Kirk's Work
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Kirk's Work
''Kirk's Work'' (also reissued as ''Funk Underneath'') is an album by Roland Kirk with Jack McDuff. Prestige Records released the album in 1961, with Original Jazz Classics and Concord Music Group issuing subsequent re-releases. Rudy Van Gelder engineered the recording on July 11, 1961 at Van Gelder Studio in Englewood Cliffs, New Jersey. Esmond Edwards supervised the session. Van Gelder remastered the recording for the Concord 2007 re-release. Critical reception '' The Penguin Guide to Jazz Recordings'' describes ''Kirk's Work'' as "a largely forgotten Kirk album, but one which generally deserves the classic reissue billing." Ron Wynn has described the album as "a fine reissue of Kirk in a soul-jazz and mainstream vein." AllMusic notes a "swinging R&B vibe pervasive throughout the album," judging that "while certainly not the best in his catalog, it is a touchstone album that captures the early soulful Rahsaan Roland Kirk." Track listing Personnel * Roland Kirk †...
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Rahsaan Roland Kirk
Rahsaan Roland Kirk (born Ronald Theodore Kirk; August 7, 1935Kernfeld, Barry.Kirk, Roland" ''The New Grove Dictionary of Jazz'', 2nd ed. Ed. Barry Kernfeld. ''Grove Music Online''. ''Oxford Music Online''. Retrieved February 1, 2009-. "The year of his birth has been widely given as 1936, but his birth certificate gives 1935 and confirms Ronald, not Roland." – December 5, 1977), known earlier in his career simply as Roland Kirk, was an American jazz multi-instrumentalist who played tenor saxophone, flute, and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously. Life Ronald Theodore Kirk was born in Columbus, Ohio, where he lived in a neighborhood known as Flytown. He became blind at two years old, which he said was a result of improper medical treatment. As a teenager, Kirk studied at the Ohio State School for the Bli ...
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Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Émile Waldteufel
Charles Émile Waldteufel (9 December 1837 – 12 February 1915) was a French pianist, conductor and composer known for his numerous popular Salon music, salon pieces. Life Émile Waldteufel (German for ''forest devil'') was born at 84 Grand'Rue in the centre of Strasbourg. His grandfather and father were both musicians; his mother Flora Neubauer, originally from Bavaria, had been a student of Johann Nepomuk Hummel, Hummel and had met Joseph Haydn, Haydn; she was also a keen singer and dancer.Hering, Pierre. Emile Waldteufel (1837-1915). In: ''La Musique en Alsace hier et aujourd'hui'' (Strasbourg: Librairie Istra, 1970, p. 157–162. From a Jewish Alsace, Alsatian family of musicians, the original family surname had been ''Levy (surname), Lévy''. His father Louis led a respected orchestra, and his brother Léon was a successful performer. When Léon won a place to study violin at the Conservatoire de Paris, the family followed him there. Waldteufel received his first lesson ...
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Skater's Waltz
Les Patineurs ("The Skaters' Waltz", in German "Der Schlittschuhläufer-Walzer"), Op. 183, is a waltz by Émile Waldteufel. It was composed in 1882, inspired by the (rink of skaters) at the Bois de Boulogne in Paris. The introduction to the waltz can be likened to the poise of a skater, and the rapid runs invoke scenes of a wintry atmosphere. Bells were added for good measure to complete the winter scenery. It was published by Hopwood & Crew and was dedicated to Ernest Coquelin, the younger brother of two celebrated actor brothers of the Comédie-Française. Structure ;Introduction : \relative g'' ;Waltz 1 : \relative g'' ;Waltz 2 : \relative c' ;Waltz 3 : \relative c' ;Waltz 4 : \relative c' ;Coda : \relative c' Use in other media "Les Patineurs" has featured in dozens of films, from the earliest talkies to the present, including ''The Hollywood Revue of 1929'', ''My Favorite Wife'', ''Chariots of Fire'', ''A Simple Wish'', ''My Beautiful Laundrette'' ...
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Burton Lane
Burton Lane ( Levy; February 2, 1912 – January 5, 1997) was an American composer and lyricist primarily known for his theatre and film scores. His most popular and successful works include '' Finian's Rainbow'' in 1947 and ''On a Clear Day You Can See Forever'' in 1965. Biography He was born Burton Levy, in New York City; his father was Lazarus Levy. At some later time he became known as Burton Lane. One source erroneously gives his birth name as "Morris Hyman Kushner". Burton Lane studied classical piano as a child. At age 14 the theatrical producers the Shuberts commissioned him to write songs for a revue, ''Greenwich Village Follies''. At the age of 18, he contributed the music for at least two songs for the revue, ''Three's A Crowd'': "Forget All Your Books" and "Out in the Open Air." He was known for his Broadway musicals, '' Finian's Rainbow'' (1947) and ''On a Clear Day You Can See Forever'' (1965). He also wrote the music for the less remembered Broadway shows, '' ...
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Alan Jay Lerner
Alan Jay Lerner (August 31, 1918 – June 14, 1986) was an American lyricist and librettist. In collaboration with Frederick Loewe, and later Burton Lane, he created some of the world's most popular and enduring works of musical theatre both for the stage and on film. He won three Tony Awards and three Academy Awards, among other honors. Early life and education Born in New York City, he was the son of Edith Adelson Lerner and Joseph Jay Lerner, whose brother, Samuel Alexander Lerner, was founder and owner of the Lerner Stores, a chain of dress shops. One of Lerner's cousins was the radio comedian and television game show panelist Henry Morgan (comedian), Henry Morgan. Lerner was educated at Bedales School in England, Choate Rosemary Hall, The Choate School (now Choate Rosemary Hall) in Wallingford, Connecticut, (where he wrote "The Choate Marching Song") and Harvard University, Harvard. He attended both Camp Androscoggin and Camp Greylock. At both Choate and Harvard, Lerner ...
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Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", "Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. In hi ...
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Walter Donaldson
Walter Donaldson (February 15, 1893 – July 15, 1947) was an American prolific popular songwriter and publishing company founder, composing many hit songs of the 1910s to 1940s, that have become standards and form part of the Great American Songbook. History Walter Donaldson was born in Brooklyn, New York State, United States, the son of a piano teacher. While still in school he wrote original music for school productions, and had his first professional songs published in 1915. In 1918, he had his first major hit with "The Daughter of Rosie O'Grady". During World War I, Donaldson entertained troops at Camp Upton, New York. His time there inspired him to write " How Ya Gonna Keep 'em Down on the Farm (After They've Seen Paree)?" After serving in the United States Army in World War I, Donaldson was hired as a songwriter by Irving Berlin Music Company. He stayed with Berlin until 1928, producing many hit songs, then in 1928 established his own publishing company. His company was ...
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Makin' Whoopee
"Makin' Whoopee" is a jazz/blues song, first popularized by Eddie Cantor in the 1928 musical ''Whoopee!''. Gus Kahn wrote the lyrics and Walter Donaldson composed the music for the song as well as for the entire musical. The title refers to celebrating a marriage. Eventually "making whoopee" became a euphemism for intimate sexual relations. The song has been called a "dire warning", largely to men, about the "trap" of marriage. A review of a James Naughton cabaret performance. "Mr. Naughton pounces on the dire warning to men lurking beneath the song's playful surface: that once the honeymoon is over, marriage can become a trap from which there is no escape." "Makin' Whoopee" begins with the celebration of a wedding, honeymoon and marital bliss, but moves on to babies and responsibilities, and ultimately on to affairs and possible divorce, ending with a judge's advice. Other versions *1928 George Olsen and His Music. Released by Victor on November 12, 1928 as catalog number 21816- ...
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Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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