Kriophoros
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Kriophoros
In ancient Greek cult, kriophoros ( el, κριοφόρος) or criophorus, the "ram-bearer," is a figure that commemorates the solemn sacrifice of a ram. It becomes an epithet of Hermes: ''Hermes Kriophoros''. Myth At the Boeotian city of Tanagra, Pausanias relates a local myth that credited the god with saving the city in a time of plague, by carrying a ram on his shoulders as he made the circuit of the city's walls: There are sanctuaries of ''Hermes Kriophoros'' and of Hermes called ''Promachos''. They account for the former surname by a story that Hermes averted a pestilence from the city by carrying a ram round the walls; to commemorate this Calamis made an image of Hermes carrying a ram upon his shoulders. Whichever of the youths is judged to be the most handsome goes round the walls at the feast of Hermes, carrying a lamb on his shoulders. The myth may be providing an etiological explanation of a cult practice, carried out to avert miasma, the ritual pollution tha ...
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Good Shepherd
The Good Shepherd ( el, ποιμὴν ὁ καλός, ''poimḗn ho kalós'') is an image used in the pericope of , in which Jesus Christ is depicted as the Good Shepherd who lays down his life for his sheep. Similar imagery is used in Psalm 23 and Ezekiel 34:11–16. The Good Shepherd is also discussed in the other gospels, the Epistle to the Hebrews, the First Epistle of Peter and the Book of Revelation. Biblical references In the Gospel of John, Jesus states "I am the good shepherd" in two verses, and . This passage is one of several sections of John's Gospel which generate division among Jews. Jesus Christ is also compared to a shepherd in , , , , , , , , , , and . Parable or metaphor? Several authors such as Barbara Reid, Arland Hultgren or Donald Griggs comment that "parables are noticeably absent from the Gospel of John". According to the ''Catholic Encyclopedia'' article on Parables: "There are no parables in St. John's Gospel" and according to the ''Encyclopædia ...
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Hermes
Hermes (; grc-gre, Ἑρμῆς) is an Olympian deity in ancient Greek religion and mythology. Hermes is considered the herald of the gods. He is also considered the protector of human heralds, travellers, thieves, merchants, and orators. He is able to move quickly and freely between the worlds of the mortal and the divine, aided by his winged sandals. Hermes plays the role of the psychopomp or "soul guide"—a conductor of souls into the afterlife. In myth, Hermes functions as the emissary and messenger of the gods, and is often presented as the son of Zeus and Maia, the Pleiad. Hermes is regarded as "the divine trickster," about which the '' Homeric Hymn to Hermes'' offers the most well-known account. His attributes and symbols include the herma, the rooster, the tortoise, satchel or pouch, talaria (winged sandals), and winged helmet or simple petasos, as well as the palm tree, goat, the number four, several kinds of fish, and incense. However, his main symbol ...
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Hermes Crioforo
Hermes (; grc-gre, Ἑρμῆς) is an Olympian deity in ancient Greek religion and mythology. Hermes is considered the herald of the gods. He is also considered the protector of human heralds, travellers, thieves, merchants, and orators. He is able to move quickly and freely between the worlds of the mortal and the divine, aided by his winged sandals. Hermes plays the role of the psychopomp or "soul guide"—a conductor of souls into the afterlife. In myth, Hermes functions as the emissary and messenger of the gods, and is often presented as the son of Zeus and Maia, the Pleiad. Hermes is regarded as "the divine trickster," about which the '' Homeric Hymn to Hermes'' offers the most well-known account. His attributes and symbols include the herma, the rooster, the tortoise, satchel or pouch, talaria (winged sandals), and winged helmet or simple petasos, as well as the palm tree, goat, the number four, several kinds of fish, and incense. However, his main symbol is the ' ...
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Moscophoros
Moschophoros (Greek: μοσχοφόρος "calf-bearer") is an ancient Greek statue of the Archaic period, also known in English as ''The Calf Bearer''. It was excavated in fragments in the Perserschutt in the Acropolis of Athens in 1864. The statue, dated c. 560 BC and estimated to have originally measured 1.65 meters (5.4 ft) in height, is now in the Acropolis Museum in Athens, Greece. Condition The condition of the Moschophoros is poor and broken in some areas. The legs are missing below the knees on both sides. The hands are broken off. The genitals and the left thigh have separated from the whole sculpture. The lower half of the face (the chin area) is chipped off. The foot with a plinth is connected to base. The calf is well preserved, while Moschophoros's eyes are absent. The rest of the sculpture is in a fine state. History The sculpture was found on the Athenian Acropolis in 1864. In 1887, the base was discovered. It is made of permeable limestone, and its plinth wa ...
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Baptistery
In Christian architecture the baptistery or baptistry (Old French ''baptisterie''; Latin ''baptisterium''; Greek , 'bathing-place, baptistery', from , baptízein, 'to baptize') is the separate centrally planned structure surrounding the baptismal font. The baptistery may be incorporated within the body of a church or cathedral, and provided with an altar as a chapel. In the early Church, the catechumens were instructed and the sacrament of baptism was administered in the baptistery. Design The sacramental importance and sometimes architectural splendour of the baptistery reflect the historical importance of baptism to Christians. The octagonal plan of the Lateran Baptistery, the first structure expressly built as a baptistery, provided a widely followed model. The baptistery might be twelve-sided, or even circular as at Pisa. In a narthex or anteroom, the catechumens were instructed and made their confession of faith before baptism. The main interior space centered upon the b ...
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Sarcophagus
A sarcophagus (plural sarcophagi or sarcophaguses) is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word ''sarcophagus'' comes from the Greek σάρξ ' meaning "flesh", and φαγεῖν ' meaning "to eat"; hence ''sarcophagus'' means "flesh-eating", from the phrase ''lithos sarkophagos'' ( λίθος σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself. History of the sarcophagus Sarcophagi were most often designed to remain above ground. The earliest stone sarcophagi were used by Egyptian pharaohs of the 3rd dynasty, which reigned from about 2686 to 2613 B.C. The Hagia Triada sarcophagus is a stone sarcophagus elaborately painted in fresco; one style of later A ...
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Catacombs Of Rome
The Catacombs of Rome ( it, Catacombe di Roma) are ancient catacombs, underground burial places in and around Rome, of which there are at least forty, some rediscovered only in recent decades. Though most famous for Christian burials, either in separate catacombs or mixed together, Jews and also adherents of a variety of pagan Roman religions were buried in catacombs, beginning in the 2nd century AD,Toynbee: 39–40. occasioned by the ancient Roman ban on burials within a city, and also as a response to overcrowding and shortage of land. The most extensive and perhaps the best known is the Christian Catacomb of Callixtus located near the Park of the Caffarella, but there are other sites, both Christian and not, scattered around the city, some of which are now engulfed by modern urban sprawl. The Christian catacombs are extremely important for the history of Early Christian art, as they contain the great majority of examples from before about 400 AD, in fresco and sculpture, as ...
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Traditio Legis
Christ in Majesty or Christ in Glory ( la, Maiestas Domini) is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky. Development From the latter part ...
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The Shepherd Of Hermas
''The Shepherd of Hermas'' ( el, Ποιμὴν τοῦ Ἑρμᾶ, ''Poimēn tou Herma''; la, Pastor Hermae), sometimes just called ''The Shepherd'', is a Christian literary work of the late first half of the second century, considered a valuable book by many Christians, and considered canonical scripture by some of the early Church fathers such as Irenaeus. ''The Shepherd'' was very popular amongst Christians in the 2nd, 3rd, and 4th centuries. It is found in the ''Codex Sinaiticus''. Language and translation The book was originally written in Rome in Koine Greek. A first Latin translation, the ''Vulgata'' (Common language), was made very shortly afterwards. A second Latin translation, the ''Palatina'', was made at the beginning of the fifth century. Of the Greek version, the last fifth or so is missing. The Vulgate Latin translation is the earliest translation and the most complete witness. The ''Shepherd'' was also translated at least twice into the Coptic (Egyptian ...
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Gospel Of John
The Gospel of John ( grc, Εὐαγγέλιον κατὰ Ἰωάννην, translit=Euangélion katà Iōánnēn) is the fourth of the four canonical gospels. It contains a highly schematic account of the ministry of Jesus, with seven "signs" culminating in the raising of Lazarus (foreshadowing the resurrection of Jesus) and seven "I am" discourses (concerned with issues of the Split of early Christianity and Judaism, church–synagogue debate at the time of composition) culminating in Doubting Thomas, Thomas' proclamation of the risen Jesus as "my Lord and my God". The gospel's concluding verses set out its purpose, "that you may believe that Jesus is the Christ, the Son of God, and that believing you may have life in his name." John reached its final form around AD 90–110, although it contains signs of origins dating back to AD 70 and possibly even earlier. Like the three other gospels, it is anonymous, although it identifies an unnamed "disciple whom Jesus loved" as t ...
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Pericope
A pericope (; Greek , "a cutting-out") in rhetoric is a set of verses that forms one coherent unit or thought, suitable for public reading from a text, now usually of sacred scripture. Also can be used as a way to identify certain themes in a chapter of sacred text. Its importance is mainly felt in, but not limited to, narrative portions of Sacred Scripture (as well as poetic sections). Manuscripts—often illuminated—called pericopes, are normally evangeliaries, that is, abbreviated Gospel Books only containing the sections of the Gospels required for the Masses of the liturgical year. Notable examples, both Ottonian, are the Pericopes of Henry II and the Salzburg Pericopes. Lectionaries are normally made up of pericopes containing the Epistle and Gospel readings for the liturgical year. A pericope consisting of passages from different parts of a single book, or from different books of the Bible, and linked together into a single reading is called a ''concatenation'' or ''comp ...
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