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Kim Ki-young
Kim Ki-young (October 10, 1919According to official documents, Kim was born in 1919. However, Kim insisted he was actually born in 1922. – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters. Kim was born in Seoul during the Korea under Japanese rule, colonial period, raised in Pyongyang, where he became interested in theater and cinema. In Korea after the end of World War II, he studied dentistry while becoming involved in the theater. During the Korean War, he made propaganda films for the United States Information Service. In 1955, he used discarded movie equipments to produce his first two films. With the success of these two films Kim formed his own production company and produced popular melodramas for the rest of the decade. Kim Ki-young's first expression of his mature style was in his ''The Housemaid (1960 film), The Housemaid'' (1960), ...
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Korean Film Archive
The Korean Film Archive or called Korean Federation of Film Archives and KOFA is the sole film archive in South Korea with nationwide coverage. It was founded in Seoul in 1974 as a non-profit organization. In 1976 KOFA joined the International Federation of Film Archives (FIAF) as an observer, and gained its full membership of FIAF in 1985. KOFA's main duties are to collect, preserve and categorize films and film-related materials, as well as to foster accessibility to its collections. Most of remaining originals and copies of Korean films are preserved in KOFA. Its main center is in Sangam-dong, Seoul, with two local branch centers in Busan and Bucheon, and a secondary preservation center in Seongnam. Its main center has several public facilities, including Cinematheque KOFA, Korean Film Museum, and a reference library. Recently KOFA has concentrated on digitization of Korean films, and has published several features of the Classic Korean Cinema DVD Collections. It also operates t ...
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Femme Fatale
A ''femme fatale'' ( or ; ), sometimes called a maneater or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the femme fatale today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of mystification, and unease.Mary Ann Doane, ''Femme Fatales'' (1991) pp. 1–2 The term originates from the French phrase '' femme fatale'', which means 'deadly woman' or 'lethal woman'. A femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, or sexual allure. In many cases, her attitude towards sexuality is ...
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English Language
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ...
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Gwanghwamun
Gwanghwamun () is the main and largest gate of Gyeongbok Palace, in Jongno-gu, Seoul, South Korea. It is located at a three-way intersection at the northern end of Sejongno. As a landmark and symbol of Seoul's long history as the capital city during the Joseon Dynasty, the gate has gone through multiple periods of destruction and disrepair. The most recent large-scale restoration work on the gate was finished and it was opened to the public on August 15, 2010. History Gwanghwamun was first constructed in 1395 as the main gate to Gyeongbok Palace, the main and most important royal palace during the Joseon Dynasty. During the 1592 Japanese invasion, it was destroyed by fire and left in ruins for over 250 years. Gwanghwamun was reconstructed in 1867 along with the rest of Gyeongbokgung Palace by the order of regent Daewongun during the reign of Emperor Gojong. The gate stood until 1926, when the Japanese government had it deconstructed and moved it just to the southeast of the cu ...
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Nagwon-dong
Nagwon-dong is a '' dong'', neighbourhood of Jongno-gu in Seoul, South Korea. ''Nagwon'' (낙원, 樂園) means "paradise" in Korean. It is a legal dong (법정동 ) governed under its administrative dong (행정동 ), Jongno 1, 2, 3, 4 ga-dong. Attractions Nagwon Instrument Arcade Nagwon Instrument Arcade has traditionally been Korea's largest collection of music stores and is very close to Insa-dong. Built in 1968, the Nagwon building is a pillar based, mixed-use complex. On the first floor, there is a four lane road and a market below. Above the shopping area, there are apartments. The second and third floors of the Nagwon building has a few hundred music stores clustered together. Various instruments and other music-related equipment such as amps, speakers and karaoke machines can be found there. There are people there to sell or repair instruments for beginners and experts alike. On the fourth floor, there is a theater that used to premiere films and was called the 'Hollywoo ...
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Jongno-gu
Bosingak bell pavilion Jongno District () is a district () in central Seoul, South Korea. It takes its name from a major local street, Jongno, which means "Bell Road". Characteristics Jongno District has been the center of the city for 600 years, since it is where the Joseon dynasty established its capital city. Jongno District is commonly referred to as the face and heart of Korea because of its important roles in the politics, economics, culture, and history as the capital city. Jongno District is home to palaces in which the kings used to reside and work, such as Gyeongbok Palace, Changdeok Palace, Changgyeonggung and Unhyeon Palace. The South Korean president's former residence, the Cheongwadae, is also located in the Jongno District. Due to its rich history, Jongno District attracts visitors and tourists, especially those interested in Korean history and culture. These include the restored Cheonggyecheon stream, the traditional neighborhood of Insa-dong, and the Jongmyo ...
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Gyeongun-dong
Gyeongun-dong is a '' dong'', neighbourhood of Jongno-gu in Seoul, South Korea. It is a legal dong (법정동 ) governed under its administrative dong (행정동 ), Jongno 1, 2, 3, 4 ga-dong. Attraction See also *Administrative divisions of South Korea South Korea is made up of 17 first-tier administrative divisions: 6 metropolitan cities (''gwangyeoksi'' ), 1 special city (''teukbyeolsi'' ), 1 special self-governing city (''teukbyeol-jachisi'' ), and 9 provinces ('' do'' ), including one ... References * * * External links Jongno-gu Official site in EnglishJongno-gu Official siteStatus quo of Jongno-gu by administrative dong Jongno 1, 2, 3, 4 ga-dong Resident office Origin of Gyeongun-dong name Neighbourhoods of Jongno-gu {{Seoul-geo-stub ...
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Park Chan-wook
Park Chan-wook ( ; born 23 August 1963) is a South Korean film director, screenwriter, producer, and former film critic. He is considered as one of the most prominent filmmakers of South Korean cinema as well as world cinema in 21st century. His films have gained notoriety for their cinematography and framing, black humor and often brutal subject matter. Park's first major critical and commercial success came with ''Joint Security Area'' (2000) which was the most watched South Korean film at the time. This film helped him to secure more creative freedom and his next were ''Sympathy for Mr. Vengeance'' (2002) and '' Oldboy'' (2003) which received widespread critical acclaim worldwide and also won Grand Prix prize at Cannes Film Festival. ''Lady Vengeance'' (2005), another film in the unofficial ''The Vengeance Trilogy'', also received critical acclaim. His next psychological thriller ''The Handmaiden'' (2016) premiered in competition to rave reviews at the 2016 Cannes Film Fes ...
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Bong Joon-ho
Bong Joon-ho (, ; Hanja: 奉俊昊; born September 14, 1969) is a South Korean film director, producer and screenwriter. The recipient of four Academy Awards, his filmography is characterised by emphasis on social themes, genre-mixing, black humor, and sudden tone shifts. He first became known to audiences and achieved a cult following with his directorial debut film, the black comedy ''Barking Dogs Never Bite'' (2000), before achieving both critical and commercial success with his subsequent films: the crime thriller ''Memories of Murder'' (2003), the monster film '' The Host'' (2006), the science fiction action film ''Snowpiercer'' (2013), and the black comedy thriller ''Parasite'' (2019), all of which are among the highest-grossing films in South Korea, with ''Parasite'' also being the highest-grossing South Korean film in history. All of Bong's films have been South Korean productions, although both ''Snowpiercer'' and ''Okja'' (2017) are mostly in the English language. T ...
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Im Sang-soo
Im Sang-soo (born April 27, 1962) is a South Korean film director and screenwriter. He has twice been invited to compete for the Palme d'Or at the Cannes Film Festival, with '' The Housemaid'' in 2010 and '' The Taste of Money'' in 2012. Early life and film career Im was born in Seoul. He studied sociology at Yonsei University in Seoul before making a move to the Korean Academy of Film Arts (KAFA) in 1989. He began working in film that same year, landing his first job as Park Jeong-won's assistant director on ''Kuro Arirang'' (was coincidentally also the first film of actor Choi Min-sik). Following graduation from KAFA, Im worked as an assistant director under Kim Young-bin on '' Kim's War'' (1994). In 1995 Im wrote the screenplay for ''The Eternal Empire'', and also the screenplay'' A Noteworthy Film'', which won him the Creation Prix at the Korean Motion Picture Promotion Scenario Competition. In 1998 Im landed his first directorial gig. '' Girls' Night Out'', a drama about ...
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Berlin International Film Festival
The Berlin International Film Festival (german: Internationale Filmfestspiele Berlin), usually called the Berlinale (), is a major international film festival held annually in Berlin, Germany. Founded in 1951 and originally run in June, the festival has been held every February since 1978 and is one of the " Big Three" alongside the Venice Film Festival in Italy and the Cannes Film Festival in France. Tens of thousands of visitors attend each year. About 400 films are shown at multiple venues across Berlin, mostly in and around Potsdamer Platz. They are screened in nine sections across cinematic genres, with around twenty films competing for the festival's top awards in the Competition section. The major awards, called the Golden Bear and Silver Bears, are decided on by the international jury, chaired by an internationally recognisable cinema personality. This jury and other specialised Berlinale juries also give many other awards, and in addition there are other awards given by i ...
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Pusan International Film Festival
The Busan International Film Festival (BIFF, previously Pusan International Film Festival, PIFF), held annually in Haeundae-gu, Busan (''also'' Pusan), South Korea, is one of the most significant film festivals in Asia. The first festival, held from 13 to 21 September 1996, was also the first international film festival in Korea. The main focus of the BIFF is to introduce new films and first-time directors, especially those from Asian countries. Another notable feature is the appeal of the festival to young people, both in terms of the large youthful audience it attracts and through its efforts to develop and promote young talent. In 1999, the Pusan Promotion Plan (renamed Asian Project Market in 2011) was established to connect new directors to funding sources. The 16th BIFF in 2011 saw the festival move to a new permanent home, the Busan Cinema Center in Centum City. History * 1st Busan International Film Festival, 13–21 September 1996 : Films screened: 173 films ...
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