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Kiyo Tashiro
(or just Kiyo) in Japanese folklore is a character in the story of Anchin and Kiyohime. In this story, she fell in love with a Buddhist monk named Anchin, but after her interest in the monk was rejected, she chased after him and transformed into a serpent in a rage, before killing him in a bell where he had hidden in the Dōjō-ji temple. Overview The so-called "Anchin-Kiyohime" legend may be designated by various other names, such as Hidaka River legend (Hidakagawa legend). The theatrical versions, for which there are numerous playscripts, are collectively known as ''Dōjōji-mono''. Summary The "Anchin-Kiyohime" legend can be summarized as follows: The legend, connected with the founding of the Dōjō-ji temple in Kii Province (modern-day Wakayama Prefecture), relates how a priest named Anchin from Shirakawa in Ōshū province (present-day Shirakawa, Fukushima) making pilgrimage to the Kumano Shrine in southern Kii, lodged at the home of a (steward of a ''shōen'' ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Setsuwa
Setsuwa (, ja, 説話, setsu wa) is an East Asian literary genre. It consists of myths, legends, folktales, and anecdotes. ''Setsuwa'' means "spoken story". As one of the vaguest forms of literature, setsuwa is believed to have been passed down or presented in the form of narrations. Setsuwa are based foremost on oral tradition and existed primarily as folktales or in other non-written forms before being recorded and committed to text. However, some writers question whether all setsuwa tales were originally oral tradition, or only mostly so. Although there are no formal rules regarding what constitutes setsuwa as a genre, stories in the setsuwa style "have in common brevity; an uncomplicated plot unfolded in plain, direct language; character delineation through dialogue and action rather than through description and psychological analysis; and a predilection for amusing, startling, dramatic, or marvelous subject matter." Setsuwa vary quite considerably in topic, but can be divid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muromachi Period
The is a division of Japanese history running from approximately 1336 to 1573. The period marks the governance of the Muromachi or Ashikaga shogunate (''Muromachi bakufu'' or ''Ashikaga bakufu''), which was officially established in 1338 by the first Muromachi ''shōgun'', Ashikaga Takauji, two years after the brief Kenmu Restoration (1333–1336) of imperial rule was brought to a close. The period ended in 1573 when the 15th and last shogun of this line, Ashikaga Yoshiaki, was driven out of the capital in Kyoto by Oda Nobunaga. From a cultural perspective, the period can be divided into the Kitayama and Higashiyama cultures (later 15th – early 16th centuries). The early years from 1336 to 1392 of the Muromachi period are known as the '' Nanboku-chō'' or Northern and Southern Court period. This period is marked by the continued resistance of the supporters of Emperor Go-Daigo, the emperor behind the Kenmu Restoration. The Sengoku period or Warring States period, which begi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emaki
or is an illustrated horizontal narration system of painted handscrolls that dates back to Nara-period (710–794 CE) Japan. Initially copying their much older Chinese counterparts in style, during the succeeding Heian (794–1185) and Kamakura periods (1185–1333), Japanese developed their own distinct style. The term therefore refers only to Japanese painted narrative scrolls. As in the Chinese and Korean scrolls, combine calligraphy and illustrations and are painted, drawn or stamped on long rolls of paper or silk sometimes measuring several metres. The reader unwinds each scroll little by little, revealing the story as seen fit. are therefore a narrative genre similar to the book, developing romantic or epic stories, or illustrating religious texts and legends. Fully anchored in the style, these Japanese works are above all an everyday art, centered on the human being and the sensations conveyed by the artist. Although the very first 8th-century were copies of Chin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
