Kyōshi
is a form of Japanese poetry using Chinese characters which was popular around 1770–1800. ''Kyōshi'' avoids typical poetic forms, and often includes humorous expressions and puns on alternate readings or meanings of the same characters. Mostly written by low-ranking samurai and ''chōnin'' (townspeople), the form is closely related to ''kyōka ''Kyōka'' (, "wild" or "mad poetry") is a popular, parodic subgenre of the tanka form of Japanese poetry with a metre of 5-7-5-7-7. The form flourished during the Edo period (17th–18th centuries) and reached its zenith during the Tenmei era ...'' (comic waka), and to '' kyōbun'', a form of prose writing which also uses only Chinese characters. Ōta Nanpo is the best-known of ''kyōshi'' poets; the form was very popular for a short time, but declined quickly and disappeared after the turn of the 19th century. References *Frederic, Louis (2002). "Japan Encyclopedia." Cambridge, Massachusetts: Harvard University Press. Jap ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no conse ...

Kanji
are the logographic Chinese characters taken from the Chinese script and used in the writing of Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived syllabic scripts of '' hiragana'' and '' katakana''. The characters have Japanese pronunciations; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After World War II, Japan made its own efforts to simplify the characters, now known as shinjitai, by a process similar to China's simplification efforts, with the intention to increase literacy among the common folk. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characters that exist. There are nearly 3,000 kanji used in Japanese names and in comm ...
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Chōnin
was a social class that emerged in Japan during the early years of the Tokugawa period. In the social hierarchy, it was considered subordinate to the samurai warrior class. Social Class The ''chōnin'' emerged in ''joka-machi'' or castle towns during the sixteenth century. The majority of ''chōnin'' were merchants, but some were craftsmen. were not considered ''chōnin''. Later, peasants, servants, and workers were also considered members of the social class. While ''chōnin'' are not as well known to non-Japanese as other social classes in Japan, they played a key role in the development of Japanese cultural products such as ''ukiyo-e'', '' rakugo'', and handicrafts. Aesthetic ideals such as ''iki'', ''tsū'', and '' wabi-sabi'' were also developed among the ''chōnin''. This association with cultural development emerged as a way for members of the class to break the strict social barriers that prevented individuals from ascending in the social hierarchy. Members of ...
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Kyōka
''Kyōka'' (, "wild" or "mad poetry") is a popular, parodic subgenre of the tanka form of Japanese poetry with a metre of 5-7-5-7-7. The form flourished during the Edo period (17th–18th centuries) and reached its zenith during the Tenmei era (1781–89). Background In much the way poets in the '' kanshi'' style (Chinese poetry by Japanese poets) wrote humorous ''kyōshi'' poems, poets in the native Japanese ''waka'' style composed humorous poems in the 31-syllable style. Tanaka Rokuo suggests the style may have drawn inspiration from ''gishōka'' (, "playful and mocking verse"), poetry that targeted guests at banquets where they were read out in an atmosphere similar to that of a roast. During the Edo period (17th–19th centuries) there were two major branches of ''kyōka''; one based in Edo (modern Tokyo), and ''Naniwa kyōka'' in the Kansai region. ''Naniwa kyōka'' arose in Kyoto in the 16th century, at first practised by aristocrats such as Matsunaga Teitoku (1571– ...
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Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre. Up to and during the compilation of the '' Man'yōshū'' in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the '' Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and ...
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Ōta Nanpo
was the most oft-used penname of Ōta Tan, a late Edo-period Japanese poet and fiction writer. Ōta Nanpo wrote primarily in the comedic forms of '' kyōshi'', derived from comic Chinese verse, and '' kyōka'', derived from '' waka'' poetry. Ōta Nanpo's pennames also include Yomo no Akara (), Yomo Sanjin, Kyōkaen, and Shokusanjin (). Born into a lower-status samurai family in Edo, Nanpo served the shogunate in various ways throughout his life. He began his literary career as a student of Chinese Ming-dynasty writings, and adapted traditional Chinese comic verse (called ''kyōshi'' in Japanese), under the mentorship of playwright Hiraga Gennai, to daily life in Edo. His first collection of work was called ''Neboke sensei bunshū'', or the Literary Works of Master Groggy. Nanpo soon began to write ''kyōka'', comic ''waka'' verses, as well. His popularity grew in the 1760s and 1770s, as a result of his down-to-earth subject matter and unabashed style. During this time he also w ...
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