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Kimbell Seated Buddha
The ''Kimbell seated Bodhisattva'' is a statue of a "bodhisattva" (probably the Buddha after Great Renunciation, his renunciation of princely life, but before his Enlightenment in Buddhism, Enlightenment) from the art of Mathura, now in the Kimbell Art Museum. The statue is dated to 131 CE, by an inscription recording its dedication in "Year 4 of the Great King Kanishka", since the date of the beginning of Kanishka's reign is thought to be 127 CE. The Kimbell seated Bodhisattva belongs to the category of the "Seated Buddha triads", which can be seen contemporaneously in the Greco-Buddhist art of Gandhara and in the art of Mathura in the early Kushan Empire, Kushan period. Style The Kushans adopted the anthropomorphic image of the Buddha, probably developed during the 1st century CE in Mathura and Gandhara, and transformed it into a standardized mode of representation, using "confident and powerful imagery" on a grand scale. Free-standing statues of the Buddha appear around this ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodhisattva
In Buddhism, a bodhisattva ( ; sa, 𑀩𑁄𑀥𑀺𑀲𑀢𑁆𑀢𑁆𑀯 (Brahmī), translit=bodhisattva, label=Sanskrit) or bodhisatva is a person who is on the path towards bodhi ('awakening') or Buddhahood. In the Early Buddhist schools as well as modern Theravada Buddhism, a bodhisattva (Pali: ''bodhisatta'') refers to someone who has made a resolution to become a Buddha and has also received a confirmation or prediction from a living Buddha that this will be so. In Mahayana Buddhism, a bodhisattva refers to anyone who has generated ''bodhicitta'', a spontaneous wish and compassionate mind to attain Buddhahood for the benefit of all sentient beings. Mahayana bodhisattvas are spiritually heroic persons that work to attain awakening and are driven by a great compassion (''mahakaruṇā''). These beings are exemplified by important spiritual qualities such as the "four divine abodes" (''brahmaviharas'') of loving-kindness ('' metta''), compassion (''karuṇā''), empathet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Renunciation
The Great Renunciation or Great Departure is the traditional term for the departure of Gautama Buddha ( BCE) from his palace at Kapilavastu to live a life as an ascetic ( sa, śrāmaṇa, italic=yes, pi, sāmaṇa, italic=yes). It is called the Great Renunciation because it is regarded as a great sacrifice. Most accounts of this event can be found in post-canonical Buddhist texts from several Buddhist traditions, which are the most complete. These are, however, of a more mythological nature than the early texts. They exist in Pāli, Sanskrit and Chinese language. According to these accounts, at the birth of Prince Siddhārtha Gautama, the Buddha-to-be, Brahmin priests predicted that he would either become a world teacher or a world ruler. To prevent his son from turning to religious life, Prince Siddhārtha's father and ''rāja'' of the Śākya clan Śuddhodana did not allow him to see death or suffering, and distracted him with luxury. During his childhood, Prince Siddhārt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aureola
An aureola or aureole (diminutive of Latin ''aurea'', "golden") is the radiance of luminous cloud which, in paintings of sacred personages, surrounds the whole figure. In Romance languages, the noun Aureola is usually more related to the disc of light surrounding the head of sacred figures and that in English is called Halo or Nimbus. In art In the earliest periods of Christian art it was confined to the figures of the persons of the Christian Godhead, but it was afterwards extended to the Virgin Mary and to several of the saints. The aureola, when enveloping the whole body, generally appears oval or elliptical in form, but occasionally depicted as circular, vesica piscis, or quatrefoil. When it appears merely as a luminous disk round the head, it is called specifically a ''halo'' or ''nimbus'', while the combination of nimbus and aureole is called a '' glory''. The strict distinction between nimbus and aureole is not commonly maintained, and the latter term is most freq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swat District
Swat District (, ps, سوات ولسوالۍ, ) is a district in the Malakand Division of Khyber Pakhtunkhwa, Pakistan. With a population of 2,309,570 per the 2017 national census, Swat is the 15th-largest district of Khyber Pakhtunkhwa province. Swat District is centered on the Valley of Swat, usually referred to simply as Swat, which is a natural geographic region surrounding the Swat River. The valley was a major centre of early Buddhism under the ancient kingdom of Gandhara, and was a major centre of Gandharan Buddhism, with pockets of Buddhism persisting in the valley until the 10th century, after which the area became largely Muslim. Until 1969, Swat was part of the Yusafzai State of Swat, a self-governing princely state that was inherited by Pakistan following its independence from British rule. The region was seized by the Tehrik-i-Taliban in late-2007 until Pakistani control was re-established in mid-2009. The average elevation of Swat is , resulting in a consid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Butkara Stupa
The Butkara Stupa (Pashto: بت کړه سټوپا) is an important Buddhist stupa near Mingora, in the area of Swat, Pakistan. It may have been built by the Mauryan emperor Ashoka, but it is generally dated slightly later to the 2nd century BCE. The stupa was enlarged on five occasions during the following centuries, every time by building over, and encapsulating, the previous structure. Excavation The stupa was excavated by an Italian mission (IsIOAO: Istituto Italiano per l'Africa e l'Oriente), led by archaeologist Domenico Faccenna from 1956, to clarify the various steps of the construction and enlargements. The mission established that the stupa was "monumentalized" by the addition of Hellenistic architectural decorations during the 2nd century BCE, suggesting a direct involvement of the Indo-Greeks, rulers of northwestern India during that period, in the development of Greco-Buddhist architecture. An Indo-Corinthian capital representing a Buddhist devotee within foliage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bimaran Casket
The Bimaran casket or Bimaran reliquary is a small gold reliquary for Buddhist relics that was found inside the stupa no.2 at Bimaran, near Jalalabad in eastern Afghanistan. Discovery When it was found by the archaeologist Charles Masson during his work in Afghanistan between 1833 and 1838, the casket contained coins of the Indo-Scythian king Azes II, though recent research by Senior indicates Azes II never existed and finds attributed to his reign probably should be reassigned to Azes I. The most recent research however (2015) attributes the coins to Indo-Scythian king Kharahostes or his son Mujatria, who minted posthumous issues in the name of Azes. The Bimaran reliquary is sometimes dated, based on coinage analysis, to 0–15 CE ( Fussman), more generally to 50–60 CE (British Museum), and sometimes much later (2nd century CE), based on artistic assumptions only. It is currently in the collections of the British Museum. The dating of this unique piece of art has a strong bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanchi
Sanchi is a Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town in Raisen District of the States and territories of India, State of Madhya Pradesh, India. It is located, about 23 kilometres from Raisen, Raisen town, district headquarter and north-east of Bhopal, capital of Madhya Pradesh. The Great Stupa at Sanchi is one of the oldest stone structures in India, and an important monument of Indian Architecture. It was originally commissioned by the Mauryan emperor Ashoka the Great in the 3rd century BCE. Its nucleus was a simple hemispherical brick structure built over the relics of the Gautama Buddha, Buddha. It was crowned by the '''chhatra, a parasol-like structure symbolising high rank, which was intended to honour and shelter the relics. The original construction work of this stupa was overseen by Ashoka, whose wife Devi was the daughter of a merchant of nearby Vidisha. Sanchi was also her birthplace as well as the venue of her and Ashoka's wedding. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharhut
Bharhut is a village located in the Satna district of Madhya Pradesh, central India. It is known for its famous relics from a Buddhist stupa. What makes Bharhut panels unique is that each panel is explicitly labelled in Brahmi characters mentioning what the panel depicts. The major donor for the Bharhut stupa was King Dhanabhuti. The Bharhut sculptures represent some of the earliest examples of Indian and Buddhist art, later than the monumental art of Ashoka (circa 260 BCE), and slightly later than the early Shunga-period reliefs on railings at Sanchi Stupa No.2 (starting circa 115 BCE). Though more provincial in quality than the sculpture at Sanchi, Amaravati Stupa and some other sites, a large amount of sculpture has survived, generally in good condition. Recent authors date the reliefs of the railings of Bharhut circa 125–100 BCE, and clearly after Sanchi Stupa No.2, compared to which Bharhut has a much more developed iconography. The torana gateway was made slightly later t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aniconism
Aniconism is the absence of artistic representations (''icons'') of the natural and supernatural worlds, or it is the absence of representations of certain figures in religions. It is a feature of various cultures, particularly of cultures which are based on monotheistic Abrahamic religions. The prohibition of material representations may only extend from God and other supernatural beings to saint-like characters, or it may extend to material representations of all living beings, and material representations of everything that exists. The phenomenon is generally codified by religious traditions and as such, it becomes a taboo. When it is enforced by the physical destruction of images, aniconism becomes iconoclasm. Aniconism has been a historical phase in both Buddhism and Christianity, and even though it is much less of an issue today, the attitudes towards religious imagery show considerable variability between different traditions, denominations, and strands within each religio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kushan Empire
The Kushan Empire ( grc, Βασιλεία Κοσσανῶν; xbc, Κυϸανο, ; sa, कुषाण वंश; Brahmi: , '; BHS: ; xpr, 𐭊𐭅𐭔𐭍 𐭇𐭔𐭕𐭓, ; zh, 貴霜 ) was a syncretic empire, formed by the Yuezhi, in the Bactrian territories in the early 1st century. It spread to encompass much of modern-day territory of, Afghanistan, Pakistan, Uzbekistan, and northern India, at least as far as Saketa and Sarnath near Varanasi (Benares), where inscriptions have been found dating to the era of the Kushan Emperor Kanishka the Great. The Kushans were most probably one of five branches of the Yuezhi confederation, an Indo-European nomadic people of possible Tocharian origin, who migrated from northwestern China (Xinjiang and Gansu) and settled in ancient Bactria. The founder of the dynasty, Kujula Kadphises, followed Greek religious ideas and iconography after the Greco-Bactrian tradition, and being a follower of Shaivism. The Kushans in general were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandhara
Gandhāra is the name of an ancient region located in the northwestern region of the Indian subcontinent, more precisely in present-day north-west Pakistan and parts of south-east Afghanistan. The region centered around the Peshawar Valley and Swat river valley, though the cultural influence of "Greater Gandhara" extended across the Indus river to the Taxila region in Potohar Plateau and westwards into the Kabul Valley in Afghanistan, and northwards up to the Karakoram range. Gandhara has a deep rooted history of Hinduism mentioned in Indian scripts and epics including Rig Veda, Ramayana and Mahabharata. Famed for its unique Gandharan style of art which is influenced by the classical Hellenistic styles, Gandhara attained its height from the 1st century to the 5th century CE under the Kushan Empire, who had their capital at Peshawar (''Puruṣapura''). Gandhara "flourished at the crossroads of India, Central Asia, and the Middle East," connecting trade routes and absor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
