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Komische Oper Berlin
The Komische Oper Berlin is a German opera company based in Berlin. The company produces opera, operetta and musicals. The opera house is located on Behrenstraße, just a few steps from Unter den Linden. Since 2004, the Komische Oper Berlin, along with the Berlin State Opera, the Deutsche Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History of the building The theatre was built between 1891 and 1892 by architects Ferdinand Fellner and Hermann Helmer for a private society. It first opened on 24 September 1892 as ''"Theater Unter den Linden"'' with Adolf Ferron's operetta ''Daphne'' and Gaul and Haßreiter's ballet ''Die Welt in Bild und Tanz''. The theatre was primarily a vehicle for operetta, but was also used for various other events and balls. Around 800 people could be seated in the stalls, and the balconies and various en-suite dinner rooms housed about a further 1,7 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Management
Opera management is the management of the processes by which opera is delivered to audiences. It is carried out by an opera manager, also called a general manager, managing director, or intendant (UK English). A multifaceted task, it involves managing an opera company, primarily the singers and musicians who perform the operas, but in many cases also involves managing the opera house in which the company performs. Background Opera is a multi-faceted art form involving high fixed costs and requiring complex approaches to management. In addition to the singers and musicians who form the core of the company, its production requires scenery and costumes and sometimes dancers and non-singing actors. Fixed costs in today's opera organizations—keeping many of the singers and musicians on year-round contracts, and if managing their own theatre, the cost of workers needed to create and maintain the sets and costumes as well as the cost of maintaining and running the building—combined with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nazism
Nazism ( ; german: Nazismus), the common name in English for National Socialism (german: Nationalsozialismus, ), is the far-right totalitarian political ideology and practices associated with Adolf Hitler and the Nazi Party (NSDAP) in Nazi Germany. During Hitler's rise to power in 1930s Europe, it was frequently referred to as Hitlerism (german: Hitlerfaschismus). The later related term "neo-Nazism" is applied to other far-right groups with similar ideas which formed after the Second World War. Nazism is a form of fascism, with disdain for liberal democracy and the parliamentary system. It incorporates a dictatorship, fervent antisemitism, anti-communism, scientific racism, and the use of eugenics into its creed. Its extreme nationalism originated in pan-Germanism and the ethno-nationalist '' Völkisch'' movement which had been a prominent aspect of German nationalism since the late 19th century, and it was strongly influenced by the paramilitary groups that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opernwelt
''Opernwelt'' (''Opera World'') is a monthly German magazine for opera, operetta and ballet. It includes news about current performances, portraits of composers and performers, articles about opera house An opera house is a theater (structure), theatre building used for performances of opera. It usually includes a Stage (theatre), stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets. While some venu ...s, performance spaces, and contemporary and historical subjects from the world of opera and classical music. It reviews recordings and books and publishes monthly schedules of German and international opera houses. The magazine's website offers full text search for past issues. A year book is published every October. Awards Each year since 1994, at the end of the season, the magazine sponsors a jury of 50 critics to select the best in several categories: * opera house of the year (') * staging of the year (') * stage director of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera House Of The Year
''Opernwelt'' (''Opera World'') is a monthly German magazine for opera, operetta Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its s ... and ballet. It includes news about current performances, portraits of composers and performers, articles about opera houses, performance spaces, and contemporary and historical subjects from the world of opera and classical music. It reviews recordings and books and publishes monthly schedules of German and international opera houses. The magazine's website offers full text search for past issues. A year book is published every October. Awards Each year since 1994, at the end of the season, the magazine sponsors a jury of 50 critics to select the best in several categories: * opera house of the year (') * staging of the year (') * stage director of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater Bremen
Theater Bremen (Bremen Theatre) is a state theatre in Bremen, Germany, with four divisions for opera, straight theater, dance, and student programs. Its venues are located in a city block, connected in architecture and seating up to 1,426 spectators. The theatre has drawn international attention since 1962 with innovative play productions in the ''Bremer Stil'' (Bremen style). Its opera company was selected as opera house of the year by ''Opernwelt'' in 2007. Organization Theater Bremen is a company with four divisions: the ''Oper Bremen'' (Bremen opera), the ''Schauspiel Bremen'' (Bremen Playhouse), the ''Tanztheater Bremen'' (Bremen Dance Theatre) and the ''MoKS Bremen'', short for ''Modellversuch Künstler und Schüler'' (Experimental Modal: Artists and Schoolgoers). The four venues seat up to 1,426 spectators. The musical divisions have collaborated since 1917 with the Bremer Philharmoniker, an orchestra founded in 1820. The theatre has drawn international attention since 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Kupfer
Harry Alfred Robert Kupfer (12 August 1935 – 30 December 2019) was a German opera director and academic. A long-time director at the Komische Oper Berlin, he worked at major opera houses and at festivals internationally. Trained by Walter Felsenstein, he worked in the tradition of realistic directing. At the Bayreuth Festival, he staged Wagner's ''Der fliegende Holländer'' in 1978 and ''Der Ring des Nibelungen'' in 1988. At the Salzburg Festival, he directed the premiere of Penderecki's ''Die schwarze Maske'' in 1986 and ''Der Rosenkavalier'' by Richard Strauss in 2014. Career Born in Berlin, Kupfer studied theatre at the Theaterhochschule Leipzig from 1953 to 1957. He was the assistant director at the Landestheater Halle, where he directed his first opera, Dvořák's ''Rusalka'', in 1958. From 1958 to 1962, he worked at the Theater Stralsund, then at the Theater in Karl-Marx-Stadt, from 1966 as opera director at the Nationaltheater Weimar, also lecturing at the Hochsc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joachim Herz
Joachim Herz (15 June 1924 – 18 October 2010) was a German Opera director and manager. He learned at the Komische Oper Berlin as an assistant to Walter Felsenstein. His major stations were the Leipzig Opera where he opened the new house with Wagner's ''Die Meistersinger von Nürnberg'', Komische Oper and Semperoper in Dresden, where he opened the restored house with Weber's ''Der Freischütz'' in 1985. He staged many world premieres, and worked internationally. Herz was the first director to apply Felsenstein's concepts to Wagner's ''Der Ring des Nibelungen'', staged in Leipzig from 1973 to 1976. Life Born in Dresden, Herz attended the Kreuzschule there, completing with the Abitur in 1942. He then studied piano, clarinet and music pedagogy at the Hochschule für Musik Dresden. His studies were interrupted by military service in 1944 and 1945 but completed in 1948. He then studied opera direction there with Heinz Arnold, later also musicology at the Humboldt University of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Götz Friedrich
Götz Friedrich (4 August 1930 in Naumburg, Germany – 12 December 2000 in Berlin, Germany) was a German opera and theatre director. He was a student and assistant of Walter Felsenstein at the Komische Oper Berlin in (East) Berlin, where he went on to direct his early productions. He first came to international prominence with a controversial 1972 production of Wagner's ''Tannhäuser'' at Bayreuth. He defected to the West whilst working on a production of ''Jenůfa'' in Stockholm later the same year. From 1972 to 1981 he was principal director at the Hamburg State Opera. Between 1977 and 1981, he was also director of productions at the Royal Opera House at Covent Garden in London, where he staged the first British performances of the three-act completion of Berg's ''Lulu''. In 1981 he took up the post of general director of the Deutsche Oper Berlin where he stayed until his death in 2000, staging productions across the whole of the operatic repertoire. He was particularl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Felsenstein
Walter Felsenstein (30 May 1901 – 8 October 1975) was an Austrian theater and opera director. He was one of the most important exponents of textual accuracy, productions in which dramatic and musical values were exquisitely researched and balanced. His most famous students were Götz Friedrich and Harry Kupfer both of whom went on to have important careers developing Felsenstein's work. Opera director Siegfried Schoenbohm was one of his assistants. Biography Felsenstein was born in Vienna and began his career at the Burgtheater there. From 1923 to 1932, he was a theater actor in Lübeck, Mannheim and Beuthen, where he first worked as a director. In Basel and Freiburg im Breisgau, he became closely acquainted with the contemporary concert hall. From 1932 to 1934 he worked as an opera director in Cologne, and from 1934 to 1936 at the Oper Frankfurt. He worked in Zürich from 1938 to 1940 and returned in 1940 to Germany, where he was active at the Berlin Schillertheater unti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a '' dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as '' opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East Berlin
East Berlin was the ''de facto'' capital city of East Germany from 1949 to 1990. Formally, it was the Soviet sector of Berlin, established in 1945. The American, British, and French sectors were known as West Berlin. From 13 August 1961 until 9 November 1989, East Berlin was separated from West Berlin by the Berlin Wall. The Western Allied powers did not recognize East Berlin as the GDR's capital, nor the GDR's authority to govern East Berlin. On 3 October 1990, the day Germany was officially reunified, East and West Berlin formally reunited as the city of Berlin. Overview With the London Protocol of 1944 signed on 12 September 1944, the United States, the United Kingdom, and the Soviet Union decided to divide Germany into three occupation zones and to establish a special area of Berlin, which was occupied by the three Allied Forces together. In May 1945, the Soviet Union installed a city government for the whole city that was called "Magistrate of Greater Berlin", whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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