Kings Of Sleep
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Kings Of Sleep
''Kings of Sleep'' is the second solo album released by bassist Stuart Hamm. It was released on June 19, 1989 on Relativity Records. The title of the album and many of the songs were inspired by the novels and short stories of William Gibson, including Neuromancer ("Black Ice" and "Terminal Beach" are both references from that novel), Count Zero (referring to the name of the novel as well as the hacker handle of one of the protagonists), and the short story The Winter Market (''Kings of Sleep'' is the name of a fictional stim-album in that story). Track listing All songs written by Stuart Hamm, except where noted. # "Black Ice" – 4:23 # "Surely the Best" – 5:19 # "Call of the Wild" – 4:41 # "Terminal Beach" – 3:57 # "Count Zero" – 4:13 # "I Want to Know" – 5:39 # "Prelude in C" (J.S. Bach) – 2:30 # "Kings of Sleep" (Kim Bullard & Stuart Hamm) – 8:23 Personnel * Stuart Hamm - Bass guitar * Harry Cody - Electric Guitar on "Surely the Best", "Call of the Wild", "Co ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Stuart Hamm
Stuart Hamm (born February 8, 1960) is an American bass guitar player, known for his session and live work with numerous artists as well as for his unconventional playing style and solo recordings. Career Born in New Orleans, Hamm spent his childhood and youth in Champaign, Illinois, where he studied bass and piano, played in the stage band at Champaign Central High School, and was selected to the Illinois All-State Band. Hamm graduated from Hanover High in Hanover, New Hampshire in 1978, while living in Norwich, Vermont. Following high school, he attended the Berklee College of Music in Boston, where he met guitarist Steve Vai and, through him, met Joe Satriani. Hamm played bass on Vai's debut solo album, ''Flex-Able'', which was released in 1984. Hamm has performed and recorded with Steve Vai, Frank Gambale, Joe Satriani and many other well-respected guitarists. It was his playing live on tour with Satriani that brought Hamm's skills to national attention. Subsequent recording ...
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Instrumental Rock
Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. Examples of instrumental rock can be found in practically every subgenre of rock, often from musicians who specialize in the style. Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals. Jeff Beck also recorded two instrumental albums in the 1970s. Progressive rock and art rock performers of the 1960s and 1970s did many virtuosic instrumental performances. During the 1980s and 1990s, the instrumental rock genre was dominated by several guitar soloists, including Joe Satriani, Yngwie Malmsteen and Steve Vai. The 2000s gave way to a new style of instrumental performer. For example, John ...
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Relativity Records
Relativity Records was an American record label founded by Barry Kobrin at the site of his company, Important Record Distributors (IRD) in metro New York. Relativity released music that covers a wide variety of musical genres. When it entered into a deal with Sony Music Entertainment, it became more known for its heavy metal and hip hop releases. History Although it was reportedly established in 1985, there is evidence that the Relativity Records imprint began as an in-house IRD label. In the 1980s, Relativity Records was mostly focused on rock music, including heavy metal and punk rock. Releases in this genre were split among Relativity and its sister labels Combat and In-Effect Records. Following the recession of 1990, these labels were folded back into the main Relativity label. Also in that year, Sony Music acquired a 50% stake in the company. Around 1992, the label underwent restructuring. IRD was renamed Relativity Entertainment Distribution. In 1995, Relativity ente ...
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Radio Free Albemuth (album)
''Radio Free Albemuth'' is the debut solo album by bassist Stuart Hamm, released in 1988 on Relativity Records. Hamm is backed up by guitarists Allan Holdsworth and Joe Satriani. The title of the album and many of the songs were inspired by the novels of Philip K. Dick. Track listing Personnel * Stuart Hamm – bass guitar, production * Allan Holdsworth – SynthAxe on "Radio Free Albemuth"Holdsworth is listed on guitar at AllMusic, but if you listen to the actual recording, it is apparent that the solo is performed with a synthesizer. Holdsworth was a prolific user of the SynthAxe in this time period, and did not perform with regular guitar synthesizers. The synthesizer may have been processed through a guitar amp, a method Holdsworth had previously employed on "Mac Man" from the album "Sand". ("Castles Made Of Sand", Guitarist, November 1987) * Joe Satriani – electric guitar on "Radio Free Albemuth", "Flow My Tears" and "Sexually Active" * Mike Barsimanto – drums * Am ...
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The Urge (album)
''The Urge'' is the third solo album released by bassist Stuart Hamm, released in 1991. It was the first of Hamm's solo albums to feature vocals, and included guest appearances by guitarist Eric Johnson and Tommy Lee of Mötley Crüe. The song "Quahogs Anyone?" was recorded live at Santa Barbara on September 27, 1990. Hamm's signature Fender bass guitar was also called "The Urge", and was followed b"The Urge II" Track listing # "Welcome to My World" – 1:36 # "The Hammer" – 4:53 # "Who Do You Want Me to Be Today?" – 6:07 # "If You're Scared, Stay Home!" – 5:32 # "Our Dreams" – 6:05 # "Lone Star" – 7:24 # "Quahogs Anyone? (119, 120 Whatever It Takes)" – 6:12 # "The Urge" – 7:09 # "As Children" – 6:01 Personnel * Stuart Hamm - Bass guitar, Piccolo Bass, Vocals, Background Vocals and Keyboards * Eric Johnson - Electric Guitar on "Our Dreams and "Lone Star" * Harry K. Cody - Electric Guitar * Buzzy Feiten - Electric Guitar and Additional Vocals * Dawayne Bailey - ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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William Gibson
William Ford Gibson (born March 17, 1948) is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as ''cyberpunk''. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s. Gibson coined the term " cyberspace" for "widespread, interconnected digital technology" in his short story "Burning Chrome" (1982), and later popularized the concept in his acclaimed debut novel ''Neuromancer'' (1984). These early works of Gibson's have been credited with "renovating" science fiction literature in the 1980s. After expanding on the story in ''Neuromancer'' with two more novels (''Count Zero'' in 1986, and ''Mona Lisa Overdrive'' in 1988), th ...
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Neuromancer
''Neuromancer'' is a 1984 science fiction novel by American-Canadian writer William Gibson. Considered one of the earliest and best-known works in the cyberpunk genre, it is the only novel to win the Nebula Award, the Philip K. Dick Award, and the Hugo Award. It was Gibson's debut novel and the beginning of the Sprawl trilogy. Set in the future, the novel follows Henry Case, a washed-up hacker hired for one last job, which brings him in contact with a powerful artificial intelligence. Background Before ''Neuromancer'', Gibson had written several short stories for US science fiction periodicals—mostly noir countercultural narratives concerning low-life protagonists in near-future encounters with cyberspace. The themes he developed in this early short fiction, the Sprawl setting of "Burning Chrome" (1982), and the character of Molly Millions from "Johnny Mnemonic" (1981) laid the foundations for the novel. John Carpenter's ''Escape from New York'' (1981) influenced the novel; Gi ...
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Count Zero
''Count Zero'' is a science fiction novel by American-Canadian writer William Gibson, originally published in 1986. It is the second volume of the Sprawl trilogy, which begins with ''Neuromancer'' and concludes with ''Mona Lisa Overdrive'', and is an example of the cyberpunk subgenre. ''Count Zero'' was serialized by ''Asimov's Science Fiction, Isaac Asimov's Science Fiction Magazine'' in the 1986 January (100th issue), February and March issues, accompanied by black and white art produced by J. K. Potter. The January cover is devoted to the story, with art by Hisaki Yasuda. The magazine version was edited to contain less swearing and sexual content. Plot introduction Seven years after the events of ''Neuromancer'', strange things begin to happen in the Matrix, leading to the proliferation of what appear to be Haitian Vodou, voodoo Loa, gods (hinted to be the fractured remains of the joined AIs that were Neuromancer and Wintermute). Two powerful multinational corporations, Maas B ...
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The Winter Market
"The Winter Market" is a science fiction short story written by William Gibson and published as part of his ''Burning Chrome'' short story collection. The story was commissioned in 1985 by ''Vancouver Magazine'', who stipulated that Gibson – who at the time was "unquestionably the leading Vancouver author on the international literary scene" – set it in the city (thereby making it unique among the author's works until 2007, when he set the final third of ''Spook Country'' in and around the Port of Vancouver). The market of the title was modelled on that of Granville Island, though in a state of bohemian decay. As the author commented in a 2007 blog post: "Vancouver's Granville Island, centered around Granville Island Market (produce and food fair) is a very successful (and pleasant) retrofit of an under-bridge urban island that previously was heavily industrial. When the story was written, the retrofit was recent, and I dirtied it up for requisite punky near-future effect." Plo ...
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ...
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