Kyra Nijinsky
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Kyra Nijinsky
Kyra Vaslavovna Nijinsky (19 June 1913– 1 September 1998), was a ballet dancer of Polish and Hungarian ancestry, with a Russian dance and cultural heritage. She was the daughter of Vaslav Nijinsky and the niece of Bronislava Nijinska. In the 1930s she appeared in ballets mounted by Ida Rubinstein, Max Reinhardt, Marie Rambert, Frederick Ashton, Antony Tudor. Her father Vaslav (1889-1950) was a world-renowned dancer with the Ballets Russes in Paris. Her aunt Bronia (1891-1972) also excelled in dance and was a leading choreographer, initially with Ballets Russes. Her mother Romola de Pulszky was a socialite and author. Romola's mother, Kyra's grandmother, was Emilia Márkus, a popular Hungarian actress. Kyra was born to Romola and Vaslav in Vienna.Nadine Meisner, Klaudia Zelazowska, Life and career During Kyra's earliest years she evidently delighted in her father's love and affection. Unfortunately he became unbalanced and by 1917 had ceased performing, yet his fame as a sta ...
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Vaslav Nijinsky
Vaslav (or Vatslav) Nijinsky (; rus, Вацлав Фомич Нижинский, Vatslav Fomich Nizhinsky, p=ˈvatsləf fɐˈmʲitɕ nʲɪˈʐɨnskʲɪj; pl, Wacław Niżyński, ; 12 March 1889/18908 April 1950) was a ballet dancer and choreographer cited as the greatest male dancer of the early 20th century. Born in Kiev to Polish parents, Nijinsky grew up in Imperial Russia but considered himself to be Polish. He was celebrated for his virtuosity and for the depth and intensity of his characterizations. He could dance ''en pointe'', a rare skill among male dancers at the time, and was admired for his seemingly gravity-defying leaps. Nijinsky was introduced to dance by his parents, who were senior dancers with the travelling Setov opera company, and his early childhood was spent touring with the company. His elder brother Stanislav and younger sister Bronislava "Bronia" Nijinska also became dancers; Bronia also became a choreographer, working closely with him for much of his ...
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Lubov Egorova
Lubov Nikolayevna Yegorova (Любовь Николаевна Егорова; 8 August 1880 – 18 August 1972) was a Russian Empire ballerina who danced with the Imperial Ballet and the Ballets Russes. Life and career Lubov Yegorova was born in St. Petersburg, Russia. She studied ballet at the Imperial Theatre School in St. Petersburg with Ekaterina Vazem, Enrico Cecchetti and Anna Johansson. After graduating in 1898, she started work as a coryphée in the Imperial Ballet at Maryinsky Theatre and became a ballerina in 1914. A role as Myrtha in ''Giselle'' brought her to the attention of Sergei Diaghilev who cast her in the role of Princess Florine in '' The Sleeping Beauty'' in 1918, where she danced with Vaslav Nijinsky. She also went on to dance other roles with the Ballets Russes. Yegorova's farewell performance in 1917 at the Maryinsky Theatre was in ''Swan Lake''. However, she continued to dance, and in 1921 she interpreted the role of Aurora in Diaghilev's ''Sleeping Pr ...
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Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ...
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Sergei Diaghilev
Sergei Pavlovich Diaghilev ( ; rus, Серге́й Па́влович Дя́гилев, , sʲɪˈrɡʲej ˈpavləvʲɪdʑ ˈdʲæɡʲɪlʲɪf; 19 August 1929), usually referred to outside Russia as Serge Diaghilev, was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes, from which many famous dancers and choreographers would arise. The active years of Diaghilev’s career can be divided into two periods: the one in St Petersburg (1898–1906) and the other in emigration (1906–1929). Biography Sergei Diaghilev was born in Selishchi to a noble officer . His mother died from childbed fever soon after his birth. In 1873, Pavel met and married Elena Panaeva, who loved Sergei and raised him as her own child. The in Perm was a local cultural centre, and the Diaghilevs housed a musical evening every second Thursday, Modest Mussorgsky being one of the most frequent guests. Sergei Diaghilev composed his first romance at the age of 15. When he enter ...
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Conductor (music)
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, a ...
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Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ...
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Igor Markevitch
Igor Borisovich Markevitch (russian: Игорь Борисович Маркевич, ''Igor Borisovich Markevich'', uk, Ігор Борисович Маркевич, ''Ihor Borysovych Markevych''; 27 July 1912 – 7 March 1983) was a Russian-born composer and conductor who studied and worked in Paris and became a naturalized Italian and French citizen in 1947 and 1982 respectively. He was commissioned in 1929 for a piano concerto by impresario Serge Diaghilev of the Ballet Russe de Monte Carlo. Markevitch settled in Italy during World War II. After the war, he moved to Switzerland. He had an international conducting career from there. He was married twice and had three sons and two daughters. Origin He was born in Kiev, Kiev Governorate, Russian Empire (today Kyiv, Ukraine) to a family of Ukrainian Cossack ''starshyna'' who were ennobled in the 18th century. His great-grandfather Andrey Markevitch was a Secretary of State at the time of Alexander II of Russia, Actual Priv ...
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Gustav Holst
Gustav Theodore Holst (born Gustavus Theodore von Holst; 21 September 1874 – 25 May 1934) was an English composer, arranger and teacher. Best known for his orchestral suite ''The Planets'', he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development. The subsequent inspiration of the English folk music#Folk revivals 1890–1969, English folksong revival of the early 20th century, and the example of such rising modern composers as Maurice Ravel, led Holst to develop and refine an individual style. There were professional musicians in the previous three generations of Holst's family and it was clear from his early years that he would follow the same calling. He hoped to become a pianist, but was prevented by neuritis in his right arm. Despite his father's reservations, he pursued a car ...
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Arnold Haskell
Arnold Lionel David Haskell (19 July 1903, London – 14 November 1980, Bath) was a British dance critic who founded the Camargo Society in 1930. With Ninette de Valois, he was influential in the development of the Royal Ballet School, later becoming the school's headmaster. Biography Son of banker Jacob Silas Haskell and Emmy (née Mesritz), Haskell grew up at Queen's Gate, South Kensington, London, and was educated at Westminster School and Trinity Hall, Cambridge (where he read law, and was a friend of fellow Old Westminsters Angus MacPhail and Ivor Montagu). Haskell became fascinated by ballet when his mother prevailed on him to come with her to see the thirteen-year-old Alicia Markova at Seraphine Astafieva's studio in Chelsea. Haskell first went to Australia in 1936 with the visiting Monte Carlo Russian Ballet as a publicist/reporter, writing articles and reviews for several Australian newspapers and journals, such as ''The Home'', and sent reports home to England for ma ...
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The Planets
''The Planets'', Op. 32, is a seven- movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1917. In the last movement the orchestra is joined by a wordless female chorus. Each movement of the suite is named after a planet of the Solar System and its supposed astrological character. The premiere of ''The Planets'' was at the Queen's Hall, London, on 29 September 1918, conducted by Holst's friend Adrian Boult before an invited audience of about 250 people. Three concerts at which movements from the suite were played were given in 1919 and early 1920. The first complete performance at a public concert was given at the Queen's Hall on 15 November 1920 by the London Symphony Orchestra conducted by Albert Coates. The innovative nature of Holst's music caused some initial hostility among a minority of critics, but the suite quickly became and has remained popular, influential and widely performed. The composer conducted two recordings of the w ...
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Afternoon Of A Faun (Nijinsky)
Afternoon is the time after solar noon. It is the time when the sun is descending from its peak in the sky to somewhat before its terminus at the horizon in the west. In human life, it occupies roughly the latter half of the standard work and school day. In literal terms, it refers to a time specifically after noon. The equivalent of Earth's afternoon on another planet would refer to the time the principal star of that planetary system would be in descent from its prime meridian, as seen from the planet's surface. Terminology Afternoon is often defined as the period between noon and evening. If this definition is adopted, the specific range of time varies in one direction: noon is defined as the time when the sun reaching its highest point in the sky, but the boundary between afternoon and evening has no standard definition. However, before a period of transition from the 12th to 14th centuries, ''noon'' instead referred to 3:00 pm. Possible explanations include shiftin ...
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