Krieg (album)
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Krieg (album)
''Krieg'' is a 2010 remix album by industrial rock band KMFDM containing remixes of songs from their 2009 album ''Blitz Blitz, German for "lightning", may refer to: Military uses *Blitzkrieg, blitz campaign, or blitz, a type of military campaign *The Blitz, the German aerial campaign against Britain in the Second World War *, an Imperial German Navy light cruiser b ...''. ''Krieg'' was released exclusively on the band's own label, KMFDM Records, on 5 January 2010. Reception ''Krieg'' received positive reviews. Track listing References KMFDM albums 2009 remix albums Metropolis Records remix albums Industrial remix albums {{2009-rock-album-stub ...
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KMFDM
KMFDM (originally Kein Mehrheit Für Die Mitleid, loosely translated by the band as "no pity for the majority") is a multinational industrial band from Hamburg led by Sascha Konietzko, who founded the band in 1984 as a performance art project. The band's earliest incarnation included German drummer En Esch and British vocalist Raymond Watts, the latter of whom left and rejoined the group several times over its history. The trio recorded the band's earliest albums in Germany before Konietzko and Esch moved to the United States, where they found much greater success with seminal industrial record label Wax Trax!. German guitarist Günter Schulz joined in 1990; both he and Esch continued with the band until KMFDM broke up in 1999. Konietzko resurrected KMFDM in 2002 (Esch and Schulz declined to rejoin) on Metropolis Records, and by 2005 he had assembled a consistent line-up that included American singer Lucia Cifarelli, British guitarists Jules Hodgson and Steve White, and British ...
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Koichi Fukuda
Koichi Fukuda (born July 1, 1975) is a Japanese musician, best known as the lead guitarist, programmer, and keyboardist for the metal band Static-X; he has been a member of the band three times, initially from 1994 to 2000, again from 2005 to 2010 and since 2018. He was also the former lead guitarist of the bands Drugstore Fanatics and Bellusira. Biography He was present on Static-X's debut album, '' Wisconsin Death Trip'', but left the band prior to the recording of their second album, '' Machine'', citing personal problems due to excessive touring. However, he did still contribute keyboards to the record. He rejoined Static-X after the firing of their then-current guitarist, Tripp Eisen, at the end of the recording process of the 2005 album ''Start a War'', and was present to record their fifth album, ''Cannibal''. Between his stints in Static-X, he formed another, less aggressive band called Revolve. Drawing comparisons to Tool and Pink Floyd, they were very successful lo ...
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2009 Remix Albums
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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KMFDM Albums
KMFDM (originally Kein Mehrheit Für Die Mitleid, loosely translated by the band as "no pity for the majority") is a multinational industrial band from Hamburg led by Sascha Konietzko, who founded the band in 1984 as a performance art project. The band's earliest incarnation included German drummer En Esch and British vocalist Raymond Watts, the latter of whom left and rejoined the group several times over its history. The trio recorded the band's earliest albums in Germany before Konietzko and Esch moved to the United States, where they found much greater success with seminal industrial record label Wax Trax!. German guitarist Günter Schulz joined in 1990; both he and Esch continued with the band until KMFDM broke up in 1999. Konietzko resurrected KMFDM in 2002 (Esch and Schulz declined to rejoin) on Metropolis Records, and by 2005 he had assembled a consistent line-up that included American singer Lucia Cifarelli, British guitarists Jules Hodgson and Steve White, and British ...
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Assemblage 23
Assemblage 23 is an electronic act from the United States, currently based in Woonsocket, Rhode Island. It was founded in 1988 by Tom Shear who writes the music and lyrics and does the recording himself. Live performances are supported by Paul Seegers on keyboards and Mike Jenney on drums. History 1980s–1990s (pre–Assemblage 23) Prior to starting Assemblage 23, Shear experimented with music under the name Man on a Stage, beginning in the early 1980s. Most of Shear's music at this point was instrumental, as he lacked the confidence to sing; the quality of the music itself was highly questionable by his own admission. Shear eventually began to add vocals to his music; at the same time, Shear was also playing bass in a live band called the Advocates. Assemblage 23 was officially born in 1988, after Shear experienced the industrial dance music played by an opening DJ for Depeche Mode. The style of this genre deeply impressed Shear; he believed he had finally found the sort of s ...
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Dave Ogilvie
Dave "Rave" Ogilvie is a Canadian record producer, mixer, songwriter and musician. The former member of bands Skinny Puppy and Jakalope started his recording career in Vancouver working as an engineer at Mushroom Studios. He has been described by '' SPIN'' as the "engineer" of Marilyn Manson's ''Antichrist Superstar'' (1996) album. Dave has worked with many artists over his extensive career including Carly Rae Jepsen, Marianas Trench, Tool, Nine Inch Nails, Marilyn Manson, 54-40, Queen, David Bowie, Skinny Puppy, Spineshank, KMFDM, Front Line Assembly, Doughboys, The Birthday Massacre, Jakalope, Queensrÿche, Men Without Hats, Left Spine Down, Xavier Rudd, Sloan, All Systems Go!, Coal Chamber, Treble Charger, Stereos, Ministry, SNFU, The Grapes of Wrath, Mötley Crüe Mötley Crüe is an American heavy metal band formed in Los Angeles in 1981. The group was founded by bassist Nikki Sixx, drummer Tommy Lee, lead guitarist Mick Mars and lead singer Vince Neil. Mötley C ...
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Tweaker (band)
Tweaker is an American alternative rock collaboration project band founded by Chris Vrenna in the late 1990s. Tweaker's musical style incorporates synthpop, progressive rock, modern jazz and electronica genres, and is characterized by a generally melancholy and somber sound with matching artwork. History The album ''The Attraction to All Things Uncertain'' was Vrenna's "solo" debut"CD REVIEWS: Tori Amos, Live, Macy Gray and many more"
''Chart Attack'', September 18, By: Debbie Bento and Paul Gangadeen and it was not until the follow-up album, '''', that Clint Walsh was announced as a permanent fixture to the band. W ...
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Gaye Bykers On Acid
Gaye Bykers on Acid (GBOA) are an English psychedelic rock band from Leicester, and one of the founder members of the grebo music scene. They later released both thrash punk and dance music albums under various aliases. Personnel * Mary Byker (Ian Garfield Hoxley) – vocals * Tony Byker/Phlegm Lubricant/Tony Shuttleburger/Sven Eleven- (Tony Horsfall) – guitar * Robber Byker (Ian Reynolds) – bass guitar * Rocket Ronnie (William Samuel Ronald Morrow) – turntablist * Kev Byker/Cubehead Buffalo Hyde/Gavina Hyde/Kenny Pride – (Kevin Hyde) – drums History Gaye Bykers on Acid were formed in late 1984 by Ian Reynolds (Robber) and Ian Hoxley (Mary). They were later joined by guitarist and art student Tony Horsfall and drummer Kevin Hyde. Their first gig was at The Princess Charlotte in Leicester in mid-1985. Their first releases – the single ''Everythang's Groovy'' and the ''Nosedive Karma'' EP – were both recorded in Leeds with Jon Langford of The Mekons, and rel ...
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Komor Kommando
Sebastian R. Komor (born 7 May 1976) is a Polish-born, Norwegian-raised electronic musician, best known for his collaborative work in Icon of Coil and Zombie Girl. A prolific artist, Komor has also released electronic music under a variety of solo projects and aliases since the late 1990s. Biography Sebastian Komor was born in Zabrze, Poland, in 1976 and moved to Norway in 1981, where he would remain for over twenty years. He first acquired a keyboard in his late teens and released his first music demo in 1992. Throughout the mid-to late-90s, Komor created music in Fredrikstad, where an EBM/industrial scene was flourishing under the influence of local bands such as Apoptygma Berzerk. Komor recorded and toured under various band names during that time, starting with Melt and continuing with Area51, Sector9 (which he also used as a remixer alias), and Moonitor. Fellow Fredrikstad musician Andy LaPlegua played keyboards for early Sector9 and Melt shows, and it was this collaboration ...
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Vileevils
__NOTOC__ Vileevils was an electronic dance duo, formed when the 2005 reunion of Pop Will Eat Itself (PWEI) failed to become a full-time project. Singer Clint Mansell and guitarist Richard March were too busy with side projects to dedicate themselves to writing and performing new material, and so the remaining three members of the band decided to form the spin-off band Vileevils, utilising the ''Sonic Noise Byte'' material that PWEI had written following the reunion. The band toured extensively in the UK, before reorganising as a more minimalist two-piece, after Fuzz left the band in 2007. On 23 February 2010, Vile Evils announced that they had disbanded, and that Graham Crabb would move on to reconstitute Pop Will Eat Itself. Discography The band's first output was a collaboration with U.S. electronic act 3kStatic entitled 'Council Housed And Violent' in February 2008. The track used components from PWEI's 'Let It Flow' & Vile Evils yet to be released 'Fucking & Fighting'. The ...
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Ivan De Prume
Ivan de Prume is a heavy metal drummer whose music became famous in the groove metal band White Zombie. DePrume was born in Brooklyn, New York City. His great-great-grandfather was Frantz Jehin-Prume. He started playing drums when he was twelve and was playing in a band with Sean Yseult when he was sixteen. Sean later invited him to join White Zombie. Ivan recorded and toured with the band for seven years. Ivan left the band in 1992. He attended Musician's Institute and completed their Drums and Percussion program. He also built his first professional recording studio in Los Angeles, Burningsound and began recording, producing and engineering projects. His studio recorded L7 and Paul Raven and Tommy Victor of Prong. He also made a cameo appearance on the Jack Off Jill album "Covetous Creature" along with former Marilyn Manson guitarist Scott Putesky. In 2003, de Prume formed a new band, Healer, along with Scott von Heldt ( Kurai/ Theater of Madness). The band's debu ...
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Industrial Rock
Industrial rock is a fusion genre that fuses industrial music and rock music. It initially originated in the 1970s, and drew influence from early experimental and industrial acts such as Cromagnon, Throbbing Gristle, Einstürzende Neubauten and Chrome. Industrial rock became more prominent in the 1980s with the success of artists such as Killing Joke, Swans, and partially Skinny Puppy, and later spawned the offshoot genre known as industrial metal. The genre was made more accessible to mainstream audiences in the 1990s with the aid of acts such as Nine Inch Nails and Marilyn Manson, both of which have released platinum-selling records. History Origins (late 1970s and 1980s) Richie Unterberger assessed the Red Krayola as "a precursor to industrial rock" with their 1967 record ''The Parable of Arable Land'' exhibiting music made by 50 people on anything from industrial power tools to a revving motorcycle whilst ''Pitchfork'''s Alex Lindhart assessed their 1968 follow up ...
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