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Khandua
Khandua (Also Maniabandi or Kataki) is a traditional "bandha" or ikat sari produced from Odisha worn by women during wedding and a special type of which is worn by Jagannath. The clothes contain texts of Gita Govinda on them. ''Kenduli Khandua'', a special form of Khandua of 12 ft and 2 ''kani'' (each ''kani'' measures the length of a hand) is offered to Jagannath to wear as khandua with stanzas and illustration from Gita Govinda. Etymology The word ''Khandua'' in Odia translates to the cloth worn in the lower half of the body. Traditionally Kentuli Khandua is offered to Jagannath as lower cloth. Due to the place of origin is Cuttak and Maniabandha, the other two names ''Kataki'' and ''Maniabandhi'' are originated. History Weaver communities of Maniabandha and Nuapatana of Cuttack traditionally weave this kind of pata. During the rule of Gajapatis Sarees are made and transported to Jagannath Temple. Nilakantha Deva, the king of Badakhemundi was offered ''khandua sari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sari
A sari (sometimes also saree or shari)The name of the garment in various regional languages include: * as, শাৰী, xārī, translit-std=ISO * bn, শাড়ি, śāṛi, translit-std=ISO * gu, સાડી, sāḍī, translit-std=ISO * hi, साड़ी, sāṛī, translit-std=ISO * kn, ಸೀರೆ, sīre, translit-std=ISO * knn, साडी, कापड, चीरे, sāḍī, kāpaḍ, cīrē, translit-std=ISO * ml, സാരി, sāri, translit-std=ISO * mr, साडी, sāḍī, translit-std=ISO * ne, सारी, sārī, translit-std=ISO * or, ଶାଢ଼ୀ, śāṛhī, translit-std=ISO * pa, ਸਾਰੀ, sārī, translit-std=ISO * ta, புடவை, puṭavai, translit-std=ISO * te, చీర, cīra, translit-std=ISO * ur, ساڑى, sāṛī, translit-std=ISO is a women's garment from the Indian subcontinent, that consists of an un-stitched stretch of woven fabric arranged over the body as a robe, with one end tied to the waist, while ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saris
A sari (sometimes also saree or shari)The name of the garment in various regional languages include: * as, শাৰী, xārī, translit-std=ISO * bn, শাড়ি, śāṛi, translit-std=ISO * gu, સાડી, sāḍī, translit-std=ISO * hi, साड़ी, sāṛī, translit-std=ISO * kn, ಸೀರೆ, sīre, translit-std=ISO * knn, साडी, कापड, चीरे, sāḍī, kāpaḍ, cīrē, translit-std=ISO * ml, സാരി, sāri, translit-std=ISO * mr, साडी, sāḍī, translit-std=ISO * ne, सारी, sārī, translit-std=ISO * or, ଶାଢ଼ୀ, śāṛhī, translit-std=ISO * pa, ਸਾਰੀ, sārī, translit-std=ISO * ta, புடவை, puṭavai, translit-std=ISO * te, చీర, cīra, translit-std=ISO * ur, ساڑى, sāṛī, translit-std=ISO is a women's garment from the Indian subcontinent, that consists of an un-stitched stretch of woven fabric arranged over the body as a robe, with one end tied to the waist, while ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ikat
''Ikat'' (in Indonesian languages means "bind") is a dyeing technique originating from Indonesia used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. In ''ikat'', the resist is formed by binding individual yarns or bundles of yarns with a tight wrapping applied in the desired pattern. The yarns are then dyed. The bindings may then be altered to create a new pattern and the yarns dyed again with another colour. This process may be repeated multiple times to produce elaborate, multicolored patterns. When the dyeing is finished all the bindings are removed and the yarns are woven into cloth. In other resist-dyeing techniques such as tie-dye and ''batik'' the resist is applied to the woven cloth, whereas in ikat the resist is applied to the yarns before they are woven into cloth. Because the surface design is created in the yarns rather than on the finished cloth, in ikat both fabric faces are patterned. A characteristic of ''ik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dresses
A dress (also known as a frock or a gown) is a garment traditionally worn by women or girls consisting of a skirt with an attached bodice (or a matching bodice giving the effect of a one-piece garment). It consists of a top piece that covers the torso and hangs down over the legs. A dress can be any one-piece garment containing a skirt of any length, and can be formal or casual. A dress can have sleeves, straps, or be held up with elastic around the chest, leaving the shoulders bare. Dresses also vary in color. The hemlines of dresses vary depending on modesty, weather, fashion or the personal taste of the wearer. Overview Dresses are outer garments made up of a bodice and a skirt and can be made in one or more pieces. Dresses are generally suitable for both formal wear and casual wear in the West for women and girls. Historically, dresses could also include other items of clothing such as corsets, kirtles, partlets, petticoats, smocks, and stomachers. History 11t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geographical Indications In Odisha
Geography (from Greek: , ''geographia''. Combination of Greek words ‘Geo’ (The Earth) and ‘Graphien’ (to describe), literally "earth description") is a field of science devoted to the study of the lands, features, inhabitants, and phenomena of Earth. The first recorded use of the word γεωγραφία was as a title of a book by Greek scholar Eratosthenes (276–194 BC). Geography is an all-encompassing discipline that seeks an understanding of Earth and its human and natural complexities—not merely where objects are, but also how they have changed and come to be. While geography is specific to Earth, many concepts can be applied more broadly to other celestial bodies in the field of planetary science. One such concept, the first law of geography, proposed by Waldo Tobler, is "everything is related to everything else, but near things are more related than distant things." Geography has been called "the world discipline" and "the bridge between the human and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sambalpuri Sari
A Sambalpuri sari is a traditional handwoven ''bandha'' (Odisha Ikat, ikat) sari (locally called ''"sambalpuri bandha"'' sadhi or saree) wherein the warp and the weft are tie-dyed before weaving. It is produced in the Sambalpur district, Sambalpur, Balangir district, Balangir, Bargarh district, Bargarh, Boudh district, Boudh and Sonepur district, Sonepur districts of Odisha, India. The sari is a traditional female garment in the Indian subcontinent consisting of a strip of unstitched cloth ranging from four to nine metres in length that is draped over the body in various styles.Alkazi, Roshan (1983) "Ancient Indian costume", Art Heritage; Ghurye (1951) "Indian costume", Popular book depot (Bombay); Boulanger, Chantal; (1997) Sambalpuri saris are known for their incorporation of traditional motifs like shankha (shell), chakra (wheel), phula (flower), all of which have deep symbolism with the native Odia colour red black and white represent true Odia Culture along with Lord Jagann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumbha
A kumbha ( sa, कुम्भ) is a type of pottery in India. Traditionally, it is made by Kumbhars, also known as ''Prajapati''s. In the context of Hindu, Jain and Buddhist mythology, the kumbha symbolises the womb. It represents fertility, life, generative power of human beings and sustenance and is generally associated with devis, particularly Ganga. Quote: The Kumbha: After the ''Makara'', Ganga's most distinctive sculptural feature is the full vase, first appearing with the river goddess on the same Varaha cave frieze from Udaygiri. Although not common in the early stages of the Ganga image, the full vase appears more and more frequently as the Ganga theme reaches maturity. Mythological origin According to Hindu mythology, the first kumbha was created by Prajapati on the occasion of the marriage of Shiva, so he was first ''kumbhara'' "potter". [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deula
Deula ( ''deuḷa'') is an architectural element in a Hindu temple in the Kalinga architecture style of the Odishan temples in Eastern India. Sometimes the whole temple is also referred to as ''Deula''. The word "deula" in Odia language means a building structure built with a particular style that is seen in most of the temples from Odisha. ''Deul'' is also used in English, though the deul temples are also of a different form in the Manbhum region of Western Bengal. There are three types of ''Deulas'':http://orissa.gov.in/e-magazine/Orissareview/nov2005/engpdf/Orissan_Temple_Architecture.pdf p. 45-47 In terms of the general north Indian terminology, the Rekha Deula (rekha deul) is the sanctuary and the tower over it, respectively the garbhagriha and the shikhara, the Pidha Deula (pida deul) is the mandapa where the faithful are present. The Khakhara deula is an alternative form of tower over the sanctuary, which in shape resembles the oblong gopuram temple gatehouses in southern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nabagunjara
Navagunjara or Nabagunjara is a mythical creature composed of nine different animals in Hinduism. The animal is a common motif in the Pata-Chitra style of painting, of the Indian state of Odisha. The beast is considered a form of the god Vishnu, or of Krishna, who is considered an avatar of Vishnu. It is considered a variant of the '' virat-rupa'' (omnipresent or vast) form of Krishna, that he displays to Arjuna, as mentioned in the Bhagavad Gita, a part of the epic Mahabharata. Literature The version of the Hindu epic '' Mahabharata'', written by the Odia poet Sarala Dasa, narrates the legend of Navagunjara; no other version has the story. Once, when Arjuna was doing penance on a hill, Krishna-Vishnu appears to him as Navagunjara. Navagunjara has the head of a rooster, and stands on three feet, those of an elephant, tiger and deer or horse; the fourth limb is a raised human arm carrying a lotus or a wheel. The beast has the neck of a peacock, the back or hump of a b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shorea Robusta
''Shorea robusta'', the sal tree, sāla, shala, sakhua, or sarai, is a species of tree in the family Dipterocarpaceae. The tree is native to India, Bangladesh, Nepal, Tibet and across the Himalayan regions . Evolution Fossil evidence from lignite mines in the Indian states of Rajasthan and Gujarat indicate that sal trees (or at least a closely related ''Shorea'' species) have been a dominant tree species of forests of the Indian subcontinent since at least the early Eocene (roughly 49 million years ago), at a time when the region otherwise supported a very different biota from the modern day. Evidence comes from the numerous amber nodules in these rocks, which originate from the dammar resin produced by the sal trees. Description ''Shorea robusta'' can grow up to tall with a trunk diameter of . The leaves are 10–25 cm long and 5–15 cm broad. In wetter areas, sal is evergreen; in drier areas, it is dry-season deciduous, shedding most of the leaves from February t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddha
Siddhartha Gautama, most commonly referred to as the Buddha, was a śramaṇa, wandering ascetic and religious teacher who lived in South Asia during the 6th or 5th century BCE and founded Buddhism. According to Buddhist tradition, he was born in Lumbini, in what is now Nepal, to royal parents of the Shakya clan, but Great Renunciation, renounced his Householder (Buddhism), home life to live as a wandering ascetic ( sa, śramaṇa). After leading a life of begging, asceticism, and meditation, he attained Enlightenment in Buddhism, enlightenment at Bodh Gaya in what is now India. The Buddha thereafter wandered through the lower Indo-Gangetic Plain, teaching and building a Sangha, monastic order. He taught a Middle Way between sensual indulgence and severe asceticism, leading to Nirvana (Buddhism), Nirvana, that is, Vimutti, freedom from Avidyā (Buddhism), ignorance, Upādāna, craving, Saṃsāra (Buddhism), rebirth, and suffering. His teachings are summarized in the Noble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Badakhemundi Estate
Badakhemundi estate, also known as Pedda Khimedi estate, was a zamindari in the Ganjam district in the British period. It was an offshoot of Parlakhemundi. It had an area of 505 km2 and a population of 40,650 inhabitants (1871) in 194 villages. History The Khemundi kingdom, consisting of Parlakhemundi, Badakhemundi and Sanakhemundi, was under a single ruler until 1550, following which the Raja of Parlakhemundi, Subarnalinga Bhanu Deba granted parts of the Khemundi areas to his son Ananga Kesari Ramachandra Deba, whose son Chodanga Deba in turn divided the zamindari among his sons, splitting into two branches, with his eldest son Narasingha Deba inheriting Badakhemundi and the younger son Biswanath Deba inheriting Sanakhemundi in 1608. Two scions, Chandradeva Jenamani and Udhavadeva Jenamani of the Badakhemundi family were also instrumental in the foundation of the princely state of Hindol in 1554. Bodhchandra Singh, the last raja of the Manipur kingdom The Manipur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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