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King Of The Blues
''King of the Blues'' is a compilation album by American blues musician B. B. King covering the years 1949 through 1991. Released by MCA Records in 1992, the four CD box set includes some of King's most popular songs as well as some newer recordings. Track listing Disc 1 (1949–1966) # "Miss Martha King" - (previously unreleased on U.S. LP) # "She's Dynamite" # "Three O'Clock Blues" # "Please Love Me" # "You Upset Me Baby" # "Every Day I Have the Blues" # " Rock Me Baby" # "Recession Blues" # "Don't Get Around Much Anymore" - (with Duke Ellington Orchestra) # "I'm Gonna Sit In 'Til You Give In" # "Blues at Midnight" # "Sneakin' Around" # "My Baby's Comin' Home" # "Slowly Losing My Mind" - (previously unreleased on LP) # "How Blue Can You Get" - (previously unreleased on LP) # "Rockin' Awhile" - (previously unreleased) # "Help the Poor" - (previously unreleased on LP) # "Stop Leadin' Me On" - (previously unreleased on LP) # "Never Trust a Woman" - (previously unreleased on L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Thrill Is Gone
"The Thrill Is Gone" is a slow minor-key blues song written by West Coast blues musician Roy Hawkins and Rick Darnell in 1951. Hawkins's recording of the song reached number six in the Billboard R&B chart in 1951. In 1970, "The Thrill Is Gone" became a major hit for B.B. King. His rendition helped make the song a blues standard. B.B. King rendition B.B. King recorded his version of "The Thrill Is Gone" in June 1969 for his album ''Completely Well'', released the same year. King's version is a slow 12-bar blues notated in the key of B minor in 4/4 time. The song's polished production and use of strings marked a departure from both the original song and King's previous material. When BluesWay Records released "The Thrill Is Gone" as a single in December 1969, it became one of the most successful of King's career and one of his signature songs. It reached number three in the ''Billboard'' Best Selling Soul Singles chart and number 15 in the broader ''Billboard'' Hot 100 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crusaders (Houston Group)
The Crusaders (formerly known as The Jazz Crusaders) were an American jazz group that was successful from the 1960s to the 1990s. The group was known as the Jazz Crusaders from their formation in 1960 until shortening their name in 1971. The Crusaders were comfortable playing a wide assortment of genres, from straight ahead jazz, to urban R&B, to R&B-based jazz, to even blues. The band reached a commercial apex in 1979 with their hit single " Street Life", featuring lead vocals by Randy Crawford, and their accompanying album of the same name. History High school friends Joe Sample (piano), Wilton Felder (tenor saxophone) and Nesbert "Stix" Hooper (drums) formed their first band together, the Swingsters, in Houston, Texas in 1954. They played a mixture of jazz and R&B, and were joined by Wayne Henderson (trombone), Hubert Laws (flute), and Henry Wilson (bass). The group soon turned more to hard bop, and renamed themselves the Modern Jazz Sextet, but also recorded in a more R& ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mother Fuyer
"Mother Fuyer" is a jump blues song, written and recorded by Dirty Red in 1947. The single was released by Aladdin Records on a 78 rpm, 10" shellac single record. Background The words "mother for you" or "mother fuyer", as minced oaths for "motherfucker", were used in blues and R&B records from the 1930s. Examples include Memphis Minnie's "Dirty Mother For You" (Decca Records, 1935) and Washboard Sam (1935), plus Roosevelt Sykes in 1936, with the slightly amended title of "Dirty Mother For You (Don't You Know)". The singer Stick McGhee, whose recording of "Drinking Wine Spo-Dee-O-Dee" was a hit in 1949, claimed that he had originally heard the song as "Drinking Wine, Motherfucker". Record Red Nelson found no reason to be particularly oblique over the title of this jump blues track, which he recorded in 1947. It was released using the nom de disque, Dirty Red, by Aladdin Records (catalog reference 194A). The effective minced oath seemed to have confused the censors. The dirty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't You Lie To Me
"Don't You Lie to Me" (sometimes called "I Get Evil") is a song recorded by Tampa Red in 1940. It became popular with blues artists, leading it to become a blues standard. The song was also interpreted by rock and roll pioneers Fats Domino and Chuck Berry. Original song "Don't You Lie to Me" was recorded by Tampa Red approximately midpoint in his prolific recording career, representing the transition from his earlier hokum recordings to his later early Chicago-blues combo style. This was the same period when he began playing the electric guitar and recorded his best-known blues classics, including "It Hurts Me Too", "Love with a Feeling", and "Anna Lou Blues", the B-side of "Don't You Lie to Me". The song is a mid-tempo twelve-bar blues that features Tampa Red playing jazz-inflected single-note guitar fills behind his vocals. Blind John Davis provided the piano accompaniment with an unidentified bass player and, as a throwback to his earlier days, Red added a twelve-bar kazo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Bland
Robert Calvin Bland (born Robert Calvin Brooks; January 27, 1930 – June 23, 2013), known professionally as Bobby "Blue" Bland, was an American blues singer. Bland developed a sound that mixed gospel with the blues and R&B. He was described as "among the great storytellers of blues and soul music... hocreated tempestuous arias of love, betrayal and resignation, set against roiling, dramatic orchestrations, and left the listener drained but awed." He was sometimes referred to as the "Lion of the Blues" and as the "Sinatra of the Blues". His music was also influenced by Nat King Cole. Bland was inducted into the Blues Hall of Fame in 1981, the Rock and Roll Hall of Fame in 1992, and the Memphis Music Hall of Fame in 2012. He received the Grammy Lifetime Achievement Award in 1997. The Rock and Roll Hall of Fame described him as "second in stature only to B.B. King as a product of Memphis's Beale Street blues scene". Life and career Early life Bland was born Robert Calvin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let The Good Times Roll (Louis Jordan Song)
"Let the Good Times Roll" is a jump blues song recorded in 1946 by Louis Jordan and his Tympany Five. A mid-tempo twelve-bar blues, the song became a blues standard and one of Jordan's best-known songs. Composition "Let the Good Times Roll" is "Louis Jordan's buoyant invitation to party": The song was written by Sam Theard, a New Orleans-born blues singer and songwriter, and was co-credited to Fleecie Moore, Jordan's wife. Theard first showed Jordan the song in 1942, while playing in Chicago clubs. The tune developed over the years until Jordan recorded it in New York City in June 1946. Charts and recognition "Let the Good Times Roll" reached number two in the Billboard R&B chart in 1947. Its flip side, " Ain't Nobody Here but Us Chickens", was the top number one record of 1947 — both songs spent nearly six months on the chart. In 2009, the song was acknowledged with a Grammy Hall of Fame Award. Jordan and the Tympany Five performed the song in the 1947 film ''Reet, Petit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stevie Wonder
Stevland Hardaway Morris ( Judkins; May 13, 1950), known professionally as Stevie Wonder, is an American singer-songwriter, who is credited as a pioneer and influence by musicians across a range of genres that include rhythm and blues, Pop music, pop, Soul music, soul, Gospel music, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of Contemporary R&B, R&B. He also helped drive such genres into the album era, crafting his LP record, LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Visual impairment, Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. Wonder's single "Fingertips" was a No. 1 hit on the Billboard Hot 100, ''Billboard'' Hot 100 in 1963, at the age of 13, making him the List o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five Long Years
"Five Long Years" is a song written and recorded by blues vocalist and pianist Eddie Boyd in 1952. Called one of the "few postwar blues standards hat hasretained universal appeal", Boyd's "Five Long Years" reached number one on the ''Billboard'' R&B chart. Numerous blues and other artists have recorded interpretations of the song. Original song "Five Long Years" is a moderate-tempo twelve-bar blues notated in 12/8 time in the key of C. It tells of "the history of the metal worker who, for five years, worked hard in a factory and who gave his check every Friday night to his girlfriend, who nevertheless dumped him". Backing Boyd on vocal and piano are Ernest Cotton on tenor sax, L. C. McKinley on guitar, Alfred Elkins on bass, and Percy Walker on drums. "Five Long Years" was revisited by Boyd several times during his career, with additional studio and live recordings. Recognition and legacy In 2011, Eddie Boyd's original "Five Long Years" was inducted into the Blues Founda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ringo Starr
Sir Richard Starkey (born 7 July 1940), known professionally as Ringo Starr, is an English musician, singer, songwriter and actor who achieved international fame as the drummer for the Beatles. Starr occasionally sang lead vocals with the group, usually for one song on each album, including " Yellow Submarine" and "With a Little Help from My Friends". He also wrote and sang the Beatles songs "Don't Pass Me By" and "Octopus's Garden", and is credited as a co-writer of four others. Starr was afflicted by life-threatening illnesses during childhood, with periods of prolonged hospitalisation. He briefly held a position with British Rail before securing an apprenticeship as a machinist at a Liverpool school equipment manufacturer. Soon afterwards, Starr became interested in the UK skiffle craze and developed a fervent admiration for the genre. In 1957, he co-founded his first band, the Eddie Clayton Skiffle Group, which earned several prestigious local bookings before the fad s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Shadows
"Blue Shadows" is a 1950 single by Lowell Fulson, featuring Lloyd Glenn Lloyd Colquitt Glenn (November 21, 1909 – May 23, 1985) was an American R&B pianist, bandleader and arranger, who was a pioneer of the "West Coast" blues style. Career Born in San Antonio, Texas, from the late 1920s, Glenn played with vari ... at the "88". The single was Lowell Fulson's biggest hit on the R&B chart, hitting number one for one week. The B-side, "Low Society Blues", peaked at number eight. References 1950 singles Lowell Fulson songs B.B. King songs Blues songs 1950 songs {{blues-song-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eyesight To The Blind
"Eyesight to the Blind" is a 12-bar blues song written and recorded in 1951 by Sonny Boy Williamson II (Aleck "Rice" Miller). He also recorded the related songs "Born Blind", "Unseeing Eye", "Don't Lose Your Eye", and "Unseen Eye" during his career. The Larks, an American rhythm and blues group, recorded the song, which reached number five on the R&B charts in 1951. Several musicians subsequently recorded it in a variety of styles. The Who adapted Williamson's song for their rock opera ''Tommy''. In 2022, Williamson's recording was inducted into the Blues Hall of Fame in the 'Classics of Blues Recording – Singles' category. Sonny Boy Williamson versions The song was recorded by Sonny Boy Williamson in 1951 as his first single release on Trumpet Records. Three versions of the song were released as 78 rpm singles. The first version featured Sonny Boy Williamson II on vocals and harmonica, Willie Love on piano, Joe Willie Wilkins on guitar, Elmore James on guitar, and Joe Dyso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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