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Kerala Natanam
Kerala Natanam (കേരള നടനം) (Kerala Dance) is a new style of dance that is now recognised as a distinct art form evolved from Kathakali, a form of Indian dance-drama. The Indian dancer Guru Gopinath (ഗുരു ഗോപിനാഥ്) a well-trained Kathakali artist and his wife Thankamani Gopinath who was the first student of Mohiniyattam in Kerala Kalamandalam developed a unique structure for teaching and performing classical dance forms of India whose origins are from Kathakali. Solo, duets, dance dramas and traditional folk dances were the material they chose. Guru Gopinath and Thankamani's dance programs found traditional pieces existing side by side with those modified to present a variety of themes. Their style relied heavily on the '' angika abhinaya'' (body movements and gestures) and '' satvika abhinaya'' (facial expressions) from Kathakali. The major stance of Kathakali was changed by Gopinath to a more convenient pose that could rest well wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerala
Kerala ( ; ) is a state on the Malabar Coast of India. It was formed on 1 November 1956, following the passage of the States Reorganisation Act, by combining Malayalam-speaking regions of the erstwhile regions of Cochin, Malabar, South Canara, and Thiruvithamkoor. Spread over , Kerala is the 21st largest Indian state by area. It is bordered by Karnataka to the north and northeast, Tamil Nadu to the east and south, and the Lakshadweep Sea to the west. With 33 million inhabitants as per the 2011 census, Kerala is the 13th-largest Indian state by population. It is divided into 14 districts with the capital being Thiruvananthapuram. Malayalam is the most widely spoken language and is also the official language of the state. The Chera dynasty was the first prominent kingdom based in Kerala. The Ay kingdom in the deep south and the Ezhimala kingdom in the north formed the other kingdoms in the early years of the Common Era (CE). The region had been a prominent spic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tribhanga
Tribhaṅga or Tribunga is a standing body position or stance used in traditional Indian art and Indian classical dance forms like the Odissi, where the body bends in one direction at the knees, the other direction at the hips and then the other again at the shoulders and neck. The pose goes back at least 2,000 years in Indian art, and has been highly characteristic for much of this period, "found repeated over and over again in countless examples of Indian sculpture and painting". Indian religions carried it to East and South-East Asia. Like the equivalent contrapposto and "S Curve" poses in Western art, it suggests movement in figures and gives "rhythmic fluidity and ... youthful energy". The word derives from Sanskrit, where ''bhanga'' (or ''bhangha'') is the word for an attitude or position, with ''tri'' meaning "triple", making "triple-bend position". Other poses described in old texts on dance were ''samabhanga'' for the "figure in equipoise", whether standing, si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru Chandrasekharan
Guru Chandrasekharan (1916–1998) was an Indian classical dancer, choreographer and instructor of Kathakali. He was born in Trivandrum, India in 1916. His father was N.K. Nair, an artist and notable oil painter. Guru Chandrasekharan held tenure at the Visva Bharati University (Santiniketan) from 1947 to 1950, where he was a Professor of Classical Dance, focusing on Kathakali. Early life and training While studying at university, the young Chandrasekharan started practising dance without informing his parents and studied Kathakali Kerala Nadanam under the guidance of Guru Gopinath. During that period Guru Gopinath received Royal Patronage from the Palace of Travancore and a dance studio titled 'Sri. Chithrodaya Nirtha Kalalayam' was established by the Travancore Government in Poojappura in his honour. Chandrasekharan was a student of that school. Career Having left Guru Gopinath after some time, Chandrasekharan practised Kathakal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hunter
Hunting is the human activity, human practice of seeking, pursuing, capturing, or killing wildlife or feral animals. The most common reasons for humans to hunt are to harvest food (i.e. meat) and useful animal products (fur/hide (skin), hide, bone/tusks, horn (anatomy), horn/antler, etc.), for recreation/taxidermy (see trophy hunting), to remove predators dangerous to humans or domestic animals (e.g. wolf hunting), to pest control, eliminate pest (organism), pests and nuisance animals that damage crops/livestock/poultry or zoonosis, spread diseases (see varmint hunting, varminting), for trade/tourism (see safari), or for conservation biology, ecological conservation against overpopulation and invasive species. Recreationally hunted species are generally referred to as the ''game (food), game'', and are usually mammals and birds. A person participating in a hunt is a hunter or (less commonly) huntsman; a natural area used for hunting is called a game reserve; an experienced hun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snake Charmer
Snake charming is the practice of appearing to hypnotize a snake (often a cobra) by playing and waving around an instrument called a pungi. A typical performance may also include handling the snakes or performing other seemingly dangerous acts, as well as other street performance staples, like juggling and sleight of hand. The practice was historically the profession of some tribesmen in India well into the 20th century but snake charming declined rapidly after the government banned the practice in 1972. Snake-charmer performances still happen in other Asian nations such as Pakistan, Bangladesh, Sri Lanka, Thailand and Malaysia. The tradition is also practiced in North African countries of Egypt, Morocco, and Tunisia. Ancient Egypt was home to one form of snake charming, though the practice as it exists today likely arose in India. It eventually spread throughout Southeast Asia, the Middle East, and North Africa. Despite a sort of golden age in the 20th century, snake ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Srikrishna
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the ''Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the ''Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a divine her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesus Christ
Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and religious leader; he is the central figure of Christianity, the world's largest religion. Most Christians believe he is the incarnation of God the Son and the awaited Messiah (the Christ) prophesied in the Hebrew Bible. Virtually all modern scholars of antiquity agree that Jesus existed historically. Research into the historical Jesus has yielded some uncertainty on the historical reliability of the Gospels and on how closely the Jesus portrayed in the New Testament reflects the historical Jesus, as the only detailed records of Jesus' life are contained in the Gospels. Jesus was a Galilean Jew who was circumcised, was baptized by John the Baptist, began his own ministry and was often referred to as "rabbi". Jesus debated with fellow Jews on ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satvika Abhinaya
Sattva (Sanskrit: सत्त्व, meaning ''honesty'') is one of the three guṇas or "modes of existence" (tendencies, qualities, attributes), a philosophical and psychological concept understood by the Samkhya school of Hindu philosophy.James G. Lochtefeld, "Sattva", in ''The Illustrated Encyclopedia of Hinduism'': A–M, Vol. 2, Rosen Publishing, , p. 608 The other two qualities are ''rajas'' (passion and activity) and '' tamas'' (destruction, chaos). ''Sattva'' is the quality of goodness, positivity, truth, serenity, balance, peacefulness, and virtuousness that is drawn towards Dharma and '' Jnana'' (knowledge).Ian Whicher (1998), ''The Integrity of the Yoga Darśana'', State University of New York Press, pp. 86–87, 124–125, 163–167, 238–243 Hinduism In Samkhya philosophy, a is one of three "tendencies, qualities": sattva, rajas and tamas. This category of qualities has been widely adopted by various schools of Hinduism for categorizing behavior and natural phe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathakali
Kathakali ( ml, കഥകളി) is a major form of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colourful make-up and costumes of the traditional male actor-dancers. It is native to the Malayalam-speaking southwestern region of Kerala and is almost entirely practiced and appreciated by Malayali people. Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Krishnanattam and religious drama of the kingdom of the Zamorin of Calicut) southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South Ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angika Abhinaya
Angika (also known as ''Anga'', ''Angikar'' or ''Chhika-Chhiki'') is an Eastern Indo-Aryan language spoken in some parts of the Indian states of Bihar and Jharkhand, as well as in parts of Nepal. It is closely related to languages such as Maithili, Bengali, Bhojpuri and Magahi. Territory Angika is mainly spoken in south-eastern Bihar, including Munger, Bhagalpur and Banka districts; and the Santhal Pargana division of Jharkhand. Its speakers number around 15 million people. Apart from Bihar and Jharkhand states of India, it is also spoken in the Morang district of Nepalese Terai as a minority language. 1.9% people of Morang returned Angika as their mother tongue during the 2011 Nepal census. Relationship to Maithili Angika was classified as a dialect of Maithili by George A. Grierson in the ''Linguistic Survey of India'' (1903). However, the Angika speakers now assert its status as an independent language. When the proponents of the Maithili language in Bihar demanded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalamandalam
Kerala Kalamandalam, deemed to be University of Art and Culture by the Government of India, is a major center for learning Indian performing arts, especially those that developed in the Southern states of India, with the special emphasis on Kerala. It is situated in the small town of Cheruthuruthy in Thrissur, Thrissur District on the banks of the Bharathapuzha river. History The inception of Kalamandalam gave a second life to three major classical dance performing arts of Kerala as Kathakali, Kudiyattam and Mohiniyattam were, by the turn of the 20th century, facing the threat of extinction under various regulations of the colonial authorities. It was at this juncture, in 1927, that Vallathol Narayana Menon and Mukunda Raja came forward and formed a society called Kerala Kalamandalam. They solicited donations from the public and conducted a lottery in order to raise funds for this society. Kerala Kalamandalam was inaugurated in November 1930 at Kunnamkulam, Kakkad, and was lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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