Konstanze's Delight
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Konstanze's Delight
''Konstanze's Delight'' is an album by American jazz saxophonist Jemeel Moondoc, which was recorded live at the Third Street Music School in 1981 and released on the Italian Soul Note label. He leads a sextet that features Muntu's members Roy Campbell on trumpet and William Parker on double bass, occasional members Khan Jamal on vibraphone and Ellen Christi on wordless vocals, and Denis Charles on drums.Original Liner Notes by Lee Jeske Reception ''The Penguin Guide to Jazz'' notes "The two horns seem to be engaged in a game of one-on-one ball, chasing, dodging, body-checking and setting up half a dozen false climaxes before the whole thing unwinds." Track listing :''All compositions by Jemeel Moondoc'' #"Konstanze's Delight" - 29:46 #"Chasing the Moon" - 13:17 #"High Rise" - 2:21 Personnel * Roy Campbell - trumpet *Jemeel Moondoc - alto sax *Khan Jamal - vibraphone * William Parker - bass *Denis Charles - drums *Ellen Christi - voice The human voice consists of sound mad ...
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Jemeel Moondoc
Jemeel Moondoc (August 5, 1946 – August 29, 2021) was a jazz saxophonist who played alto saxophone. He was a proponent of a highly improvisational style. He was born in Chicago, Illinois, United States, and studied clarinet and piano before settling on saxophone at sixteen. He became interested in jazz largely due to Cecil Taylor and at the University of Wisconsin–Madison, he was a student of Taylor's. After that he moved to New York City, where he founded "Ensemble Muntu" with William Parker, Roy Campbell, Jr., and Rashid Bakr. The group also had its own Muntu record label, but eventually faced financial difficulties. In 1984, he formed the Jus Grew Orchestra, which secured a residency at the Neither/Nor club in the Lower East Side. He worked with Parker again in 1998's album, '' New World Pygmies''. He died in August 2021, at the age of 75 from the effects of sickle cell anemia. Discography As leader * '' First Feeding'' (Muntu, 1977) * '' The Evening of the Blue M ...
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The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise a ...
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1983 Live Albums
The year 1983 saw both the official beginning of the Internet and the first mobile cellular telephone call. Events January * January 1 – The migration of the ARPANET to TCP/IP is officially completed (this is considered to be the beginning of the true Internet). * January 24 – Twenty-five members of the Red Brigades are sentenced to life imprisonment for the 1978 murder of Italian politician Aldo Moro. * January 25 ** High-ranking Nazi war criminal Klaus Barbie is arrested in Bolivia. ** IRAS is launched from Vandenberg AFB, to conduct the world's first all-sky infrared survey from space. February * February 2 – Giovanni Vigliotto goes on trial on charges of polygamy involving 105 women. * February 3 – Prime Minister of Australia Malcolm Fraser is granted a double dissolution of both houses of parliament, for elections on March 5, 1983. As Fraser is being granted the dissolution, Bill Hayden resigns as leader of the Australian Labor Party, and in the subsequent lead ...
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Voice
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and ton ...
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Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ...
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Alto Sax
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick L. He ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ...
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Third Street Music School Settlement
Third Street Music School Settlement is the longest-running community music school in the United States. Founded in 1894, it is at 235 East 11th Street, New York. Third Street has three main programs: a music & dance school, a music-infused Preschool, and a Partners program. It also works with New York City Department of Education on training Pre-K teachers in music education. Programs Music and Dance School Third Street Music School settlement offers classes for ages 3 and up, with a range of classes in dance, music and ensemble. Preschool Opening in 1976, Third Street Preschool provides music-enriched learning with a focus on experiential play. They offer care for children from 1–5 years of age. Partners Program Third Street Partners Program provides music and dance instruction to over 25 New York City public schools. History Third Street Music School is the longest-running community music school in the United States, and was founded in New York City in 1894 by ...
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Denis Charles
Denis Alphonso Charles (December 4, 1933 – March 26, 1998) was a jazz drummer. Biography Charles was born in St. Croix, Virgin Islands, and first played bongos at age seven with local ensembles in the Virgin Islands. In 1945, he moved to New York, and gigged frequently around town. In 1954, he began working with Cecil Taylor, and the pair collaborated until 1958. Following this he played with Steve Lacy, Gil Evans, and Jimmy Giuffre. He befriended Ed Blackwell, and the two influenced each other. He recorded with Sonny Rollins on a calypso-tinged set, and then returned to time with Lacy, with whom he played until 1964. He worked with Archie Shepp and Don Cherry in 1967, but heroin addiction saw him leave the record industry until 1971. In the 1970s and 1980s, he played regularly on the New York jazz scene with Frank Lowe, David Murray, Charles Tyler, Billy Bang, and others, and also played funk, rock, and traditional Caribbean music. He released three discs as a lead ...
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