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Kullervo (Madetoja)
''Kullervo'', Opus number, Op. 15, is a symphonic poem () for orchestra written in 1913 by Finnish composer Leevi Madetoja. The piece premiered on 14 October 1913 with Madetoja conducting the Helsinki Philharmonic Society. Background Composition Although Madetoja belonged to national romantic movement in Finland, he did not—unlike many of the movement's artists and composers, such as Akseli Gallen-Kallela and Jean Sibelius—often turn to the ''Kalevala'' as a source of inspiration. Indeed, ''Kullervo'' is Madetoja's only notable composition after the national epic. Madetoja was the fourth composer to tackle the subject of Kullervo. First, in 1860, Filip von Schantz wrote the ''Kullervo Overture'' (), which he had intended as the prelude to an opera; this piece premiered the same year in Helsinki at the opening of the Swedish Theatre. Second, in 1880, Robert Kajanus composed and premiered in Leipzig ''Kullervo's Funeral March'' (); though Richard Wagner, Wagnerian in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramatic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choral Symphony
A choral symphony is a musical composition for orchestra, choir, and sometimes solo (music), solo vocalists that, in its internal workings and overall musical architecture, adheres broadly to symphony, symphonic musical form. The term "choral symphony" in this context was coined by Hector Berlioz when he described his ''Roméo et Juliette (Berlioz), Roméo et Juliette'' as such in his five-paragraph introduction to that work."Avant-Propos de l'auteur", Reiter-Biedermann's vocal score (Winterthur, 1858), p. 1. As quoted in The direct antecedent for the choral symphony is Ludwig van Beethoven's Symphony No. 9 (Beethoven), Ninth Symphony. Beethoven's Ninth incorporates part of the ''Ode an die Freude'' ("Ode to Joy"), a poem by Friedrich Schiller, with text sung by soloists and chorus in the last movement. It is the first example of a major composer's use of the human voice on the same level as instruments in a symphony. A few 19th-century composers, notably Felix Mendelssohn and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Concert Flute
The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist (in British English), flutist (in American English), or simply a flute player. This type of flute is used in many ensembles, including concert bands, military bands, marching bands, orchestras, flute ensembles, and occasionally jazz bands and big bands. Other flutes in this family include the piccolo, the alto flute, and the bass flute. A large repertory of works has been composed for flute. Predecessors The flute is one of the oldest and most widely used wind instruments. The precursors of the modern concert flute were keyless wooden transverse flutes similar to modern fifes. These were later modified to include between one and eight keys for chromatic notes. "Six-finger" D is the most common pitch for keyless wooden transverse flutes, which continue to be used to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piccolo
The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino (), by which the instrument is called in Italian and thus also in scores of Italian composers. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. The piccolo is a standard member in orchestras, marching bands, and wind ensembles. History Since the Middle Ages, evidence indicates the use of octave transverse flutes as military instruments, as their penetrating sound was audible above battles. In cultured music, however, the first piccolos were used in some of Jean Philippe Rameau's works in the first half of the 18th century. Sti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodwind Section
The woodwind section, which consists of woodwind instruments, is one of the main sections of an orchestra or concert band. Woodwind sections contain instruments given Hornbostel-Sachs classifications of 421 ( edge-blown aerophones, commonly known as ''flutes'') and 422 (reed aerophones), but exclude 423 ( brass instruments, which have their own section.) Orchestra The woodwind section of a symphony orchestra typically includes flutes (sometimes with one doubling piccolo), oboes (sometimes with one doubling cor anglais), clarinets (sometimes with one doubling bass clarinet and/or another doubling E-flat clarinet), and bassoons (sometimes with one doubling contrabassoon).Apel, Willi, ed., ''Harvard Dictionary of Music'', Second Edition, pp. 604-5. The Belknap Press of Harvard University Press, Cambridge, Massachusetts, 1969. SBN 674375017. In the early part of the 20th century the woodwinds (as well as other sections) were often considerably expanded. For example, Mahler ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veikko Antero Koskenniemi
Veikko Antero Koskenniemi (8 July 1885 – 4 August 1962) was a Finnish poet born in Oulu. From 1921 to 1948, Koskenniemi served as Professor of Literary History at the University of Turku. He was the university's rector from 1924 to 1932. In 1948 he became a member of the Finnish Academy. He died in Turku. V. A. Koskenniemi is one of Finland's most popular writers. Koskenniemi was well known for his poems, travel books, and essays. He was influenced by Goethe, Runeberg, French Parnassans and Symbolists. He is perhaps best known for writing the lyrics for the ''Finlandia'' hymn. Asteroid 1697 Koskenniemi Events January–March * January 8 – Thomas Aikenhead is hanged outside Edinburgh, becoming the last person in Great Britain to be executed for blasphemy. * January 11 – French writer Charles Perrault releases the book ''Histoires ou ..., discovered in 1940–1941, is named after him. References External links * {{DEFAULTSORT:Koskenniemi, Veikk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragic Hero
A tragic hero is the protagonist of a tragedy. In his ''Poetics'', Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be. Aristotle based his observations on previous dramas. Many of the most famous instances of tragic heroes appear in Greek literature, most notably the works of Sophocles and Euripides. Aristotle's tragic hero In ''Poetics'', Aristotle suggests that the hero of a tragedy must evoke a sense of pity and fear within the audience, stating that “the change of fortune presented must not be the spectacle of a virtuous man brought from prosperity to adversity." In essence, the focus of the hero should not be the loss of his goodness. He establishes the concept that pity is an emotion that must be elicited when, through his actions, the character receives undeserved misfortune, while the emotion of fear must be felt by the audience when they contemplate that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pohjola's Daughter
The tone poem ''Pohjola's Daughter'' (in Finnish: ), Op. 49, was composed by the Finnish composer Jean Sibelius in 1906. Originally, Sibelius intended to title the work ', after the character in the ' (the Finnish national epic). The publisher Robert Lienau insisted on the German title ''Tochter des Nordens'' ("Daughter of the North"), which is a literal translation of the work's Finnish title, ''Pohjolan tytär'', traditionally given in English as ''Pohjola's Daughter''. Sibelius then countered with the new title '. He also considered calling the work '. However, Lienau's suggestion eventually became the work's published title. (The title ' was subsequently given to a later piece.) This was the first work that Sibelius wrote directly for a German music publisher. Its first performance was given in Saint Petersburg in December 1906, with the composer himself conducting the Orchestra of the Mariinsky Theatre. The passage in the ' that inspired this work is in the 8th ''Ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Swan Of Tuonela
''The Swan of Tuonela'' (') is an 1895 tone poem by the Finnish composer Jean Sibelius. It is part of the '' (Four Legends from the Kalevala)'', Op. 22, based on the Finnish mythological epic the ''Kalevala''. ''The Swan of Tuonela'' was originally composed in 1893 as the prelude to a projected opera called '' The Building of the Boat''. Sibelius revised it two years later, making it the second section of his ' of four tone poems, which was premiered in 1896. He twice further revised the piece, in 1897 and 1900. Sibelius left posterity no personal account of his writing of the tone poem, and its original manuscript no longer exists (the date of its disappearance is unknown). The work was first published by K. F. Wasenius in Helsingfors (Helsinki), Finland, in April 1901. The German firm Breitkopf & Härtel also published it in Leipzig, also in 1901. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lemminkäinen Suite
The ''Lemminkäinen Suite'' (also named ''Four Legends'' or ''Four Legends from the Kalevala''), Op. 22, is a four-movement symphonic poem for orchestra completed in 1895 by the Finnish composer Jean Sibelius. The piece was originally conceived as ' (''The Building of the Boat''), an opera with a mythological setting, before the work took form as a suite. Its story is based on the heroic character Lemminkäinen from the ''Kalevala'', a collection of Finnish folklore and mythology epic poetry. The second movement, ''The Swan of Tuonela'', is the most popular of the four movements and is often performed on its own. History The piece was originally conceived as a mythological opera before Sibelius abandoned the idea and made it a piece consisting of four distinct movements. The first two though were withdrawn by the composer soon after its premiere and were neither performed, nor added to the published score of the suite until 1935. Sibelius changed the order of the movements when h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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