Kieth Engen
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Kieth Engen
Kieth Engen (5 April 1925 – 2 September 2004) was an American operatic bass who was a member of Munich's Bavarian State Opera for decades. Although his career was based in Munich, he appeared internationally as a guest singer at major opera houses and festivals and performed and recorded many of Bach's Passion oratorios and cantatas, primarily with the conductor Karl Richter. He was born Keith Sheldon Engen in Frazee, Minnesota, and died in Murnau am Staffelsee, Germany at the age of 79. He was given the title of Kammersänger in 1962 and was a recipient of the Bavarian Order of Merit. In the mid-1950s he also had a brief parallel career as a pop singer under the pseudonym Stan Oliver. Biography Early life Engen was born in Frazee, Minnesota. He came from a musical family and acquired his love for singing as a young boy. His grandfather had been a conductor and his mother was a singer and singing teacher. He graduated from Berkeley High School and then went to the Unive ...
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Frazee, Minnesota
Frazee ( ) is a city in Becker County, Minnesota, United States. It is the second-most-populous city in Becker County. The population was 1,335 at the 2020 census. History The community was originally named Detroit and later Third Crossing before adopting its name of Frazee. With Becker County not formally organized until 1871, it was the earliest settlement in the area. The city was officially incorporated on January 6, 1891.''City history: The early years''
City of Frazee.
It was named after R. L. Frazee, owner of a sawmill. Frazee was the birthplace of (1925-2004), a noted operatic b ...
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Pavel Ludikar
Pavel Ludikar (3 March 1882 – 19 February 1970) was a Czech operatic bass who had a highly successful international singing career from 1904 through 1944. He began his career in his native country and by 1911 had arisen at many of the major opera houses in Europe. From 1913 to 1935 his career was mainly centered in North and South America. The peak of his opera career was reached at the Metropolitan Opera in New York City, where he was committed from 1926 to 1932. He returned to Europe in 1935 to assume directorship of the Neues deutsches Theatre in Prague, remaining there until the theatre was closed in September 1938 due to Nazi occupation, effectively ending his stage career. The height of his later years in Prague was his portrayal of the title hero in the world premiere of Ernst Krenek's ''Karl V'' in June 1938. One of the great singer-actors of his generation, Ludikar sang a broad repertoire of music which encompassed a total of twelve languages. He was particularly loved ...
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Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring con ...
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Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ...
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Die Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ...
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Le Nozze Di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ...
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Das Schloß (opera)
''Das Schloß'' (''The Castle'', literally: The palace) is a 1992 German-language opera by Aribert Reimann. He wrote his own libretto based on Kafka's novel and its dramatization by Max Brod. It premiered on 2 September 1992 at the Deutsche Oper Berlin, staged by Willy Decker and conducted by Michael Boder. History Aribert Reimann composed several literary operas, '' Ein Traumspiel'' after August Strindberg, ''Melusine'' after Ivan Goll, ''Lear'' after Shakespeare, '' Die Gespenstersonate'' again after Strindberg, and ''Troades'' after Euripides. For his sixth opera, Reimann turned to Kafka's novel. As in the earlier works, he wrote his own libretto, this time based on both the novel and its dramatization by Kafka's friend Max Brod. Asked in interview why he turned to the literature of a past time, he said that the topic is timeless: a stranger arrives in a community that rejects him, and an apparatus observes him. Asked about the technical difficulties of his vocal writing, he ...
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Hertha Töpper
Hertha Töpper (; 19 April 1924 – 28 March 2020) was an Austrian contralto in opera and concert, and an academic voice teacher. A member of the Bavarian State Opera, she appeared in leading roles at major international opera houses and festivals. Career Born in Graz as the daughter of a music teacher, Töpper began her singing studies at the Graz Conservatory while still at high school. In 1945, she made her operatic debut at the Graz Opera as Ulrica in Verdi's ''Un ballo in maschera''. She remained an ensemble member until 1952. The first Bayreuth Festival after World War II invited her in 1951 for Wagner's ''Ring'' cycle. Also in 1951, she first performed at the Bavarian State Opera in the title role of ''Der Rosenkavalier'' by Richard Strauss. She was a member of the Bavarian State Opera from 1952 to 1981. In 1957 took part in the world premiere of Hindemith's opera ''Die Harmonie der Welt'', and in 1972 in the premiere of Isang Yun's ''Sim Tjong''. When the Cuvielles T ...
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Bluebeard's Castle
''Duke Bluebeard's Castle'' ( hu, A kékszakállú herceg vára, link=no, or ''The Blue-Bearded Duke's Castle'') is a one-act expressionism, expressionist opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer, and is written in Hungarian, based on the French literary tale ''Bluebeard, La Barbe bleue'' by Charles Perrault. The opera lasts only a little over an hour and there are just two singing characters onstage: Bluebeard (), and his new wife Judith (); the two have just eloped and Judith is coming home to Bluebeard's castle for the first time. ''Bluebeard's Castle'', András Szőllősy, Sz. 48, was composed in 1911 (with modifications made in 1912 and a new ending added in 1917) and first performed on 24 May 1918 at the Royal Hungarian Opera House in Budapest. Universal Edition published the vocal (1921) and full score (1925). The Boosey & Hawkes full score includes only the German and English singing translations ...
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Marcel Prawy
__NOTOC__ Marcel Prawy (birth name: ''Marcel Horace Frydmann, Ritter von Prawy'') (born 29 December 1911, in Vienna – died 23 February 2003, in Vienna) was an Austrian dramaturg, opera connoisseur and opera critic. He was born into a Jewish Austro-Hungarian noble family and studied law, but his life belonged to the opera. He became secretary of the tenor Jan Kiepura and they both emigrated to the United States when persecution of the Austrian Jews became unbearable in the late 1930s. With the help of his confidante Mártha Eggerth (Jan Kiepura’s wife), Prawy became acquainted with American musicals and music in general. After the end of the Second World War, Prawy returned to Vienna and brought with him the musical ''Kiss Me, Kate''. It was received by the Viennese with great reservation as they feared the arrival of the American-style musical would spell the end of the traditional Viennese operetta. Nonetheless, Prawy succeeded, and was considered henceforth as the one wh ...
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United States Information Service
The United States Information Agency (USIA), which operated from 1953 to 1999, was a United States agency devoted to "public diplomacy". In 1999, prior to the reorganization of intelligence agencies by President George W. Bush, President Bill Clinton assigned USIA's cultural exchange and non-broadcasting intelligence functions to the newly created Under Secretary of State for Public Diplomacy and Public Affairs at the U.S. Department of State. USIA's broadcasting functions were moved to the newly created Broadcasting Board of Governors. The agency was previously known overseas as the United States Information Service (USIS) of the U.S. Embassy; the current name, the Public Diplomacy and Public Affairs, is sometimes translated as the Public Relations and Cultural Exchange Agency. Former USIA Director of TV and Film Service Alvin Snyder recalled in his 1995 memoir that "the U.S. government ran a full-service public relations organization, the largest in the world, about the size ...
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Burgtheater
The Burgtheater (literally:"Castle Theater" but alternatively translated as "(Imperial) Court Theater"), originally known as '' K.K. Theater an der Burg'', then until 1918 as the ''K.K. Hofburgtheater'', is the national theater of Austria in Vienna. It is the most important German-language theater and one of the most important theatres in the world. aeiou-Burgtheater "Burgtheater" (history)
''Encyclopedia of Austria'', Aeiou Project, 1999
The Burgtheater was opened in 1741 and has become known as ''"die Burg"'' by the Viennese population; its theater company has created a traditional style and speech typical of Burgtheater performances.


History

The original Burgtheater was set up in a