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Klismos
A klismos (Greek: κλισμός) or klismos chair is a type of ancient Greek chair, with curved backrest and tapering, outcurved legs. Ancient Greece Klismoi are familiar from depictions of ancient furniture on painted pottery and in bas-reliefs from the mid-fifth century BCE onwards. In epic, ''klismos'' signifies an armchair, but no specific description is given of its form; in ''Iliad'' xxiv, after Priam's appeal, Achilles rises from his ''thronos'', raises the elder man to his feet, goes out to prepare Hector's body for decent funeral and returns, to take his place on his ''klismos''. A vase-painting of a satyr carrying a klismos chair on his shoulder shows how light such chairs were. The curved, tapered legs of the klismos chair sweep forward and rearward, offering stability. The rear legs sweep continuously upward to support a wide concave backrest like a curved tablet, which supports the sitter's shoulders, or which may be low enough to lean an elbow on. The long and eleg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Furniture
Ancient furniture was made of many different materials, including reeds, wood, stone, metals, straws, and ivory. It could also be decorated in many different ways. Sometimes furniture would be covered with upholstery, upholstery being padding, springs, webbing, and leather. Features which would mark the top of furniture, called finials, were common. To decorate furniture, contrasting pieces would be inserted into depressions in the furniture. This practice is called inlaying. It was common for ancient furniture to have religious or symbolic purposes. The Incans had chacmools which were dedicated to sacrifice. Similarly, in Dilmun they has sacrificial altars. In many civilizations, the furniture depended on wealth. Sometimes certain types of furniture could only be used by the upper class citizens. For example, in Egypt, thrones could only be used by the rich. Sometimes the way the furniture was decorated depended on wealth. For example, in Mesopotamia tables would be decorated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lictors Bring To Brutus The Bodies Of His Sons
''The Lictors Bring to Brutus the Bodies of His Sons'' (french: Les licteurs rapportent à Brutus les corps de ses fils) is a work in oils by the French artist Jacques-Louis David. On a canvas of 146 square feet, this painting was first exhibited at the Paris Salon in 1789. The subject is the Roman leader Lucius Junius Brutus, founder of the Roman Republic, contemplating the fate of his sons. They had conspired to overthrow the republic and restore the monarchy, and Brutus himself was compelled to order their deaths. In doing so, Brutus became the heroic defender of the republic, at the cost of his own family. The painting was a bold allegory of civic virtue with immense resonance for the growing cause of republicanism. Its themes of virtue, sacrifice, and devotion to the nation sparked much controversy when it was unveiled in the politically charged era of the French Revolution. Background David labored over the painting for more than two years before he considered it complete. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolai Abraham Abildgaard
Nicolai Abraham Abildgaard (11 September 1743 – 4 June 1809) was a Danish neoclassical and royal history painter, sculptor, architect, and professor of painting, mythology, and anatomy at the New Royal Danish Academy of Art in Copenhagen, Denmark. Many of his works were in the royal Christiansborg Palace (some destroyed by fire 1794), Fredensborg Palace, and Levetzau Palace at Amalienborg. Biography Nicolai Abraham Abildgaard was born in Copenhagen, Denmark, as the son of Anne Margrethe (née Bastholm) and Søren Abildgaard, a noted antiquarian draughtsman. Abildgaard was trained by a painting master before he joined the Royal Danish Academy of Art (''Det Kongelige Danske Kunstakademi'') in Copenhagen, where he studied under the guidance of Johan Edvard Mandelberg and Johannes Wiedewelt. He won a series of medallions at the Academy for his brilliance from 1764 to 1767. The Large Gold Medallion from the Academy won in 1767 included a travel stipend, which he waited f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Bonomi The Elder
Joseph Bonomi the Elder (19 January 17399 March 1808) was an Italian architect and draughtsman who spent most of his career in England where he became a successful designer of country houses. Biography He was born Giuseppe Bonomi in Rome on 19 January 1739. He was educated at the Collegio Romano and then studied architecture with Girolamo Teodoli. He made his early reputation in Rome before moving to London in 1767 at the invitation of Robert and James Adam, who employed him as a draughtsman from 1768. In his early years in England Bonomi also worked as an assistant to Thomas Leverton. He became a close friend of the painter Angelica Kauffman, whose cousin Rosa Florini he married in 1775. The next year he produced a design for a proposed sacristy for St Peter's in Rome, which may indicate that he visited his native city at around this time. In 1783 Kauffman persuaded Bonomi to move back to Rome, where she was now living. He took his wife and children with him, and the move s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Packington Hall
Packington Hall is a 17th-century mansion situated at Great Packington, near Meriden, Warwickshire, England the seat of the Earl of Aylesford. It is a Grade II* listed building. History It was built in 1693 for Sir Clement Fisher on whose death in 1729 the Packington estate passed to his daughter Mary, who married Heneage Finch, 2nd Earl of Aylesford. The Park was designed by Capability Brown. In 1772, the house was much extended and improved in Palladian style to designs by architect Joseph Bonomi. It was severely damaged by fire in 1979 but has since been fully restored. The house is not generally open to the public but is available by arrangement for conferences and functions. An earlier manor house (Packington Old Hall) and an 18th-century parish church St James' Church, Great Packington St James' Church is an 18th-century chapel situated in the grounds of Packington Hall, near Meriden, Warwickshire. It is a Grade I listed building. The church was built in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Buck
Adam Buck (1759–1833) was an Irish neo-classical portraitist and miniature painter and engraver (as was his brother Frederick) principally active in London. Life Buck was born in Castle Street, Cork. Becoming an accomplished miniaturist in the 1780s while still in Ireland, he made a permanent move to London in 1795 – his residences there included 174 Piccadilly (1795–8), Frith Street, Soho (1799–1802) and Bentinck Street (1813–20). His patrons included Angelica Catalani (an opera singer), JP Kemble, Sir Francis Burdett, Thomas Hope, George IV, the duke of York and his mistress Mary Anne Clarke. A major influence on Regency culture (producing plates of contemporary costume as well as genre pictures of family and classical scenes and illustrations for Laurence Sterne's '' Sentimental Journey''), he was himself much influenced by the Greek Revival (the furniture, vases - which he collected -, sculptures, costumes and even hairstyles in his works are all ancient ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Jourdain
Margaret Jourdain (15 August 1876 – 6 April 1951) was a prominent writer on English furniture and decoration. She began her career ghost-writing as Francis Lenygon for the firm of Lenygon & Morant, dealers in furnishings with a royal appointment, who were also the fabricators of carefully crafted reproductions, especially of Kentian furnishings, some of which have been displayed in public collections for decades. Early life Born in Ashbourne, Derbyshire, on 15 August 1876, Jourdain's father was Francis Jourdain (1834–1898), a vicar and her mother, Emily, was the daughter of the surgeon and pioneer of ovariotomy, Charles Clay. One of ten children, her siblings included the writer and academic Eleanor Jourdain, the ornithologist Francis Charles Robert Jourdain and the mathematician Philip Jourdain. Jourdain attended the University of Oxford where she studied classics obtaining a third-class degree. While there she met actress Janette Ranken and the pair moved to London, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RIBA
The Royal Institute of British Architects (RIBA) is a professional body for architects primarily in the United Kingdom, but also internationally, founded for the advancement of architecture under its royal charter granted in 1837, three supplemental charters and a new charter granted in 1971. Founded as the Institute of British Architects in London in 1834, the RIBA retains a central London headquarters at 66 Portland Place as well as a network of regional offices. Its members played a leading part in promotion of architectural education in the United Kingdom; the RIBA Library, also established in 1834, is one of the three largest architectural libraries in the world and the largest in Europe. The RIBA also played a prominent role in the development of UK architects' registration bodies. The institute administers some of the oldest architectural awards in the world, including RIBA President's Medals Students Award, the Royal Gold Medal, and the Stirling Prize. It also ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Beaumont
Sir George Howland Beaumont, 7th Baronet (6 November 1753 – 7 February 1827) was a British art patron and amateur painter. He played a crucial part in the creation of London's National Gallery by making the first bequest of paintings to that institution. Biography Born in Great Dunmow, Essex, he was the only surviving child of the landowner Sir George Beaumont, 6th Baronet, from whom he inherited the baronetcy in 1762 (see Beaumont baronets) and Rachel ee Howlanddaughter of Michael Howland of Stone Hall, Matching Green. Beaumont was educated at Eton College, where he was taught drawing by the landscape painter Alexander Cozens. The first paintings to enter Beaumont's collection were by artists he knew, but a Grand Tour which he undertook in 1782 with his wife Margaret (the daughter of John Willes M.P., of Astrop, Oxon and granddaughter of Sir John Willes M.P., Chief Justice of the Court of Common Pleas) widened his taste to include the Old Masters. On his return he beg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fitzwilliam Museum
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free. The museum is a partner in the University of Cambridge Museums consortium, one of 16 Major Partner Museum services funded by Arts Council England to lead the development of the museums sector. Foundation and buildings The museum was foun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duchess Street, London
Duchess Street is a street in the City of Westminster, London, that runs west to east from Mansfield Street in the west to Hallam Street in the east, and crosses Portland Place about halfway. It is named after Margaret Bentinck, Duchess of Portland. Thomas Hope's house The Anglo-Dutch merchant banker, author, philosopher and art collector Thomas Hope had an Egyptian-influenced house built at no 10 in 1799, and decorated it extravagantly. The building has been Grade II listed since 1954. The Egyptian Room in his house was the inspiration for the Egyptian Hall The Egyptian Hall in Piccadilly, London, was an exhibition hall built in the ancient Egyptian style in 1812, to the designs of Peter Frederick Robinson. The Hall was a considerable success, with exhibitions of artwork and of Napoleonic era re ... in Piccadilly, an exhibition hall built in the ancient Egyptian style in 1812, and demolished in 1905. References External links {{LB Westminster Streets in the City ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
