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Kneph
Kneph is a motif in ancient Egyptian religious art, variously a winged egg, a globe surrounded by one or more serpents, or Amun in the form of a serpent called Kematef. Some Theosophical sources tried to syncretize this motif with the deity Khnum, along with Serapis and Pluto. Under the Greek theonym Chnuphis, this figure adopts a serpent-bodied, lion-headed ("leontoeidic") visage, being particularly common in magical artifacts in Late Antiquity.Lynn Thorndike (1958). A History of Magic and Experimental Science. Columbia University Press. pp. 317–318, 379. . It is by proxy frequently associated with the Gnostic Demiurge In the Platonic, Neopythagorean, Middle Platonic, and Neoplatonic schools of philosophy, the demiurge () is an artisan-like figure responsible for fashioning and maintaining the physical universe. The Gnostics adopted the term ''demiurge'' .... References Further reading * Egyptian mythology Religious iconography {{Egypt-myth-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illustration From Pantheon Egyptien By Leon Jean Joseph Dubois, Digitally Enhanced By Rawpixel-com 11
An illustration is a decoration, interpretation or visual explanation of a text, concept or process, designed for integration in print and digital published media, such as posters, flyers, magazines, books, teaching materials, animations, video games and films. An illustration is typically created by an illustrator. Digital illustrations are often used to make websites and apps more user-friendly, such as the use of emojis to accompany digital type. llustration also means providing an example; either in writing or in picture form. The origin of the word "illustration" is late Middle English (in the sense ‘illumination; spiritual or intellectual enlightenment’): via Old French from Latin ''illustratio''(n-), from the verb ''illustrare''. Illustration styles Contemporary illustration uses a wide range of styles and techniques, including drawing, painting, printmaking, collage, montage, digital design, multimedia, 3D modelling. Depending on the purpose, illustra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Of Ancient Egypt
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It is also very conservative: the art style changed very little over time. Much of the surviving art comes from tombs and monuments, giving more insight into the ancient Egyptian afterlife beliefs. The ancient Egyptian language had no word for "art". Artworks served an essentially functional purpose that was bound with religion and ideology. To render a subject in art was to give it permanence. Therefore, ancient Egyptian art portrayed an idealized, unrealistic view of the world. There was no significant tradition of individual artistic expression since art served a wider and cosmic purpose of maintaining order ( Ma'at). Art of Pre-Dynastic Egypt ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amun
Amun (; also ''Amon'', ''Ammon'', ''Amen''; egy, jmn, reconstructed as ( Old Egyptian and early Middle Egyptian) → (later Middle Egyptian) → ( Late Egyptian), cop, Ⲁⲙⲟⲩⲛ, Amoun) romanized: ʾmn) was a major ancient Egyptian deity who appears as a member of the Hermopolitan Ogdoad. Amun was attested from the Old Kingdom together with his wife Amunet. With the 11th Dynasty ( 21st century BC), Amun rose to the position of patron deity of Thebes by replacing Montu. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I (16th century BC), Amun acquired national importance, expressed in his fusion with the Sun god, Ra, as Amun-Ra (alternatively spelled Amon-Ra or Amun-Re). Amun-Ra retained chief importance in the Egyptian pantheon throughout the New Kingdom (with the exception of the " Atenist heresy" under Akhenaten). Amun-Ra in this period (16th to 11th centuries BC) held the position of transcendental, self-created creator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theosophy (Blavatskian)
Theosophy is a religion established in the United States during the late 19th century. It was founded primarily by the Russian Helena Blavatsky and draws its teachings predominantly from Blavatsky's writings. Categorized by scholars of religion as both a new religious movement and as part of the occultist stream of Western esotericism, it draws upon both older European philosophies such as Neoplatonism and Asian religions such as Hinduism and Buddhism. As presented by Blavatsky, Theosophy teaches that there is an ancient and secretive brotherhood of spiritual adepts known as the Masters, who—although found around the world—are centered in Tibet. These Masters are alleged by Blavatsky to have cultivated great wisdom and supernatural powers, and Theosophists believe that it was they who initiated the modern Theosophical movement through disseminating their teachings via Blavatsky. They believe that these Masters are attempting to revive knowledge of an ancient religion once fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khnum
Khnum or also romanised Khnemu (; egy, 𓎸𓅱𓀭 ẖnmw, grc-koi, Χνοῦβις) was one of the earliest-known Egyptian deities, originally the god of the source of the Nile. Since the annual flooding of the Nile brought with it silt and clay, and its water brought life to its surroundings, he was thought to be the creator of the bodies of human children, which he made at a potter's wheel, from clay, and placed in their mothers' wombs. He was later described as having moulded the other deities, and he had the titles "Divine Potter" and "Lord of created things from himself". General information The worship of Khnum centered on two principal riverside sites, Elephantine and Esna, which were regarded as sacred sites. At Elephantine, he was worshipped alongside Satis and Anuket. At Esna, he was worshipped alongside Menhit, Nebtu, Neith and Heka. Khnum was regarded as the guardian of the source of the Nile River. His significance led to early theophoric names of him, for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serapis
Serapis or Sarapis is a Graeco-Egyptian deity. The cult of Serapis was promoted during the third century BC on the orders of Greek Pharaoh Ptolemy I Soter of the Ptolemaic Kingdom in Egypt as a means to unify the Greeks and Egyptians in his realm. The '' cultus'' of Serapis was spread as a matter of deliberate policy by the Ptolemaic kings. Serapis continued to increase in popularity during the Roman Empire, often replacing Osiris as the consort of Isis in temples outside Egypt. Though Ptolemy I may have created the official cult of Serapis and endorsed him as a patron of the Ptolemaic dynasty and Alexandria, Serapis was a pre-existing syncretistic deity derived from the worship of the Egyptian Osiris and Apis and also gained attributes from other deities, such as chthonic powers linked to the Greek Hades and Demeter, and with benevolence derived from associations with Dionysus. Iconography Serapis was depicted as Greek in appearance but with Egyptian trappings, and combined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pluto (mythology)
In ancient Greek religion and mythology, Pluto ( gr, Πλούτων, ') was the ruler of the Greek underworld. The earlier name for the god was Hades, which became more common as the name of the underworld itself. Pluto represents a more positive concept of the god who presides over the afterlife. ''Ploutōn'' was frequently conflated with Ploûtos, the Greek god of wealth, because mineral wealth was found underground, and because as a chthonic god Pluto ruled the deep earth that contained the seeds necessary for a bountiful harvest. The name ''Ploutōn'' came into widespread usage with the Eleusinian Mysteries, in which Pluto was venerated as both a stern ruler and a loving husband to Persephone. The couple received souls in the afterlife and are invoked together in religious inscriptions, being referred to as ''Plouton'' and as ''Kore'' respectively. Hades, by contrast, had few temples and religious practices associated with him, and he is portrayed as the dark and violent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helena Petrovna Blavatsky
Helena Petrovna Blavatsky, uk, Олена Петрівна Блаватська, Olena Petrivna Blavatska (; – 8 May 1891), often known as Madame Blavatsky, was a Russian mystic and author who co-founded the Theosophical Society in 1875. She gained an international following as the leading theoretician of Theosophy. Born into an aristocratic family of Russian-German descent in Yekaterinoslav, then in the Russian Empire (now Dnipro in Ukraine), Blavatsky traveled widely around the empire as a child. Largely self-educated, she developed an interest in Western esotericism during her teenage years. According to her later claims, in 1849 she embarked on a series of world travels, visiting Europe, the Americas, and India. She also claimed that during this period she encountered a group of spiritual adepts, the " Masters of the Ancient Wisdom", who sent her to Shigatse, Tibet, where they trained her to develop a deeper understanding of the synthesis of religion, philosophy, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gnostic
Gnosticism (from grc, γνωστικός, gnōstikós, , 'having knowledge') is a collection of religious ideas and systems which coalesced in the late 1st century AD among Jewish and early Christian sects. These various groups emphasized personal spiritual knowledge (''gnosis'') above the orthodox teachings, traditions, and authority of religious institutions. Gnostic cosmogony generally presents a distinction between a supreme, hidden God and a malevolent lesser divinity (sometimes associated with the Yahweh of the Old Testament) who is responsible for creating the material universe. Consequently, Gnostics considered material existence flawed or evil, and held the principal element of salvation to be direct knowledge of the hidden divinity, attained via mystical or esoteric insight. Many Gnostic texts deal not in concepts of sin and repentance, but with illusion and enlightenment. Gnostic writings flourished among certain Christian groups in the Mediterranean world ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demiurge
In the Platonic, Neopythagorean, Middle Platonic, and Neoplatonic schools of philosophy, the demiurge () is an artisan-like figure responsible for fashioning and maintaining the physical universe. The Gnostics adopted the term ''demiurge''. Although a fashioner, the demiurge is not necessarily the same as the Creator figure in the monotheistic sense, because the demiurge itself and the material from which the demiurge fashions the universe are both considered consequences of something else. Depending on the system, they may be considered either uncreated and eternal or the product of some other entity. The word ''demiurge'' is an English word derived from ''demiurgus'', a Latinised form of the Greek or . It was originally a common noun meaning "craftsman" or "artisan", but gradually came to mean "producer", and eventually "creator". The philosophical usage and the proper noun derive from Plato's ''Timaeus'', written 360 BC, where the demiurge is presented as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egyptian Mythology
Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world around them. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments. Inspired by the cycles of nature, the Egyptians saw time in the present as a series of recurring patterns, whereas the earliest periods of time were linear. Myths are set in these earliest times, and myth sets the pattern for the cycles of the present. Present events repeat the events of myth, and in doing so renew '' maat'', the fundamental order of the universe. Amongst the most important episodes from the mythic past are the creation myths, in whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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