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Komast Cup
The Komast cup (also Comast cup) is a cup shape at the beginning of the development of Attic drinking cups. Komast cups were widespread especially in Ionia and Corinth. Like other vase painters of the time, the Attic painters were under strong influence from Corinthian vase painting. The name is derived from the artists’ preferred theme, the ''komos'', a ritualistic drunken procession performed by revelers in ancient Greece, whose participants were known as komasts (κωμασταί, kōmastaí). This is a motif closely connected with Etruscan vase painting. The typical hemispherical shape with an angled "offset" lip and a low foot of only 1–2 cm height was an Attic development. The interior of the cups is black, only a narrow stripe or band below the lip is left in the base clay colour. The foot and the exterior of the handles are also black. The first specimens were quite large, but throughout the period of their production, the cups became gradually smaller. The mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attica
Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, was an important mining region. The history of Attica is tightly linked with that of Athens, and specifically the Golden Age of Athens during the classical period. Ancient Attica ( Athens city-state) was divided into demoi or municipalities from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (''astu'') in the region of Athens main city and Piraeus (port of Athens), coastal (''paralia'') along the coastline and inland (''mesogeia'') in the interior. The modern administrative region of Attica is more extensive than the historical region and includes Megaris as part of the regional unit West Attica, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kylix (drinking Cup)
In the pottery of ancient Greece, a kylix ( , ; grc, κύλιξ, pl. κύλικες; also spelled cylix; pl.: kylikes , ) is the most common type of wine-drinking cup. It has a broad, relatively shallow, body raised on a stem from a foot and usually two horizontal handles disposed symmetrically. The main alternative wine-cup shape was the ''kantharos'', with a narrower and deeper cup and high vertical handles. The almost flat interior circle of the base of the cup, called the tondo, was generally the primary surface for painted decoration in the black-figure or red-figure pottery styles of the 6th and 5th century BC, and the outside was also often painted. As the representations would be covered with wine, the scenes would only be revealed in stages as the wine was drained. They were often designed with this in mind, with scenes created so that they would surprise or titillate the drinker as they were revealed. Etymology The word comes from the Greek ''kylix'' ("cup"), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ionia
Ionia () was an ancient region on the western coast of Anatolia, to the south of present-day Izmir. It consisted of the northernmost territories of the Ionian League of Greek settlements. Never a unified state, it was named after the Ionian tribe who had settled in the region before the Archaic period. Ionia proper comprised a narrow coastal strip from Phocaea in the north near the mouth of the river Hermus (now the Gediz), to Miletus in the south near the mouth of the river Maeander, and included the islands of Chios and Samos. It was bounded by Aeolia to the north, Lydia to the east and Caria to the south. The cities within the region figured large in the strife between the Persian Empire and the Greeks. Ionian cities were identified by mythic traditions of kinship and by their use of the Ionic dialect, but there was a core group of twelve Ionian cities who formed the Ionian League and had a shared sanctuary and festival at Panionion. These twelve cities were (from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinth
Corinth ( ; el, Κόρινθος, Kórinthos, ) is the successor to an ancient city, and is a former municipality in Corinthia, Peloponnese, which is located in south-central Greece. Since the 2011 local government reform, it has been part of the municipality of Corinth, of which it is the seat and a municipal unit. It is the capital of Corinthia. It was founded as Nea Korinthos (), or New Corinth, in 1858 after an earthquake destroyed the existing settlement of Corinth, which had developed in and around the site of ancient Corinth. Geography Located about west of Athens, Corinth is surrounded by the coastal townlets of (clockwise) Lechaio, Isthmia, Kechries, and the inland townlets of Examilia and the archaeological site and village of ancient Corinth. Natural features around the city include the narrow coastal plain of Vocha, the Corinthian Gulf, the Isthmus of Corinth cut by its canal, the Saronic Gulf, the Oneia Mountains, and the monolithic rock of Acrocorinth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komos
The Kōmos ( grc, κῶμος; pl. kōmoi) was a ritualistic drunken procession performed by revelers in ancient Greece, whose participants were known as komasts (κωμασταί, ''kōmastaí''). Its precise nature has been difficult to reconstruct from the diverse literary sources and evidence derived from vase painting. The earliest reference to the komos is in Hesiod's '' Shield of Herakles'', which indicates it took place as part of wedding festivities (line 281). And famously Alcibiades gate-crashes the ''Symposium'' while carousing in a komos. However, no one kind of event is associated with the komos: Pindar describes them taking place at the city festivals (Pythian 5.21, 8.20, Olympian 4.9), while Demosthenes mentions them taking place after the '' ''pompe'''' and '' choregoi'' on the first day of the Greater Dionysia (Speeches 21.10), which may indicate the komos might have been a competitive event. The komos must be distinguished from the '' pompe'', or ritual pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Art
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta (especially life-size on sarcophagi or temples), wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced. Etruscan sculpture in cast bronze was famous and widely exported, but relatively few large examples have survived (the material was too valuable, and recycled later). In contrast to terracotta and bronze, there was relatively little Etruscan sculpture in stone, despite the Etruscans controlling fine sources of marble, including Carrara marble, which seems not to have been exploited until the Romans. The great majority of survivals came from tombs, which were typically crammed with sarcophagi an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comast Group
The Comast Group (also Komast Group) was a group of Attic vase painters in the black-figure style. The works of its members are dated to between 585 and 570/560 BC. The artists of the Komast Group are seen as the successors of the Gorgon Painter. Its most important representatives were the KX Painter and the slightly later KY Painter. They painted vases shapes that had been newly introduced to Athens or that had not previously been painted. Especially commonly painted by them were '’ kothon’’ and '' lekanis''. From Corinth, then still the centre of Greek vase painting, they adopted the Komast cup and the ''skyphos'' (known as '' kotyle''. The KY Painter introduced the column krater. Also popular at the time was the ''kantharos''. The group adopted the Corinthian habit of depicting komasts, after which the group is named. It provided the group’s most commonly painted motif. The komast scenes permit Attic artists for the first time to reach the artistic levels of middle-ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KX Painter
The KX Painter was an Attic black-figure vase painter. He was active between 585 and 570 BC. Besides the KY Painter, the KX Painter was the main representative of the Comast Group, which succeeded the Gorgon Painter. His conventional name was allocated by John Beazley. He is considered the better and chronologically somewhat earlier representative of the group. He was the first painter in Athens to occasionally depict komasts on his vases, a motif adopted from Corinthian vase painting. He mainly painted '' skyphoi'', '' lekanes'', '' kothones'' and Komast cups. In contrast to later representatives of the group, he still mostly painted animals, in a more careful and powerful style than the Gorgon Painter. Some mythological scenes by him are also known. Especially famous are his small-fornat mythical scenes placed within animal friezes. The KX Painter can be considered the first Attic painter to achieve a quality at par with that reached in Corinth, then the dominant centre of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Mannack
Thomas Mannack (born in 1958) is a German classical archaeologist. Mannack obtained his Doctorate in 1992 with at the University of Kiel. The thema of his dissertation was ''Beazleys spätere und späteste Manieristen''. He is a specialist in the field of ancient ceramics. He is in charge of the Beazley Archive database and teaches classical iconography at the University of Oxford , mottoeng = The Lord is my light , established = , endowment = £6.1 billion (including colleges) (2019) , budget = £2.145 billion (2019–20) , chancellor .... Writings * ''The Late Mannerists in Athenian Vase Painting''. Oxford University Press, Oxford 2001 (English version of the dissertation) * ''Griechische Vasenmalerei. Eine Einführung''. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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