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Kingdom Of Kottayam
Kottayam (Cotiote) is a former vassal feudal city-state in the erstwhile province of Malabar in present-day Kerala, in the Indian subcontinent. Kottayam (Cotiote) is famed for Pazhassi Raja, one of the principal leaders of the Wayanad Insurrection (Kotiote Palassi rebellion or Cotiote War). Pazhassi Raja was a member of the western branch of the Kottayam royal clan. When Hyder Ali of the Kingdom of Mysore occupied Malabar in 1773, the Raja of Kottayam found political asylum in Travancore. In 1790, the British recognized Pazhassi Raja as the head of Kottayam instead of the original Raja who had taken refuge at Travancore. History The origin of the Kottayam royal family is lost in obscurity. By tradition Harischandara Perumal who built a fort at Puralimala and resided there is regarded as the founder of the Kottayam family. The rajas of Kottayam were therefore called Puralisas and were also known as Purannattu rajas, who ruled over the land of Purainad. Descendants of the Pura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veera Kerala Varma Pazhassi Raja
Pazhassi Raja () (3 January 1753 – 30 November 1805) was known as Kerala Varma and was also known as Cotiote Rajah and Pychy Rajah. He was a warrior Hindu prince and de facto head of the kingdom of Kottayam (Malabar), Kottayam, otherwise known as Cotiote, in Malabar (Northern Kerala), Malabar, India, between 1774 and 1805. His struggles with the British East India Company is known as the Cotiote War. He earned the epithet ''"Kerala Simham"'' ("Lion of Kerala") on account of his martial exploits. Pazhassi Raja was a member of the western branch of the Kottayam royal clan Mattathil Kovilakom. When Hyder Ali of the Kingdom of Mysore Mysore invasion of Kerala, occupied Malabar in 1773, the Raja of Kottayam found political asylum in Kallara near Vaikom in Kottayam district of Kerala. Pazhassi Raja, the fourth prince in line for succession to the throne during this period, became one of the ''de facto'' heads of state, surpassing several older royal contenders. He fought a war o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kottayam-Malabar
Kottayam-Malabar is a census town near Kuthuparamba in Kannur district of Kerala state in India. It is different from the city of Kottayam in Kottayam district of the same state. History Kingdom of Kottayam is a historic province of old Malabar district in India. It covered what is today Talassery Taluk of Kannur district. The headquarters of the kingdom was at Kottayam-Malabar town. The Raja of Kottayam presided over the province. Pazhassi Raja was a member of the western branch of the Kottayam royal clan. When Hyder Ali of the Kingdom of Mysore occupied Malabar in 1773, the Raja of Kottayam found political asylum in Kallara near Vikom in Kottayam district of Kerala. Pazhassi Raja, the fourth prince in line for succession to the throne during this period, became one of the ''de facto'' heads of state, surpassing several older royal contenders. Demographics As of 2011 Census, Kottayam-Malabar census town had population of 19,176 which constitutes 8,813 males and 10,363 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historical Indian Regions
History (derived ) is the systematic study and the documentation of the human activity. The time period of event before the invention of writing systems is considered prehistory. "History" is an umbrella term comprising past events as well as the memory, discovery, collection, organization, presentation, and interpretation of these events. Historians seek knowledge of the past using historical sources such as written documents, oral accounts, art and material artifacts, and ecological markers. History is not complete and still has debatable mysteries. History is also an academic discipline which uses narrative to describe, examine, question, and analyze past events, and investigate their patterns of cause and effect. Historians often debate which narrative best explains an event, as well as the significance of different causes and effects. Historians also debate the nature of history as an end in itself, as well as its usefulness to give perspective on the problems of the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Former Monarchies Of South Asia
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the adv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Former Countries In South Asia
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the adv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of Manacaud
The Battle of Manacaud took place at Manacaud near Thiruvananthapuram in 1680 between the forces of the Kingdom of Venad and the Mughal Empire. Prelude The Kingdom of Venad was going through a political turmoil. Dissensions broke out between the reigning queen Umayamma and the feudatory chiefs called Ettuveetil Pillamar. Taking advantage of this state of affairs in Venad, a commander under the Mughal Emperor Aurangazeb, wandering in the southern part of the peninsular India, with a number of horsemen, invaded the unprotected southern part of Venad. Mughal commander's forces reached Thiruvananthapuram without facing any resistance at all and encamped at Manacaud. Umayamma Rani, finding it difficult to recover her kingdom from the Mughal warlord while her feudatories were animated by a spirit of disloyalty towards her government, invited her relative Kerala Varma of the Kingdom of Kottayam to raise an army. The battle Kerala Varma raised a force armed with bows and arrows, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
North Malabar
North Malabar refers to the geographic area of southwest India covering the state of Kerala's present day Kasaragod, Kannur, and Wayanad districts, and the taluks of Vatakara, Koyilandy, and Thamarassery in the Kozhikode District of Kerala and the entire Mahé Sub-Division of the Union Territory of Puducherry. Traditionally North Malabar is defined as the northern portion of erstwhile Malabar District which lies between Chandragiri River and Korapuzha River. The region between Netravathi River and Chandragiri River, which included the portions between Mangalore and Kasaragod, are also often included in the term North Malabar, as the Kumbla dynasty in the southernmost region of Tulu Nadu (between Mangalore and Kasaragod), had a mixed lineage of Malayali Nairs and Tuluva Brahmins. The North Malabar region is bounded by Dakshina Kannada (Mangalore) to north, the hilly regions of Kodagu and Mysore Plateau to east, South Malabar ( Korapuzha) to south, and Arabian Sea to wes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aattakatha (performance)
Aattakatha is a literary genre in Malayalam language consisting of the libretto used for the Indian classical dance drama ''kathakali''. The word ''aatta-katha'' literally means "story for dancing and acting" (''atu'' "to dance" + ''kathā'' "story"). The narrative framework of ''aattakatha'' consists quatrains in Sanskrit metres where the diction also is heavily Sanskritised; the dialogue part, however, is made up of ''padas'', which can be set to ''raga'' (tune) and ''tala'' (rhythm) and have to be rendered by means of gestures and body movements by the actors while being sung by musicians from behind. The origins of ''aattakatha'' literature dates back to the 12th century and it emerged as a literary genre in the 17th century. The earliest of the ''aattakatha''s is believed to be a cycle of eight ''Ramayana'' stories (collectively known as '' Ramanattam''), composed by Kottarakkara Tampuran and about whose date there is an ongoing controversy. Next in importance are the wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerala Varma Valiya Koil Thampuran
Kerala Varma Valiya Koil Thampuran ( ml, കേരളവർമ്മ വലിയ കോയിത്തമ്പുരാൻ; 19 February 1845 – 22 September 1914) also spelt Kerala Varma Valiya Koilthampuran and known as Kerala Varma, was a Malayalam - language poet and translator who had an equal facility in writing in English and Sanskrit from the Indian state of Kerala.Paniker, Ayyappa"Modern Malayalam Literature"chapter in George, K. M., editor, ' 'Modern Indian Literature, an Anthology' ', pp 231, 236 published by Sahitya Akademi, 1992, retrieved 10 January 2009 He was part of the royal family of erstwhile Parappanad, Malappuram district. Kerala Varma is also known as the ''Kalidasa of Kerala''. Kerala Varma has been called "a colossal Renaissance figure in 19th century Kerala" and "perhaps the first of the major alayalam languagewriters who consciously and deliberately began to absorb and celebrate the Western influence" on his native literature. He advocated r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramanattam
Ramanattam (Malayalam: രാമനാട്ടം, IAST: Rāmanāṭṭaṃ) is a temple art in Kerala, India. The dance drama presents the story of Rama in a series of eight plays and was created under the patronage of Veera Kerala Varma (AD 1653–1694) ''alias'' Kottarakkara Thampuran. Ramanattom is based on a story from the epic ''Ramayana'', covering the incarnation of Rama to the Rama-Ravana War, Ravana's defeat and Rama's crowning at Ayodhya. The story was written by Kottarakkara Thampuran and is divided into eight poetic sections so that each section can be enacted in one day. These eight sections are puthrakameshti, seetha swayamvaram, vicchinnabhishekam, kharavadham, balivadham, thoranayudham, sethubandhanam and yudham (war). Ramanattam is widely believed to be the immediate stem of the well known classical art form of Kerala, Kathakali. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathakali
Kathakali ( ml, കഥകളി) is a major form of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colourful make-up and costumes of the traditional male actor-dancers. It is native to the Malayalam-speaking southwestern region of Kerala and is almost entirely practiced and appreciated by Malayali people. Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Krishnanattam and religious drama of the kingdom of the Zamorin of Calicut) southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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