German heldentenor famous for Wagnerian roles. Career Lorenz was born in Düsseldorf, and studied with Ernst Grenzebach in Berlin in the 1920s. He later was a pupil of Estelle Liebling in New York City. He made his debut at the Semperoper in Dresden in 1927, becoming a principal tenor. From 1929 to 1944 he was a member of the ensemble at the Berlin State Opera, appearing also at the New York Metropolitan Opera (1931–1934), the Bayreuth Festspielhaus (1933–1939, 1952, 1954) and the Royal Opera House Covent Garden (1934 and 1937). He sang, too, at the Vienna State Opera (1929–1933, 1936–1944, 1954). Audiences at the Salzburg Festival also heard him, and he created roles in such post-World War II works as Gottfried von Einem’s '' Der Prozess'' (Josef K, 1953), Rolf Liebermann’s ''Penelope'' (1954) and Rudolf Wagner-Régeny’s ''Das Bergwerk zu Falun'' (1961). Lorenz's operatic and recital career ...
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Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the ...
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Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ...
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The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ...
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Le Nozze Di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ...
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