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Konpira Grand Theatre
The Konpira Grand Theatre (金毘羅大芝居 ''Konpira Ōshibai''), also known as the Kanamaru-za (金丸座) is a restored Kabuki theatre in Kotohira, Kagawa, on the island of Shikoku, Japan. It was originally constructed in 1835,Agency for Cultural Affairs (in Japanese) by Uzuhiko TSUBOI for the 1st International Conference on Business and Technology transfer (ICBTT200) and is the oldest kabuki theatre in Japan."Kanamaruza. (歌舞伎事典, ''kabuki jiten''). Japan Arts Council, 2001–2003. Accessed 5 October 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kotohira, Kagawa
is a town located in Nakatado District, Kagawa Prefecture, Japan. , the town had an estimated population of 8,105 in 3618 households and a population density of 960 persons per km². The total area of the town is . The town is best known as the site of Shikoku's largest shrine complex, the Kotohira Shrine (popularly known as ''Konpira-san''). Geography Kotohira is located in southwestern Kagawa Prefecture. The west side of the town area runs along the foot of Mt.Kotohira Neighbouring municipalities Kagawa Prefecture * Zentsūji * Mitoyo * Mannō Climate Kotohira has a Humid subtropical climate (Köppen ''Cfa'') characterized by warm summers and cool winters with light snowfall. The average annual temperature in Kotohira is 15.1 °C. The average annual rainfall is 1439 mm with September as the wettest month. The temperatures are highest on average in January, at around 26.2 °C, and lowest in January, at around 4.7 °C. Demographics Per Japanese cens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nakamura Kichiemon II
was a Japanese actor, kabuki performer and costume designer. He was a so-called Living National Treasures of Japan, Living National Treasure. Nakamura Kichiemon was a formal kabuki stage name. The actor's grandfather first appeared using the name in 1897; and Nakamura Kichiemon I continued to use this name until his death.Leiter, Samuel. (2006). Kichiemon I was the maternal grandfather of Kichiemon II.母方の祖父 (maternal grandfather) In the conservative Kabuki world, stage names are passed from father to son in formal system which converts the kabuki stage name into a mark of accomplishment. In choosing to be known by the same stage name as his grandfather, the living kabuki performer honors his family relationships and tradition. Early life Nakamura was born as Tatsuj ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shōchiku
() is a Japanese film and kabuki production and distribution company. It also produces and distributes anime films, in particular those produced by Bandai Namco Filmworks (which has a long-time partnership—the company released most, if not all, anime films produced by Bandai Namco Filmworks). Its best remembered directors include Yasujirō Ozu, Kenji Mizoguchi, Mikio Naruse, Keisuke Kinoshita and Yōji Yamada. It has also produced films by highly regarded independent and "loner" directors such as Takashi Miike, Takeshi Kitano, Akira Kurosawa, Masaki Kobayashi and Taiwanese New Wave director Hou Hsiao-hsien. Shochiku is one of the four members of the Motion Picture Producers Association of Japan (MPPAJ), and the oldest of Japan's "Big Four" film studios. History As Shochiku Kinema The company was founded in 1895 as a kabuki production company and later began producing films in 1920. Shochiku is considered the oldest company in Japan involved in present-day film production, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamigata
Kamigata (上方) was the colloquial term for a region today called Kansai (''kan'', barrier; ''sai'', west) in Japan. This large area encompasses the cities of Kyoto, Osaka, and Kobe. The term is used particularly when discussing elements of Edo period urban culture such as ukiyo-e and kabuki, and when making a comparison to the urban culture of the Edo/Tokyo region. The term was no longer used as name for the Kansai provinces when Emperor Meiji moved to Edo in 1868. An account described Kamigata suji as one of the two regions that emerged from the division of Japan for the purpose of taxation with the other being Kwanto-suji. Kabuki, ukiyo-e, and many of the other related fields of popular and urban culture of the Edo period in fact originated in Kamigata before being transmitted to Edo. The vast majority of scholarship on the urban culture of the Edo period (1603–1867), even today, focuses on culture in Edo; Kamigata culture, though it is beginning to be studied more and mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Units Of Measurement
Traditional Japanese units of measurement or the shakkanhō (, "''shaku–kan'' system") is the traditional system of measurement used by the people of the Japanese archipelago. It is largely based on the Chinese system, which spread to Japan and the rest of the Sinosphere in antiquity. It has remained mostly unaltered since the adoption of the measures of the Tang dynasty in 701. Following the 1868 Meiji Restoration, Imperial Japan adopted the metric system and defined the traditional units in metric terms on the basis of a prototype metre and kilogram. The present values of most Korean and Taiwanese units of measurement derive from these values as well. For a time in the early 20th century, the traditional, metric, and English systems were all legal in Japan. Although commerce has since been legally restricted to using the metric system, the old system is still used in some instances. The old measures are common in carpentry and agriculture, with tools such as chisels, spatels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaku (unit)
or Japanese foot is a Japanese unit of length derived (but varying) from the Chinese , originally based upon the distance measured by a human hand from the tip of the thumb to the tip of the forefinger (compare span). Traditionally, the length varied by location or use, but it is now standardized as 10/33 m, or approximately . Etymology in English entered English in the early 18th century,Oxford English Dictionary, Volume XV page 148 Webster's Third New International Dictionary of the English Language, 1986 a romanization of the Japanese Go-on reading of the character for . Use in Japan The had been standardized as since 1891. This means that there are 3.3 () to one meter. The use of the unit for official purposes in Japan was banned on March 31 1966, although it is still used in traditional Japanese carpentry and some other fields, such as kimono construction. The traditional Japanese bamboo flute known as the ( and ) derives its name from its length of one and eight . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Former Konpira-ooshibai01n3999
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nakamura-za
was one of the three main ''kabuki'' theatres of Edo alongside the Morita-za and Ichimura-za. History It was founded in 1624 by Nakamura Kanzaburō 1st. The Nakamura-za relocated to the new capital Tokyo in 1868 and reopened under Nakamura Kanzaburō I's last direct descendant Nakamura Kanzaburo XIII (1828–1895) as zamoto. It was later also called the Miyako-za (). A real-size replica of the Nakamura-za is located at the Edo-Tokyo Museum The is a historical museum located at 1-4-1 Yokoami, Sumida, Tokyo, Sumida-Ku, Tokyo in the Ryōgoku, Ryogoku district. The museum opened in March 1993 to preserve Edo's cultural heritage, and features city models of Edo and Tokyo between 1 .... References External links Nakamura-za at Kabuki21.com Former kabuki theatres Nihonbashi, Tokyo {{Japan-hist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sharaku
Tōshūsai Sharaku ( ja, 東洲斎 写楽; active 1794–1795) was a Japanese ukiyo-e print designer, known for his portraits of kabuki actors. Neither his true name nor the dates of his birth or death are known. His active career as a woodblock artist spanned ten months; his prolific work met disapproval and his output came to an end as suddenly and mysteriously as it had begun. His work has come to be considered some of the greatest in the ukiyo-e genre. Sharaku made mostly ''yakusha-e'' portraits of kabuki actors. His compositions emphasize poses of dynamism and energy, and display a realism unusual for prints of the time—contemporaries such as Utamaro represented their subjects with an idealized beauty, while Sharaku did not shy from showing unflattering details. This was not to the tastes of the public, and the enigmatic artist's production ceased in the first month of 1795. His mastery of the medium with no apparent apprenticeship has drawn much speculation, and rese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sharaku (film)
''Sharaku'' ( ja, 写楽) is a 1995 Japanese drama film directed by Masahiro Shinoda. It was entered into the 1995 Cannes Film Festival. Cast * Hiroyuki Sanada as Tonbo * Frankie Sakai as Tsutaya * Shima Iwashita as Troupe Leader * Tsurutarō Kataoka as Goro * Shirō Sano as Utamaro * Riona Hazuki as Hanasato * Toshiya Nagasawa as Tetsuzo (the future Hokusai) * Yasosuke Bando as Matsudaira Sadanobu * Nakamura Tomijyuro V as Gosei * Haruko Kato as Ofuji * Masumi Miyazaki as Gohi * Choichiro Kawarazaki as Santo Kyoden * Naomasa Musaka Naomasa (written: 直政, 直正, 直方, 尚正 or 尚政) is a masculine Japanese given name. Notable people with the name include: *, Japanese samurai *, Japanese samurai *, Japanese ''daimyō'' *, Japanese ''daimyō'' *, Japanese ''daimyō'' * ... as Manager Yohei References External links * 1995 films 1995 drama films Japanese drama films 1990s Japanese-language films Films directed by Masahiro Shinoda 1990s Japanese films [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naka-za
Naka no Shibai (中の芝居, Central Theatre), also known as Naka-za (中座), was one of the major kabuki theatres in Osaka, Japan. History It was first built in 1652, in Osaka's Dōtonbori entertainment district, and saw the premieres of many famous plays; closely related to the nearby '' jōruri'' theatres, Naka would often be the first to adapt puppet plays to the kabuki stage, and often also arranged the Kamigata (Kansai) premieres of plays earlier performed in Edo. Also tied closely to other theatres in the area, and the general theatre culture and community of Kamigata, Naka hosted a number of competitions between actors and troupes, as well as reconciliation ceremonies between actors who had been feuding, and a variety of other theatrical community events. Some of the plays premiered at the Naka no Shibai include '' Natsu Matsuri Naniwa Kagami'' (1745), ''Yoshitsune Senbon Zakura'' (Aug. 1748), and ''Kanadehon Chūshingura'' (Dec. 1748) which was first performed as a pup ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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