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Kvæði
Kvæði (Kvaedi; ''at kvøða'': "to sing a tune or ''kvæði''"; ''kvæði'' also means ''verse'' in Icelandic, also sometimes used to mean stanza) are the old ballads of the Faroe Islands, accompanied by the Faroese dance. Kvæði can have hundreds of stanzas plus a chorus sung between every verse. History It is generally thought that Faroese ballads, as elsewhere in Europe, began to be composed in the Middle Ages, but very little medieval Faroese writing survives, so the ballads' medieval history is obscure. The subject matter of Faroese ballads varies widely, including heroic narratives set in the distant past, contemporary politics, and comic tales. The most archaic-looking layer, however, is the heroic narratives. It was once thought that these derive independently from Viking-Age oral narratives, and this may be true of a few, but it has since been shown that most derive directly from written Icelandic sagas or occasionally ''rímur''. The traceable origins of Faroese bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marianne Clausen
Marianne Clausen (25 December 1947 – 17 September 2014) was a Danish musicologist and choir conductor. She was the daughter of composer, choir conductor and musicologist Karl Clausen (1904–1972). Her main achievement, begun in collaboration with her father in the early 1970s, intensified during the 1990s, and concluded just weeks before her death, was the preservation of traditional Faroese folk singing, which she presented in a number of large volumes with music notation transcriptions of sound recordings. Based on more than 6,000 such recordings, collected by many different scholars, including herself, throughout the entire 20th century, she published around 3,350 music notation examples of various genres of traditional Faroese singing, together with hitherto unpublished song texts, as well as historical and musicological analyses. Marianne Clausen also led and conducted several amateur choirs, most notably 1978-2000 the Faroese choir in Copenhagen, Húsakórið, and 198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faroese Literature
Faroese literature, in the traditional sense of the word, has only really developed in the past two hundred years. This is mainly because of the islands' isolation, and also because the Faroese language was not written down in a standardised format until 1890. Until then the Danish language was encouraged at the expense of Faroese. Nevertheless, the Faroese language soon became a vehicle for literature in its own right and has produced writers in several genres. No sagas were created in the Faroe Islands, but In the 13th century the ''Færeyinga saga'' (''Saga of the Faroe Islanders'') was written in Iceland. It tells the story of the settlement and early history of the Faroe Islands, though it is doubtful if it is entirely historically accurate. Faroese letters survive from the 13th and 14th centuries, and Faroese ballads were collected in the 17th century. In the Middle Ages many poems and stories were handed down orally. These works were split into the following divisions: '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ormurin Langi
Ormurin Langi ("The Long Serpent") is a Faroese folk ballad. It was written in ca. 1830 by Jens Christian Djurhuus. Written in 86 verses in Faroese, the song deals with the Norwegian king Olaf Tryggvason. The title ''Ormurin Langi'' refers to Olaf Tryggvason's ship with the same name (Ormrinn Langi in Old Norse). History Around 1800 there was an increasing amount of attention paid to the store of Faroese folk ballads (kvæði), which survived in the oral tradition and were sung as an accompaniment to Faroese dancing. Even before 1800 Jens Christian Svabo had recorded ballads, but collecting got under way seriously after 1800, and names like Johan Henrik Schrøter, Jóannes í Króki and later on, V. U. Hammershaimb can be mentioned in this regard. The old ballads were seen as having special historical value, but there was also interest in more recent ballads, e.g. comic ballads ( táttur), and new ballads were composed in the old style. One poet who attracts particu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corpus Carminum Færoensium
''Føroya kvæði: Corpus Carminum Færoensium'' (CCF) is a scholarly edition collecting traditional Faroese ballads, or ''kvæði''. The songs were collected by Svend Grundtvig and Jørgen Bloch, and published by Napoleon Djurhuus and Christian Matras between 1941 and 1972. The edition consists of six volumes covering 236 ballad types. The later classification in ''The Types of the Scandinavian Medieval Ballad ''The Types of the Scandinavian Medieval Ballad: A Descriptive Catalogue'' (TSB) is the designation for a cataloguing system for Scandinavian ballads. It is also the title of the underlying reference book: ''The Types of the Scandinavian Medieva ...'' excludes around 60 of these, citing most frequently that they are known to be of more recent origin, they do not meet the criteria used to define ''ballad'', or their author is known by name. Bibliographic details ''Føroya kvæði = Corpus carminum Færoensium'', ed. by Sv. Grundtvig and others, Universitets-jubilæ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faroe Islands
The Faroe Islands ( ), or simply the Faroes ( fo, Føroyar ; da, Færøerne ), are a North Atlantic island group and an autonomous territory of the Kingdom of Denmark. They are located north-northwest of Scotland, and about halfway between Norway ( away) and Iceland ( away). The islands form part of the Kingdom of Denmark, along with mainland Denmark and Greenland. The islands have a total area of about with a population of 54,000 as of June 2022. The terrain is rugged, and the subpolar oceanic climate (Cfc) is windy, wet, cloudy, and cool. Temperatures for such a northerly climate are moderated by the Gulf Stream, averaging above freezing throughout the year, and hovering around in summer and 5 °C (41 °F) in winter. The northerly latitude also results in perpetual civil twilight during summer nights and very short winter days. Between 1035 and 1814, the Faroe Islands were part of the Kingdom of Norway, which was in a personal union with Denmark from 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faroese Dance
The Faroese chain dance ( fo, Føroyskur dansur, da, Kædedans) is the national circle dance of the Faroe Islands, accompanied by kvæði, the Faroese ballads. The dance is a typical mediaeval ring dance. The dance is danced traditionally in a circle, but when there are many dancers, they usually let it swing around in various wobbles within the circle. Dance rules When dancing there are a few rules. One is that your right hand must overlap the left hand of the one next to you while moving your feet two paces to the left and one pace back. The "skipari" is the one who sings and must know all the verses, while the people who are dancing with him in the circle join in at the chorus. ''The following description is by V. U. Hammershaimb, ''Færøsk Anthologi'', 1891:'' The storyline of the ballad is attended by everybody with great interest, and if something especially pleasant or moving occurs, it can be seen in the look and movement of the dancers – when the rage of the battl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faroese Music
Faroese music is primarily vocal, accompanied by the fiddle (which arrived in the 17th century) and European dances like the minuet and polka. During the twentieth century choirs have played an important role in the musical history of the Faroes, and some of the best known current choirs are Tarira, Havnarkórið, Tórshavnar Manskór, Ljómur, Fuglafjarðar Gentukór, and the choirs situated in Copenhagen: Húsakórið and Mpiri. History Much of the imported music and instruments remained popular only in the capital and largest city, Tórshavn. Rural peoples remained true to traditions of chain dance and ballads. The three types of dance ballads are kvæði, tættir and vísur. Many of these dance forms were revived after World War 2, when a number of dance societies were formed. The ballads were largely compiled in ''Corpus Carminum Færoensium'', which collected over 44,000 stanzas. Other songs include skjaldur, fantastic fairy tales sung by adults for child ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Týr (band)
Týr () is a Faroese folk metal band. They have been characterised as one of "the islands' two most successful metal bands". Their subject matter revolves almost entirely around Viking lore, mythology, and history, taking their name from Týr, the god of war in Norse religion. History upThe band logo Before Týr, Heri Joensen and Gunnar H. Thomsen formed their first band, Cruiser, at the age of 17. Streymoy also played with them for a short while. They later changed their name to Wolfgang. Although neither band released any albums, Wolfgang, who are still active, recorded an undisclosed number of songs that, according to Joensen, are "pretty much ready to release". Týr formed in Copenhagen, Denmark in 1998. Heri Joensen met his old bandmate, Kári Streymoy, at a party in January in Copenhagen. Joensen suggested to Streymoy that they should meet up and jam. Streymoy initially declined, but later took him up on his offer. They were soon joined by another former bandmate, bassist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Svend Grundtvig
Svend Hersleb Grundtvig (9 September 1824, Copenhagen – 14 July 1883, Frederiksberg) was a Danish literary historian and ethnographer. He was one of the first systematic collectors of Danish traditional music, and he was especially interested in Danish folk songs. He began the large project of editing Danish ballads. He also co-edited Icelandic ballads. He was the son of N. F. S. Grundtvig. Biography His father arranged his education, employing a series of home tutors to teach him Icelandic, Latin, Danish and Anglo-Saxon while personally instructing him in Nordic mythology, Saxo Grammaticus and folkloric ballads. When he was 14, his father bought him a 1656 manuscript of an old ballad, triggering his interest in further exploring the history of Danish folk music which was to be his life's work. When 19, after his father accompanied him on a study tour to England, Grundtvig published Danish translations of English and Scottish ballads before devoting his life to the collectio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faroe Stamp 069 Paeturs Departure
{{disambiguation ...
Faroe may refer to: * Faroe Islands, an archipelago in the North Atlantic and a part of the Kingdom of Denmark **Faroese people ** Faroese language * Danish ship ''Færøe'' * Fårö, an island off Gotland, Sweden * Farø, an island south of Zealand, Denmark See also * Pharaoh (other) Pharaoh is the title of ancient Egyptian monarchs. Pharaoh or pharao, may also refer to: Arts and entertainment Film and literature * ''Pharaoh'' (Prus novel), a book by Bolesław Prus ** ''Pharaoh'' (film), a 1966 Polish film adaptation * ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venceslaus Ulricus Hammershaimb
Venceslaus Ulricus Hammershaimb (March 25, 1819 – April 8, 1909) was a Faroese Lutheran minister who established the modern orthography of Faroese, the language of the Faroe Islands, based on the Icelandic language, which like Faroese, derives from Old Norse. Background Hammershaimb was born in Sandavágur on the island of Vágar in the Faroe Islands. He was a Lutheran parish priest in Kvívík and a rural dean in Nes, on the Faroese island of Eysturoy, before settling in Denmark in 1878. In addition to his contributions to the written standard of Faroese, he was also a known folklorist. During the years 1847–48, and again in 1853, he returned to the Faroes to study the dialects and to collect the native ballads and folklore, which he published in 1851–55 under the title of ''Færöiske Kvæder''. In 1854, he published a grammar of Faroese.Oskar Bandle ''et al.'', ''The Nordic Languages: An International Handbook of the History of the North Germanic Languages'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Metal
Folk metal is a fusion genre of heavy metal music and traditional folk music that developed in Europe during the 1990s. It is characterised by the widespread use of folk instruments and, to a lesser extent, traditional singing styles (for example, Dutch Heidevolk, Danish Sylvatica and Spanish Stone of Erech). It also sometimes features soft instrumentation influenced by folk rock. The earliest folk metal bands were Skyclad from England and Cruachan from Ireland. Skyclad's debut album '' The Wayward Sons of Mother Earth'' was released in 1991 and would be considered a thrash metal album with some folk influences, unlike Cruachan’s early work which embraced the folk element as a defining part of their sound. It was not until 1994 and 1995 that other early contributors in the genre began to emerge from different regions of Europe and beyond. Among these early groups, the German band Subway to Sally spearheaded a different regional variation that over time became known as medie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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