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Kill Sound Before Sound Kills You
''Kill Sound Before Sound Kills You'' is a 2003 studio album by American electronic musician Miguel Depedro under his alias of Kid 606. The album was released by Ipecac Records on compact disc and on vinyl by Tigerbeat6. The album was recorded between 1998 and 2003 and features guest vocalist Wayne Lonesome. To promote the album, the EP ''The Illness'' was released in July 2003 as well as a music video for "The Illness" made by Joel Trussell. On its release, the album received both positive and negative reception. The more positive reviews referred to the album as the best Kid 606 album released to date while Allmusic, ''CMJ'' and Stylus Magazine referred to it as one of the best releases of 2003. Criticism came from ''Spin'' and ''The A.V. Club'' who had mixed feelings on how the album adapted the older style of electronic music. Production The music on ''Kill Sound Before Sound Kills You'' was recorded between 1998 and 2003. The majority of the songs from the album were created ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kid 606
Miguel Trost De Pedro (born July 27, 1979), better known by his stage name Kid606, is an electronic musician who was raised in San Diego and later moved to San Francisco. He is most closely associated with the glitch, IDM, hardcore techno and breakcore scenes. Kid606's music is similar to the work of his friend and colleague Lesser, as well as hardcore and IDM acts such as Atari Teenage Riot, Autechre, Mr. Oizo, and Matmos. He is primarily inspired not by his electronic contemporaries, but by his love of the industrial music, death metal, and industrial metal of the 1980s and 1990s, particularly bands like Godflesh and Napalm Death. His music is known for its high tempo breakbeats and liberal use of noise and sampling, as well as its punk aesthetic, uninhibited genre-mixing, and irreverent sense of humor. However, he is equally adept at creating more serious tracks that often reside in the realm of ambient and glitch ("Parenthood" from ''Kill Sound Before Sound Kills You'' a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound On Sound
''Sound on Sound'' is an independently owned monthly music technology magazine published by SOS Publications Group, based in Cambridge, United Kingdom. The magazine includes product tests of electronic musical performance and recording devices, and interviews with industry professionals. Due to its technical focus, it is predominantly aimed at the professional recording studio market as well as artist project studios and home recording enthusiasts. All news and articles printed in the magazine since January 1994 have also been published online via its website, often including rich media content such as video and audio files that correspond to the content of individual articles. The articles printed in the magazine before January 1994 can be found on the Mu:zines website. History The magazine was conceived, created and founded by brothers Ian and Paul Gilby in 1985, and was originally launched in 1985 on the UK Channel 4 television programme, '' The Tube'', championing the conve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Play
An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record.Official Charts Company , access-date=March 21, 2017 Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of other than 78 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rovi Corporation
TiVo Corporation, formerly known as the Rovi Corporation and Macrovision Solutions Corporation, was an American technology company. Headquartered in San Jose, California, the company is primarily involved in licensing its intellectual property within the consumer electronics industry, including digital rights management, electronic program guide software, and metadata. The company holds over 6,000 pending and registered patents. The company also provides analytics and recommendation platforms for the video industry. In 2016, Rovi acquired digital video recorder maker TiVo Inc., and renamed itself TiVo Corporation. On May 30, 2019, TiVo announced the appointment of Dave Shull as the company's new president and CEO. On December 19, 2019, TiVo merged with Xperi; the combined firm operates as ''Xperi''. History Macrovision Corporation was established in 1983. The 1984 film '' The Cotton Club'' was the first video to be encoded with Macrovision technology when it was released in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glitch Music
Glitch is a genre of electronic music that emerged in the 1990s. It is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts. The glitching sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors. Sometimes devices that were already broken are used, and sometimes devices are broken expressly for this purpose. In ''Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance-based electronic music (including house, techno, electro, drum'n'bass, and ambient) that has c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PopMatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular reviews, features, and columns. In the fall of 2005, monthly readership exceeded one million. From 2006 onward, ''PopMatters'' produced several syndicated newspaper columns for McClatchy-Tribune News Service. By 2009 there were four different pop culture related col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Hardcore
Gabber (; ) is a style of electronic dance music and a subgenre of hardcore techno, as well as the surrounding subculture. The music is more commonly referred to as Hardcore, which is characterised by fast beats, distorted & heavier kickdrums, with darker themes and samples, and was developed in Rotterdam and Amsterdam in the 1990s by producers like Marc Acardipane, Paul Elstak, DJ Rob, and The Prophet, forming record labels such as Rotterdam Records, Mokum Records, Pengo Records and Industrial Strength Records. The word "gabber" comes from Amsterdam Bargoens slang and means "friend". Gabber remains highly popular in the Netherlands, and has seen a major resurgence recent years. Gabber formed as an underground, anti-establishment movement with small, underground raves, most often illegally held in empty warehouses, basements and tunnels. Rave parties such as Thunderdome held by ID&T and Mysteryland became hugely popular, eventually becoming part of mainstream Dutch culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oldschool Jungle
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the " Amen break" or other breakbeats from funk and jazz recordings.Archived aGhostarchiveand thWayback Machine Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origin The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992/1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore Techno
Hardcore (also known as hardcore techno or hardcore house) is a genre of electronic dance music that originated in the United Kingdom, the Netherlands, Belgium and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more), the intensity of the kicks and the synthesized bass (in some subgenres), the rhythm and the atmosphere of the themes (sometimes violent), the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber. History Early 1970s to early 1980s Hardcore is rooted in the 1970s and early 1980s industrial music, specifically the elements of hard electronic dance music. Groups such as Throbbing Gristle, Coil, Cabaret Voltaire, SPK, Foetus and Einstürzende Neubauten produced music using a wide range of electronic instruments. The message diffused by industrial was then very provocative. Some of the musical sounds and experimentation of in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rave Music
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mashup (music)
A mashup (also mesh, mash up, mash-up, blend, bastard pop or bootleg) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. Such works are considered "transformative" of original content and in the United States they may find protection from copyright claims under the "fair use" doctrine of copyright law. History The 1967 Harry Nilsson album ''Pandemonium Shadow Show'' features what is nominally a cover of the Beatles' "You Can't Do That" but actually introduced the "mashup" to studio-recording. Nilsson's recording of "You Can't Do That" mashes his own vocal recreations of more than a dozen Beatles songs into this track. Nilsson conceived the combining of many overlaying songs into one track after he played a chord on his guitar and realized how many Beatles songs it could apply to. This recordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PS I Love You (album)
''PS I Love You'' is the third studio album by American electronic music artist Kid606. Recorded between 1999 and 2000, the album was released on October 17, 2000 on vinyl record and compact disc by Mille Plateaux. ''PS I Love You'' has been described by critics as a step away from the breakbeat and noise styles of previous Kid606 albums and more in line with the ambient and glitch styles that Mille Plateaux was known for in the early 2000s. It was followed up with a remix album in 2001 titled '' PS You Love Me''. Composition ''Pitchfork'' described ''PS I Love You'' as "an entry into the ambient glitch world of Mille Plateaux." AllMusic noted that it was a "significant departure from the manic breakbeats and blatant noise barrages of Kid606's preceding ''Down with the Scene''" and also compared it to the "'' clicks + cuts'' sound of Mille Plateaux circa 2000". Reception Cam Lindsay of ''Exclaim!'' noted ''PS I Love You''s shift in musical style, describing it as "almost too mel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
