Khalili Collection Of Kimono
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Khalili Collection Of Kimono
The Khalili Collection of Kimono is a private collection of Japanese kimono assembled by the British-Iranian scholar, collector and philanthropist Nasser D. Khalili, containing more than 450 items. It is one of eight collections assembled, published and exhibited by Khalili, each of which is considered to be among the most important collections within their respective fields. The Khalili Collection of Kimono includes formal, semi-formal, and informal kimono made for men, women, and children, illustrating the evolution of the kimono through cut, construction, materials, and decorative techniques from the 17th through the 20th centuries, with kimono representing the Edo period, the Meiji period, the Taishō period, and the Shōwa period. The kimono within the collection are not on permanent display, but are periodically lent or donated in part to cultural institutions; including the Kremlin Museums in Moscow and the Victoria and Albert Museum in London. Khalili, who also owns a ...
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Furisode
A is a style of kimono distinguishable by its long sleeves, which range in length from for a , to for an . are the most formal style of kimono worn by young women in Japan. The sleeves, like all women's kimono, are attached to the body of the kimono only at the shoulder, with the inner edge left open past the shoulder. This both allows the underkimono () to show when worn, and also allows the to be tied around the body above the hips. , like other formal kimono, are mostly made from silk, and are decorated in bright colours to reflect the wearer's youth. are often either rented or bought by parents for their daughters to wear on Coming of Age Day in the year they turn 20. In previous decades, in particular before WWII, only young unmarried women wore , as marriage signified the end to a woman's single youth and the beginning of her transition into married life; higher rates of marriage at a younger age left few women unmarried past their mid-twenties, meaning that were ...
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Three Friends Of Winter
The Three Friends of Winter is an art motif that comprises the pine, bamboo, and plum. . The Chinese celebrated the pine, bamboo and plum together, as they observed that these plants do not wither as the cold days deepen into the winter season unlike many other plants. Known by the Chinese as the ''Three Friends of Winter'', they later entered the conventions of East Asian culture and Vietnamese culture. Together they symbolize steadfastness, perseverance, and resilience. They are highly regarded in Confucianism and as such represent the scholar-gentleman's ideal. History The Three Friends of Winter are common in works of art from Chinese culture and those cultures influenced by it. The three are first recorded as appearing together in a ninth-century poem by the poet Zhu Qingyu () of the Tang dynasty. The Southern Song dynasty artist Zhao Mengjian (, c. 1199–1264), among others of the time, made this grouping popular in painting. The actual term "Three Friends of Winter" ca ...
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Shōgun
, officially , was the title of the military dictators of Japan during most of the period spanning from 1185 to 1868. Nominally appointed by the Emperor, shoguns were usually the de facto rulers of the country, though during part of the Kamakura period, shoguns were themselves figureheads, with real power in hands of the Shikken of the Hōjō clan. The office of shogun was in practice hereditary, though over the course of the history of Japan several different clans held the position. The title was originally held by military commanders during Heian period in the eighth and ninth centuries. When Minamoto no Yoritomo gained political ascendency over Japan in 1185, the title was revived to regularize his position, making him the first shogun in the usually understood sense. The shogun's officials were collectively referred to as the ; they were the ones who carried out the actual duties of administration, while the Imperial court retained only nominal authority.Beasley, William ...
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Japanese War Fan
The Japanese war fan, or ''tessen'' ( ja, 鉄扇,てっせん, tessen, translation="iron fan"), is a weaponized Japanese hand fan designed for use in warfare. Several types of war fans were used by the samurai class of feudal Japan and each had a different look and purpose. Description War fans varied in size, materials, shape, and use. One of the most significant uses was as a signalling device. Signalling fans came in two varieties: * a folding fan that has wood or metal ribs with lacquered paper attached to the ribs and a metal outer cover * a solid open fan made from metal and/or wood, very similar to the ''gunbai'' used today by sumo referees. The commander would raise or lower his fan and point in different ways to issue commands to the soldiers, which would then be passed on by other forms of visible and audible signalling.Oscar Ratti, Adele Westbrook, ''Secrets of the Samurai: A Survey of the Martial Arts of Feudal Japan'', p.296-304 War fans could also be used as weap ...
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Indigo Dye
Indigo dye is an organic compound with a distinctive blue color. Historically, indigo was a natural dye extracted from the leaves of some plants of the ''Indigofera'' genus, in particular '' Indigofera tinctoria''; dye-bearing ''Indigofera'' plants were commonly grown and used throughout the world, in Asia in particular, as an important crop, with the production of indigo dyestuff economically important due to the previous rarity of some blue dyestuffs historically. Most indigo dye produced today is synthetic, constituting several thousand tons each year. It is most commonly associated with the production of denim cloth and blue jeans, where its properties allow for effects such as stone washing and acid washing to be applied quickly. Uses The primary use for indigo is as a dye for cotton yarn, mainly used in the production of denim cloth suitable for blue jeans; on average, a pair of blue jeans requires just to of dye. Smaller quantities are used in the dyeing of wool ...
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Ramie
Ramie (pronounced: , ; from Malay ) is a flowering plant in the nettle family Urticaceae, native to eastern Asia. It is a herbaceous perennial growing to tall;Ramie: Old Fiber - New ImageArchived copy
at the (September 17, 2002).
the leaves are heart-shaped, long and broad, and white on the underside with dense, small hairs—this gives it a silvery appearance; unlike

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Safflower
Safflower (''Carthamus tinctorius'') is a highly branched, herbaceous, thistle-like annual plant in the family Asteraceae. It is commercially cultivated for vegetable oil extracted from the seeds and was used by the early Spanish colonies along the Rio Grande as a substitute for saffron. Plants are tall with globular flower heads having yellow, orange, or red flowers. Each branch will usually have from one to five flower heads containing 15 to 20 seeds per head. Safflower is native to arid environments having seasonal rain. It grows a deep taproot which enables it to thrive in such environments. Biology Plant morphology Safflower is a fast growing, erect, winter/spring-growing annual herb, that resembles a thistle. Originating from a leaf rosette emerges a branched central stem (also referred to as terminal stem), when day length and temperature increase. The main shoot reaches heights of . The plant also develops a strong taproot, growing as deep as . First later ...
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Iki (aesthetics)
is a Japanese aesthetical concept thought to have originated amongst the merchant classes of Edo (modern-day Tokyo) in Edo period Japan.Nussbaum, Louis-Frédéric. (2005). "''Iki'' in ; n.b., Louis-Frédéric is pseudonym of Louis-Frédéric Nussbaum, ''see'Deutsche Nationalbibliothek Authority File. came to prominence within the context of the official social hierarchy of Edo-period Japan, subverting class through an expression of material wealth that formed an aesthetic language specifically aimed at one's peers – typically those within the merchant classes. Sometimes misunderstood in the West as the archetypal or stereotypical aesthetics of Japanese culture, refers to a distinct aesthetic ideal of subdued displays of taste and/or wealth, with an emphasis on belying, on first glance, the efforts – monetary or otherwise – taken to appear stylish. , having come into prominence around the same as many other now-traditional artforms, remains a cornerstone of aesthe ...
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Embroidery
Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, scarfs, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour. Some of the basic techniques or stitches of the earliest embroidery are chain stitch, buttonhole or blanket stitch, running stitch, satin stitch, and cross stitch. Those stitches remain the fundamental techniques of hand embroidery today. History Origins The process used to tailor, patch, mend and reinforce cloth fostered the development of sewing techniques, and the decorative possibilities of sewing led to the art of embroidery. Indeed, the remarkable stability of basic embroidery stitches has been noted: The art of embroidery has been found world ...
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Dyeing
Dyeing is the application of dyes or pigments on textile materials such as fibers, yarns, and fabrics with the goal of achieving color with desired color fastness. Dyeing is normally done in a special solution containing dyes and particular chemical material. Dye molecules are fixed to the fiber by absorption, diffusion, or bonding with temperature and time being key controlling factors. The bond between dye molecule and fiber may be strong or weak, depending on the dye used. Dyeing and printing are different applications; in printing, color is applied to a localized area with desired patterns. In dyeing, it is applied to the entire textile. The primary source of dye, historically, has been nature, with the dyes being extracted from animals or plants. Since the mid-19th century, however, humans have produced artificial dyes to achieve a broader range of colors and to render the dyes more stable to washing and general use. Different classes of dyes are used for different t ...
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Chōnin
was a social class that emerged in Japan during the early years of the Tokugawa period. In the social hierarchy, it was considered subordinate to the samurai warrior class. Social Class The ''chōnin'' emerged in ''joka-machi'' or castle towns during the sixteenth century. The majority of ''chōnin'' were merchants, but some were craftsmen. were not considered ''chōnin''. Later, peasants, servants, and workers were also considered members of the social class. While ''chōnin'' are not as well known to non-Japanese as other social classes in Japan, they played a key role in the development of Japanese cultural products such as ''ukiyo-e'', '' rakugo'', and handicrafts. Aesthetic ideals such as ''iki'', ''tsū'', and '' wabi-sabi'' were also developed among the ''chōnin''. This association with cultural development emerged as a way for members of the class to break the strict social barriers that prevented individuals from ascending in the social hierarchy. Members of ...
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Samurai
were the hereditary military nobility and officer caste of History of Japan#Medieval Japan (1185–1573/1600), medieval and Edo period, early-modern Japan from the late 12th century until their abolition in 1876. They were the well-paid retainers of the ''daimyo'' (the great feudal landholders). They had high prestige and special privileges such as wearing Daishō, two swords and ''Kiri-sute gomen'' (right to kill anyone of a lower class in certain situations). They cultivated the ''bushido'' codes of martial virtues, indifference to pain, and unflinching loyalty, engaging in many local battles. Though they had predecessors in earlier military and administrative officers, the samurai truly emerged during the Kamakura shogunate, ruling from 1185 to 1333. They became the ruling political class, with significant power but also significant responsibility. During the 13th century, the samurai proved themselves as adept warriors against the invading Mongols. During the peaceful Edo ...
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