Korg MS2000
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Korg MS2000
The Korg MS2000 is a virtual analog synthesizer produced by the Japanese electronic musical instrument manufacturer Korg. History and features The synthesizer was offered as either a 44-key board or as a rack module, the latter being controlled by an external keyboard controller, hardware sequencer or a computer, making use of the system's very complete MIDI implementation. It was intended to bring the sound and basic functionality of the MS-10 and MS-20 back into the keyboard market, but with the updated technology of Analog modeling synthesizer, Virtual Analog Synthesis. The extensive number of onboard knobs and buttons (over 80) could be used to dynamically edit many of the parameters while playing, as well as be used as a control surface for other synthesizers and sound modules. This capability was the attraction of many analog synthesizers of the past and that real-time editability became the cornerstone of contemporary VA synthesizers. At the time of the release of the MS2 ...
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Korg
, founded as Keio Electronic Laboratories, is a Japanese multinational corporation that manufactures electronic musical instruments, audio processors and guitar pedals, recording equipment, and electronic tuners. Under the Vox brand name, they also manufacture guitar amplifiers and electric guitars. History Korg was founded in 1962 in Tokyo by Tsutomu Kato and Tadashi Osanai as ''Keio Gijutsu Kenkyujo Ltd.''. It later became because its offices were located near the Keio train line in Tokyo and Keio can be formed by combining the first letters of Kato and Osanai. Before founding the company, Kato ran a nightclub. Osanai, a Tokyo University graduate and noted accordionist, regularly performed at Kato's club accompanied by a Wurlitzer Sideman rhythm machine. Dissatisfied with the rhythm machine, Osanai convinced Kato to finance his efforts to build a better one.Julian Colbeck, Keyfax Omnibus Edition, MixBooks, 1996, p. 52. The company's first product was an elect ...
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Analog Modeling Synthesizer
An analog modeling synthesizer is a synthesizer that generates the sounds of traditional analog synthesizers using DSP components and software algorithms. Analog modeling synthesizers simulate the behavior of the original electronic circuitry in order to digitally replicate their tone. This method of synthesis is also referred to as ''virtual analog'' or VA. Analog modeling synthesizers can be more reliable than their true analog counterparts since the oscillator pitch is ultimately maintained by a digital clock, and the digital hardware is typically less susceptible to temperature changes. While analog synthesizers need an oscillator circuit for each voice of polyphony, analog modeling synthesizers do not face this problem. This means that many of them, especially the more modern models, can produce as many polyphonic voices as the CPU on which they run can handle. Modeling synths also provide patch storage capabilities and MIDI support not found on most true analog instruments. ...
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Subtractive Synthesis
Subtractive synthesis is a method of sound synthesis in which partials of an audio signal (often one rich in harmonics) are attenuated by a filter to alter the timbre of the sound. While subtractive synthesis can be applied to any source audio signal, the sound most commonly associated with the technique is that of analog synthesizers of the 1960s and 1970s, in which the harmonics of simple waveforms such as sawtooth, pulse or square waves are attenuated with a voltage-controlled resonant low-pass filter. Many digital, virtual analog and software synthesizers use subtractive synthesis, sometimes in conjunction with other methods of sound synthesis. Examples of subtractive synthesis A human example The basis of subtractive synthesis can be understood by considering the human voice; when a human speaks, sings or makes other vocal noises, the vocal folds act as an oscillator and the mouth and throat as a filter. Consider the difference between singing "oooh" and "aaah" ...
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MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, w ...
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Virtual Analog Synthesizer
An analog modeling synthesizer is a synthesizer that generates the sounds of traditional analog synthesizers using DSP components and software algorithms. Analog modeling synthesizers simulate the behavior of the original electronic circuitry in order to digitally replicate their tone. This method of synthesis is also referred to as ''virtual analog'' or VA. Analog modeling synthesizers can be more reliable than their true analog counterparts since the oscillator pitch is ultimately maintained by a digital clock, and the digital hardware is typically less susceptible to temperature changes. While analog synthesizers need an oscillator circuit for each voice of polyphony, analog modeling synthesizers do not face this problem. This means that many of them, especially the more modern models, can produce as many polyphonic voices as the CPU on which they run can handle. Modeling synths also provide patch storage capabilities and MIDI support not found on most true analog instruments. ...
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Japan
Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the north toward the East China Sea, Philippine Sea, and Taiwan in the south. Japan is a part of the Ring of Fire, and spans an archipelago of 6852 islands covering ; the five main islands are Hokkaido, Honshu (the "mainland"), Shikoku, Kyushu, and Okinawa. Tokyo is the nation's capital and largest city, followed by Yokohama, Osaka, Nagoya, Sapporo, Fukuoka, Kobe, and Kyoto. Japan is the eleventh most populous country in the world, as well as one of the most densely populated and urbanized. About three-fourths of the country's terrain is mountainous, concentrating its population of 123.2 million on narrow coastal plains. Japan is divided into 47 administrative prefectures and eight traditional regions. The Greater Tokyo Ar ...
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Clavia Nord Lead
The Nord Lead is a series of virtual analog subtractive synthesizers, manufactured by Clavia. Released in 1994, the original Nord Lead was the digital synthesizer that made the term ''virtual analog synthesis'' popular. The now widely accepted term "virtual analog", was first coined by Clavia with the release of the Nord Lead. This synthesizer was distinctive for its red coloration, knob-laden surface and unique pitch-stick and modulation wheel. After the Nord Lead, several updates followed suit; such as the Nord Lead 2, Nord Lead 3, and Nord Lead 2X. Models Nord Lead The first Nord Lead was released in 1995 to positive reviews. It was created with the help of Peter Jubel, who also co-founded Propellerhead Software. Compared to synthesizers being constructed via analog components, the Nord Lead uses digital signal processors (DSPs) programmed to emulate both Subtractive and analogue FM synthesis (cross-modulation) to reproduce the warmth and richness of a traditional anal ...
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Roland JP-8000
The Roland JP-8000 is an analog modeling synthesizer released by the Roland Corporation in 1996. Overview The Roland JP-8000 was released in early 1997 as part of the first wave of virtual analog modeling synthesizers (VA synths). Others from that period included the Clavia Nord Lead (1995), Korg Prophecy (1995), Access Virus (1997) and Yamaha AN1x (1997). VA synths had the goal of recreating the sound, functionality and user interface of classic analog synthesizers. The JP-8000 was viewed at the time as the modern digital incarnation of the classic Roland Jupiter-8, from 1981. The programming interface, synthesis options and general tone is very similar to Roland's Jupiter-6 as well. The JP-8000 sought to digitally reproduce the warm analog tonalities and sheer power of its analog predecessors. Although it lacked somewhat in analog warmth due to its early digital architecture, it added many new features, such as RPS (Realtime Phrase Sequencing), which allowed short seque ...
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Polyphony (instrument)
Polyphony is a property of musical instruments that means that they can play multiple independent melody lines simultaneously. Instruments featuring polyphony are said to be polyphonic. Instruments that are not capable of polyphony are monophonic or paraphonic. Synthesizer Monophonic A monophonic synthesizer or ''monosynth'' is a synthesizer that produces only one note at a time, making it smaller and cheaper than a polyphonic synthesizer which can play multiple notes at once. This does not necessarily refer to a synthesizer with a single oscillator; The Minimoog, for example, has three oscillators which are settable in arbitrary intervals, but it can play only one note at a time. Well-known monosynths include the Minimoog, the Roland TB-303, the Korg Prophecy, and the Korg Monologue. Duophonic Duophonic synthesizers, such as the ARP Odyssey and Formanta Polivoks built in the 1970s and 1980s respectively, have a capability to independently play two pitches at a tim ...
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Korg DW-8000
The Korg DW-8000 synthesizer is an eight-voice polyphonic hybrid digital-analog synthesizer 61-note keyboard instrument released in 1985. By the time of its launch, Korg had already begun a common trend in 1980s synthesizer design: using numerical codes to access or change parameters (synth "voice", tone, etc) with its predecessor - the Korg Poly-61, which was widely regarded as the company's first "knobless" synthesizer. This was a move away from the heavily laden, complex control panels of earlier designs. A more unusual feature of the instrument for the time was the use of single-cycle digital waveforms as the basic building block of sound synthesis, and the inclusion of a digital delay effect. This delay effect was a significant factor in the relative success of the DW-8000 compared to the cheaper DW-6000 released earlier the same year. Physical characteristics Physically, the instrument used a 61-note synthesizer action keyboard. "Synthesizer action" means that it did n ...
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ADSR Envelope Generator
In sound and music, an envelope describes how a sound changes over time. It may relate to elements such as amplitude (volume), frequencies (with the use of filters) or pitch. For example, a piano key, when struck and held, creates a near-immediate initial sound which gradually decreases in volume to zero. Envelope generators, which allow users to control the different stages of a sound, are common features of synthesizers, samplers, and other electronic musical instruments. The most common form of envelope generator is controlled with four parameters: attack, decay, sustain and release (ADSR). Development The Hammond Novachord in 1938 used an early implementation of an ADSR envelope. A seven-position rotary knob selects preset ADS parameter for all 72 notes; a pedal controls the release. The envelope generator was created by the American engineer Robert Moog in the 1960s. While experimenting with the first Moog synthesizers, composer Herbert Deutsch suggested Moog find a ...
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Future Music
''Future Music'' (stylised as ''FutureMusic'') is a monthly magazine published by Future plc in the UK. It was founded in 1992 and is aimed primarily at record producers working in the electronic music field. ''Future Music'' includes hardware and software reviews, tutorials, royalty-free samples and loops, and music by electronic artists. The magazine also has reviews of commercial releases within the electronic genre, regularly naming its "Album of the Month". Interviewees have included Aphex Twin, Grimes and Gary Numan, who appeared on the cover of the first issue. ''Future Music'' content has been reprinted by outlets including ''The Fader'', '' Amiga Format'' and Loopmasters. The journalist and broadcaster Dave Haslam characterised ''Future Music'' as "a specialist mag for techno boffins". Matt Feeney in ''The Lance'' recommended the publication as one of the best within electronic music, saying, "''Future Music'' magazine is... intended not so much for the fans of elec ...
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