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Krekhts
Dreydlekh (plural of ''dreidel'') or "spins" are musical ornaments of klezmer music, particularly violin, used to produce its characteristic "tear in the voice" sound., by Yale Strom, "The absolutely complete klezmer songbook", 2006, Introduction/ref>Yale Strom, ''Shpil: The Art of Playing Klezmer'', 2012p. 94/ref> The main ''dreydlekh'' are ''glitshn'' ( glissandos), ''krekhtsn'' ("sobs", "wails"), ''kneytshn'' ("wrinkles"), ''tshoks'' (a kind of bent notes of cackle-like sound), and flageolets (string harmonics). Sometimes the term ''dreydlekh'' is used only for trills, while other use it for all Klezmer ornaments. Krekhts or krekhtsn (Yiddish for "sobs") are kind of ''dreydlekh'' ornamentation in klezmer music, especially on the violin. In an article about Jewish music in Romania, Bob Cohen of Di Naye Kapelye describes krekhts as "a sort of weeping or hiccoughing combination of backwards slide and flick of the little finger high above the base note, while the bow does, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klezmer
Klezmer ( yi, קלעזמער or ) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman (especially Greek and Romanian) music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker. After the destruction of Jewish life in Eastern Europe during the Holoca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klezmer Revival
Klezmer ( yi, קלעזמער or ) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman (especially Greek and Romanian) music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker. After the destruction of Jewish life in Eastern Europe during the Holo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klezmer
Klezmer ( yi, קלעזמער or ) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman (especially Greek and Romanian) music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker. After the destruction of Jewish life in Eastern Europe during the Holoca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornament (music)
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece. Many ornaments are performed as "fast notes" around a central, main note. There are many types of ornaments, ranging from the addition of a single, short grace note before a main note to the performance of a virtuosic and flamboyant trill. The amount of ornamentation in a piece of music can vary from quite extensive (it was often extensive in the Baroque period, from 1600 to 1750) to relatively little or even none. The word ''agrément'' is used specifically to indicate the French Baroque style of ornamentation. Improvised vs. written In the Baroque period, it was common for performers to improvise ornamentation on a given melodic l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regular use. The violin typically has four strings (some can have five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and in jazz. Electric violins with solid bodies and piezoelectri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yale Strom
Yale Strom is an American violinist, composer, filmmaker, writer, photographer and playwright. Strom is a pioneer among klezmer (musical tradition of the Ashkenazi Jews of Eastern Europe) revivalists in conducting extensive field research in Central and Eastern Europe and the Balkans among the Jewish and Romani communities since 1981. Initially, his work focused primarily on the use and performance of klezmer music between these two groups. Gradually, his focus increased to examining all aspects of their culture, from post-World War II to the present. He was among the first of the klezmer revivalists to identify the connection between klezmer and lautare (Roma/Gypsy musicians) and explore that connection in his scholarly and artistic works. In the more than three decades since his initial ethnographic trip, Strom has become one of the world's most productive and influential scholar-artists of klezmer culture and history. Career Music Yale Strom's klezmer field research helped f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep (referring to the "discrete glissando" effects on guitar and harp, respectively), bend, smear, rip (for a loud, violent gliss to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure. Portamento Prescriptive attempts to distinguish the glissando from the portamento by limiting the former to the filling in of discrete intermediate pitches on instruments like the piano, harp, and fretted stringed instruments have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bent Note
Bent may refer to: Places * Bent, Iran, a city in Sistan and Baluchestan Province, Iran * Bent District, an administrative subdivision of Iran * Bent, Netherlands, a village in the municipality of Rijnwoude, the Netherlands * Bent County, Colorado, United States * Bents, Saskatchewan, an unincorporated community in Canada * Bent's Old Fort National Historic Site, frontier trading post, in La Junta, Colorado Arts and entertainment * ''Bent'' (play), a 1979 play by Martin Sherman ** ''Bent'' (1997 film), a 1997 film by Sean Mathias based on the play * ''Bent'' (2018 film) * ''Bent'' (TV series), an NBC romantic television comedy series * Bent (band), an electronica duo from England * '"Bent" (song), a 2000 song by Matchbox Twenty * ''Bent'' (magazine), a UK magazine * ''Bent'' (album), a 2012 album by Ssion * ''Bent,'' a 2019 album by Stonefield Science * Bent molecular geometry, in chemistry * Bent's rule, about atomic orbital hybridization * Bent grass or bent, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Harmonic
Playing a string harmonic (a flageolet) is a string instrument technique that uses the nodes of natural harmonics of a musical string to isolate overtones. Playing string harmonics produces high pitched tones, often compared in timbre to a whistle or flute. Overtones can be isolated "by lightly touching the string with the finger instead of pressing it down" against the fingerboard (without stopping). For some instruments this is a fundamental technique, such as the Chinese guqin, where it is known as ''fan yin'' ( 泛音, lit. "floating sound"), and the Vietnamese đàn bầu. Overtones When a string is plucked or bowed normally, the ear hears the fundamental frequency most prominently, but the overall sound is also colored by the presence of various overtones (frequencies greater than the fundamental frequency). The fundamental frequency and its overtones are perceived by the listener as a single note; however, different combinations of overtones give rise to noticeably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Di Naye Kapelye
Di Naye Kapelye is a Hungarian klezmer music group. The band formed in Budapest in 1993, and perform frequently throughout Europe. Their lyrics are primarily in Yiddish Yiddish (, or , ''yidish'' or ''idish'', , ; , ''Yidish-Taytsh'', ) is a West Germanic language historically spoken by Ashkenazi Jews. It originated during the 9th century in Central Europe, providing the nascent Ashkenazi community with a ve ... and Hungarian. Members *Bob Cohen (violin, mandolin, koboz, cumbus, flutes, Carpathian drum, vocals) *Yankl Falk (clarinet, vocals) *Ferenc Pribojszki (cimbalom, Carpathian drum, flutes) *Antal Fekete (kontra) *Gyula Kozma (bass, koboz, violin). Discography *1997 - ''Di Naye Kapelye'' (Oriente) *2001 - ''A Mazeldiker Yid'' (Oriente) *2008 - ''Traktorist'' (Oriente) External linksThe Di Naye Kapelye official siteDumneazu - Bob Cohen's blog {{Authority control Di Naye Kapelye Di Naye Kapelye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Music
The music of Turkey includes mainly Turkic and Byzantine elements as well as partial influences ranging from Ottoman music, Middle Eastern music and Music of Southeastern Europe, as well as references to more modern European and American popular music. Turkey is a country on the northeastern shore of the Mediterranean Sea, and is a crossroad of cultures from across Europe, North Africa, the Middle East, the Caucasus and South and Central Asia. The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization., pp 396-410. With the assimilation of immigrants from various regions the diversity of musical genres and musical instrumentation also expanded. Turkey has also seen documented folk music and recorded popular music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jewish Music
Jewish music is the music and melodies of the Jewish people. There exist both traditions of religious music, as sung at the synagogue and domestic prayers, and of secular music, such as klezmer. While some elements of Jewish music may originate in biblical times, differences of rhythm and sound can be found among later Jewish communities that have been musically influenced by location. In the nineteenth century, religious reform led to composition of ecclesiastic music in the styles of classical music. At the same period, academics began to treat the topic in the light of ethnomusicology. Edward Seroussi has written, "What is known as 'Jewish music' today is thus the result of complex historical processes". A number of modern Jewish composers have been aware of and influenced by the different traditions of Jewish music. Religious Jewish music Religious Jewish music in the biblical period The history of religious Jewish music spans the evolution of cantorial, synagogal, and Temp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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