Korhogo Cloth
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Korhogo Cloth
Korhogo cloth is an African textile made by the Senufo people of Korhogo, Ivory Coast. Often described as being in the shadows of bogolafini (mud cloth) and kente, korhogo comes in neutral and earthy tones like browns, blacks and creams. Korhogo is made by hand painting designs on hand woven and hand spun cotton fabric. The paintings are done using a specially fermented mud-based and natural vegetal pigment that darkens over time, and designs are usually drawn on using a stencil. They are decorated with symbols of humans, natural elements like the sun, moon and stars and animals, all of which are rooted in Senufo culture and mythology. The Senufo use the cloth as a shield against vengeful spirits by wearing or hanging them in homes/shrines. Korhogo is commissioned for hunters (important heroic figures) and rite of passage events like funerals/special ceremonies. Men and women are involved in the fabrication of the cloth. Both cultivate the cotton, the women spin the cotton into ...
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Senufo People
The Senufo people, also known as Siena, Senefo, Sene, Senoufo, and Syénambélé, are a West African ethnolinguistic group. They consist of diverse subgroups living in a region spanning the northern Ivory Coast, the southeastern Mali and the western Burkina Faso. One sub-group, the Nafana, is found in north-western Ghana. The Senufo people are predominantly animists, with some who are Muslims. They are regionally famous for their handicrafts, many of which feature their cultural themes and religious beliefs. Demographics and languages In the 1980s, estimates placed the total ethnic group population of Senufo people somewhere between 1.5 and 2.7 million. A 2013 estimate places the total over 3 million, with majority of them living in Ivory Coast in places such as Katiola, and some 0.8 million in southeastern Mali. Their highest population densities are found in the land between the Black Volta river, Bagoe River and Bani River. Their kinship organization is matrilineal. Typica ...
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Korhogo
Korhogo is a city in northern Ivory Coast. It is the seat of both Savanes District and Poro Region. It is also a commune and the seat of and a sub-prefecture of Korhogo Department. In the 2014 census, the city had a population of 243,048, making it the fourth-largest city in the country and the largest in northern Ivory Coast. Korhogo produces goods such as cotton, kapok, rice, millet, peanuts, corn, yams, sheep, goats and diamonds. The settlement was on an important pre-colonial trade route to the Atlantic coast. It is said to have been founded by Nangui, a 14th-century Senufo patriarch and still is the capital of the Senufo people. Sights in Korhogo include the Péléforo Gbon Coulibaly Regional Museum and the woodcarvers' quarter. Korhogo is also home to an airport, a large market, a cinema, a mosque, and a swimming pool. Korhogo's average annual rainfall is 1,243 mm, with the rainiest months being May to October. Its average year-round temperature is 26.6 degrees Ce ...
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Bògòlanfini
Bògòlanfini or bogolan ( bm, bɔgɔlanfini; "mud cloth"; sometimes called mud-dyed cloth or mud-painted cloth in English) is a handmade Malian cotton fabric traditionally dyed with fermented mud. It has an important place in traditional Malian culture and has, more recently, become a symbol of Malian cultural identity. The cloth is exported worldwide for use in fashion, fine art and decoration. Origins and etymology The dye technique is associated with several Malian ethnic groups, but the Bamana version has become best known outside Mali. In the Bambara language, the word ''bògòlanfini'' is a composite of ''bɔgɔ'', meaning "earth" or "mud"; ''lan'', meaning "with" or "by means of"; and ''fini'', meaning "cloth". Although usually translated as "mud cloth," ''bògòlan'' actually refers to slip clay with a high iron content. The iron in the clay will stain handspun and handwoven cotton textiles black. Production The center of bògòlanfini production, and the source of ...
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Kente Cloth
Kente ( ak, kente or ''nwetoma''; ee, kete; Dagbani: Chinchini) refers to a Ghanaian textile, made of handwoven cloth, strips of silk and cotton. Historically the fabric was worn in a toga-like fashion by royalty among ethnic groups such as the Ashanti and Ewe. It is also worn by queens, princesses and women of Dagbon. In modern day Ghana, the wearing of kente cloth has become widespread to commemorate special occasions, with highly sought-after kente brands led by master weavers. Due to the popularity of kente cloth patterns, kente print, which is a mass-produced version, is popular throughout the West. Globally, the print is used in the design of academic stoles in graduation ceremonies. Etymology Kente comes from the word ''kenten'', which means "basket" in the Asante dialect of the Akan language, referencing its basket-like pattern. In Ghana, the Akan ethnic group also refers to kente as ''nwentoma'', meaning "woven cloth". Ashanti folklore includes a story where weav ...
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Dyula People
The Dyula (Dioula or Juula) are a Mande ethnic group inhabiting several West African countries, including Mali, Cote d'Ivoire, Ghana, and Burkina Faso. Characterized as a highly successful merchant caste, ''Dyula'' migrants began establishing trading communities across the region in the fourteenth century. Since business was often conducted under non-Muslim rulers, the ''Dyula'' developed a set of theological principles for Muslim minorities in non-Muslim societies. Their unique contribution of long-distance commerce, Islamic scholarship and religious tolerance were significant factors in the peaceful expansion of Islam in West Africa. Historical background The Mandé embraced Islam during the thirteenth century following introduction to the faith through contact with the North African traders. By the 14th century, the Malian empire (c.1230-1600) had reached its apogee, acquiring a considerable reputation for the Islamic rulings of its court and the pilgrimages of several emp ...
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Poro
The Poro, or Purrah or Purroh, is a men's secret society in Sierra Leone, Liberia, Guinea, and the Ivory Coast, introduced by the Mane people. It is sometimes referred to as a hunting society and only males are admitted to its ranks. The female counterpart of the Poro society is the Sande society. Structure The Poro society was part of the culture introduced by Mane people, migrants to the region as early as 1000 AD.Fyfe, Christopher"Weighing the Probabilities."Review: ''Landlords and Strangers: Ecology, Society and Trade in Western Africa, 1000–1630.'' By George E. Brooks. Boulder, CO: Westview Press, 1994. Two affiliated and secret associations exist in Sierra Leone, the Yassi and the Bundu. The first is nominally reserved for females, but members of the Poro are admitted to certain ceremonies. All the female members of the Yassi must be also members of the Bundu, which is strictly reserved to women. In Liberia, the female equivalent of the Poro is the Sande society. ...
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Woven Fabrics
Woven fabric is any textile formed by weaving. Woven fabrics are often created on a loom, and made of many threads woven on a warp and a weft. Technically, a woven fabric is any fabric made by interlacing two or more threads at right angles to one another. Woven fabrics can be made of both natural and synthetic fibres, and are often made from a mixture of both. E.g. 100% Cotton or 80% Cotton & 20% polyester. 60% spandex and 40% cotton could also be woven together. Woven fabric is typically used in clothing, garments, for decoration, furniture or covering purposes such as carpets. In the Midwest, it is popular to have woven wicker furniture in sitting areas such as a patio or a dining room. Qualities Woven fabrics only stretch diagonally on the bias directions (between the warp and weft directions), unless the threads used are elastic. Woven fabric cloth usually frays at the edges, unless techniques are used to counter it, such as the use of pinking shears or hem A hem in sewi ...
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African Clothing
African clothing is the traditional clothing worn by the peoples of Africa. African clothing and fashion is a diverse topic that is able to provide a look into different African cultures. Clothing varies from brightly colored textiles, to abstractly embroidered robes, to colorful beaded bracelets and necklaces. Since Africa is such a large and diverse continent, traditional clothing differs throughout each country. For example, many countries in West Africa have a "distinct regional dress styles that are the products of long-standing textile crafts in weaving, dyeing, and printing", but these traditions are still able to coexist with western styles. A large contrast in African fashion is between rural and urban societies. Urban societies typically are exposed more to trade and the changing world, while it takes more time for new western trends to get to rural areas. By region In Northeastern Africa, particularly in Egypt, styles of traditional women's clothing have been influe ...
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Ivorian Culture
The diverse culture of Ivory Coast, a coastal West African country bordered by Ghana, Liberia, Mali, Burkina Faso, and Guinea, is exemplified by a multitude of ethnic groups, events, festivals, music, and art. More than sixty indigenous ethnic groups are often cited, although this number may be reduced to seven clusters of ethnic groups, by classifying small units together on the basis of their cultural and historical characteristics, which differ somewhat from one to the next. These may be further reduced to four major cultural regions – the East Atlantic (primarily Akan), West Atlantic (primarily Kru), Voltaic, and Mandé – differentiated in terms of environment, economic activity, language, and overall cultural characteristics. In the southern half of the country, the East Atlantic and West Atlantic cultures, separated by the Bandama River, each make up almost one-third of the indigenous population. Roughly one-third of the indigenous population lives in the north, includi ...
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