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Kola Kommandos
KOLA (99.9 FM) is a commercial radio station licensed to Redlands, California, and broadcasting to the Riverside- San Bernardino-Inland Empire radio market. It is owned by the Anaheim Broadcasting Corporation and it airs a classic hits radio format. Its studios are on Orange Tree Lane in Redlands, California. KOLA has an effective radiated power (ERP) of 29,500 watts. Adding in its tower that is taller than the Empire State Building, KOLA is considered a "superpower" FM station. The transmitter is on Box Spring Mountain Road amid other FM and TV towers for Inland Empire stations. History Easy Listening The station first signed on the air on . The station's original call sign was KFMW. The transmitter was located on Box Springs Mountain southeast of Riverside. The format was a mix of easy listening, middle of the road (MOR) and beautiful music. Rogan Jones served as the original general manager. Top 40 and Album Rock Frederick Coté and Chester Coleman bought the sta ...
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Redlands, California
Redlands ( ) is a city in San Bernardino County, California, United States. As of the 2020 census, the city had a population of 73,168, up from 68,747 at the 2010 census. The city is located approximately west of Palm Springs and east of Los Angeles. History The area now occupied by Redlands was originally part of the territory of the Morongo and Aguas Calientes tribes of Cahuilla people. Explorations such as those of Pedro Fages and Francisco Garcés sought to extend Catholic influence to the indigenous people and the dominion of the Spanish crown into the area in the 1770s. The Tongva village of Wa’aachnga, located just to the west of present-day Redlands, was visited by Fr. Francisco Dumetz in 1810, and was the reason the site was chosen for a mission outpost. Dumetz reached the village on May 20, the feast day of Saint Bernardino of Siena, and thus named the region the San Bernardino Valley. The Franciscan friars from Mission San Gabriel established the San Bernard ...
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Effective Radiated Power
Effective radiated power (ERP), synonymous with equivalent radiated power, is an IEEE standardized definition of directional radio frequency (RF) power, such as that emitted by a radio transmitter. It is the total power in watts that would have to be radiated by a half-wave dipole antenna to give the same radiation intensity (signal strength or power flux density in watts per square meter) as the actual source antenna at a distant receiver located in the direction of the antenna's strongest beam (main lobe). ERP measures the combination of the power emitted by the transmitter and the ability of the antenna to direct that power in a given direction. It is equal to the input power to the antenna multiplied by the gain of the antenna. It is used in electronics and telecommunications, particularly in broadcasting to quantify the apparent power of a broadcasting station experienced by listeners in its reception area. An alternate parameter that measures the same thing is effec ...
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Album Rock
Album-oriented rock (AOR, originally called album-oriented radio) is an FM radio format created in the United States in the 1970s that focuses on the full repertoire of rock albums and is currently associated with classic rock. Album-oriented radio was originally established by U.S. radio stations dedicated to playing album tracks by rock artists from the hard rock to progressive rock genres. In the mid-1970s, AOR was characterized by a layered, mellifluous sound and sophisticated production with considerable dependence on melodic hooks. Using research and formal programming to create an album rock format with greater commercial appeal, the AOR format achieved tremendous popularity in the late 1970s and early 1980s. From the early 1980s onward, the "album-oriented radio" term became normally used as the abbreviation of "album-oriented rock," meaning radio stations specialized in classic rock recorded during the late 1960s and 1970s. The term is also commonly conflated wit ...
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The Mission Inn Hotel & Spa
The Mission Inn, now known as The Mission Inn Hotel & Spa, is a historic landmark hotel in downtown Riverside, California. Although a composite of many architectural styles, it is generally considered the largest Mission Revival Style building in the United States. Mission Inn Hotel & Spa is a member of Historic Hotels of America, the official program of the National Trust for Historic Preservation. The owners are Duane and Kelly Roberts. The latter serves as vice chairman and chief operating officer. History The property began as a quaint adobe boarding house called The Glenwood Cottage, built by engineer/surveyor Christopher Columbus Miller and on November 22, 1876, the Millers took their first paying guest. In February 1880, Miller's son Frank Augustus Miller purchased the hotel and land from his father. It became into a full-service hotel in the early 1900s due to California's economic citrus boom and warm weather, attracting wealthy travelers and investors from East Coast ...
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Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the high ...
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Contemporary Hit Radio
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carrying more ...
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Beautiful Music
Beautiful music (sometimes abbreviated as BM, B/EZ or BM/EZ for "beautiful music/easy listening") is a mostly instrumental music format that was prominent in North American radio from the late 1950s through the 1980s. Easy listening, elevator music, light music, mood music, and Muzak are other terms that overlap with this format and the style of music that it featured. Beautiful music can also be regarded as a subset of the middle of the road radio format. History Beautiful music initially offered soft and unobtrusive instrumental selections on a very structured schedule with limited commercial interruptions. It often functioned as a free background music service for stores, with commercial breaks consisting only of announcements aimed at shoppers already in the stores. This practice was known as "storecasting" and was very common on the FM dial in the 1940s and 1950s. Many of these FM stations usually simulcast their AM station and used a subcarrier ( SCA) to transmit a hitch ...
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Middle Of The Road (music)
Middle of the road (also known by its acronym MOR) is a commercial radio format and popular music genre. Music associated with this term is strongly melodic and uses techniques of vocal harmony and light orchestral arrangements. The format was eventually rebranded as soft adult contemporary. Etymology and usage According to music academic Norman Abjorensen, "middle of the road" has referred to a commercial radio format more often than a music genre, although "it has been used to describe a broad type of music" of numerous styles, usually characterized by vocal harmony techniques, prominent melodies, and subtle orchestral arrangements. MOR is somewhat often used as a derogatory term for this type of music. Radio stations that played beautiful music during the 1960s and 1970s were marketed as "MOR radio" in order to differentiate them from related soft adult contemporary and smooth jazz stations. Soft rock groups like the Association, the 5th Dimension, and Simon & Garfunkel infil ...
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Easy Listening
Easy listening (including mood music) is a popular music genre and radio format that was most popular during the 1950s to 1970s. It is related to middle-of-the-road (MOR) music and encompasses instrumental recordings of standards, hit songs, non-rock vocals and instrumental covers of selected popular rock songs. It mostly concentrates on music that pre-dates the rock and roll era, characteristically on music from the 1940s and 1950s. It was differentiated from the mostly instrumental beautiful music format by its variety of styles, including a percentage of vocals, arrangements and tempos to fit various parts of the broadcast day. Easy listening music is often confused with lounge music, but while it was popular in some of the same venues it was meant to be listened to for enjoyment rather than as background sound. History The style has been synonymous with the tag "with strings". String instruments had been used in sweet bands in the 1930s and was the dominant sound track ...
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Call Sign
In broadcasting and radio communications, a call sign (also known as a call name or call letters—and historically as a call signal—or abbreviated as a call) is a unique identifier for a transmitter station. A call sign can be formally assigned by a government agency, informally adopted by individuals or organizations, or even cryptographically encoded to disguise a station's identity. The use of call signs as unique identifiers dates to the landline railroad telegraph system. Because there was only one telegraph line linking all railroad stations, there needed to be a way to address each one when sending a telegram. In order to save time, two-letter identifiers were adopted for this purpose. This pattern continued in radiotelegraph operation; radio companies initially assigned two-letter identifiers to coastal stations and stations onboard ships at sea. These were not globally unique, so a one-letter company identifier (for instance, 'M' and two letters as a Marconi station ...
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Broadcasting & Cable
''Broadcasting & Cable'' (or ''Broadcasting+Cable'') is a weekly telecommunications industry trade magazine published by Future US. Previous names included ''Broadcasting-Telecasting'', ''Broadcasting and Broadcast Advertising'', and ''Broadcasting''. ''B&C'', which was published biweekly until January 1941, and weekly thereafter, covers the business of television in the U.S.—programming, advertising, regulation, technology, finance, and news. In addition to the newsweekly, ''B&C'' operates a comprehensive website that provides a roadmap for readers in an industry that is in constant flux due to shifts in technology, culture and legislation, and offers a forum for industry debate and criticism. History ''Broadcasting'' was founded in Washington, D.C., by Martin Codel, Sol Taishoff, and former National Association of Broadcasters president Harry Shaw, and the first issue was published on October 15, 1931. Originally, Shaw was publisher, Codel editor, and Taishoff managing ...
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Sign-on
A sign-on (or start-up in Commonwealth countries except Canada) is the beginning of operations for a radio or television station, generally at the start of each day. It is the opposite of a sign-off (or closedown in Commonwealth countries except Canada), which is the sequence of operations involved when a radio or television station shuts down its transmitters and goes off the air for a predetermined period; generally, this occurs during the overnight hours although a broadcaster's digital specialty or sub-channels may sign-on and sign-off at significantly different times as its main channels. Like other television programming, sign-on and sign-off sequences can be initiated by a broadcast automation system, and automatic transmission systems can turn the carrier signal and transmitter on/off by remote control. Sign-on and sign-off sequences have become less common due to the increasing prevalence of 24-hour-a-day, seven-day-a-week broadcasting. However, some national broadc ...
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