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Keplok
Keplok is a style of clapping used in Javanese gamelan. The clapping is in a specific interlocking rhythmic pattern and is performed by the gerong when they are not singing. It is usually associated with the lively ciblon (Surakarta) or batangan (Yogyakarta) drumming. Usually one person claps on the on-beats while another claps on the off-beats, and then another pair clap a similar pattern at half the tempo. This interlocking pattern is similar to the imbal patterns played on the saron. Keplok is often performed along with senggakan Alok is an Indian given name of Sanskrit origin. People with the given name Alok * Alok (DJ) (born 1991), Brazilian DJ and music producer *Alok Bhargava (born 1954), Indian-American econometrician * Alok R. Chaturvedi, Professor of Information Syst .... Further reading *Pickvance, Richard (2005). ''A Gamelan Manual: A Player's Guide to the Central Javanese Gamelan'', p. 213. . Gamelan instruments Gamelan theory Body percussion {{Indone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerong
''Gerong'' ( jv, ꦒꦼꦫꦺꦴꦁ, translit=gerong) is the Javanese verb meaning "to sing in a chorus." ''Penggerong'' is the proper name of a member of the chorus, but often the word gerong is used to refer to the unison male chorus that sings with the gamelan. The chorus or the melody may also be called the gerongan. The gerong generally sings in distinct sections of a gamelan composition. Certain standard texts in Javanese poetic meters of various structures are used in many compositions; some are based in Javanese poetic forms known as macapat. Some pieces have specific texts written for them, but this is often a special treatment. Female singers are referred to as ''pesindhen'', and may sing in a separate group, a combined group with the men, or as a solo female voice, with or without a male chorus. A gerong part is different from that of a single female singer sindhen, in that the chorus must sing together, and is generally more connected to the steady pulse of the underl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clapping
A clap is the percussive sound made by striking together two flat surfaces, as in the body parts of humans or animals. Humans clap with the palms of their hands, often quickly and repeatedly to express appreciation or approval (see applause), but also in rhythm as a form of body percussion to match the sounds in music, dance, chants, hand games, and clapping games. Some people slap the back of one hand into the palm of the other hand to signify urgency or enthusiasm. This act may be considered uncouth by others. Clapping is used in many forms of music. In American music, clapping is popular in Gospel, Doo-wop and early Pop. In flamenco and sevillanas, two Spanish musical genres, clapping is called '' palmas'' and often sets the rhythm and is an integral part of the songs. A sampled or synthesized clap is also a staple of electronic and pop music. Musical works that include clapping Classical works performed entirely by clapping * Steve Reich, ''Clapping Music'' (1972) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ciblon
Kendang or Gendang ( jv, ꦏꦼꦤ꧀ꦝꦁ, translit=Kendhang, su, ᮊᮨᮔ᮪ᮓᮀ, translit=Kendang, ban, ᬓᬾᬦ᭄ᬤᬂ, translit=Kendang, Tausug/Bajau Maranao: ''Gandang'', Bugis: ''Gendrang'' and Makassar: ''Gandrang'' or ''Ganrang'' ) is a two-headed drum used by people from the Indonesian Archipelago. Kendang is one of the primary instruments used in the Gamelan ensembles of Javanese, Sundanese, and Balinese, the Kendang ensemble as well as various Kulintang ensembles in Indonesia, Brunei, Malaysia, Singapore, and the Philippines. It is constructed in a variety of ways by different ethnic groups. It is a relation to the Indian mridangam double-headed drum. Overview The typical double-sided membrane drums are known throughout Maritime Southeast Asia and India. One of the oldest image of kendang can be found in ancient temples in Indonesia, especially the ninth century Borobudur and Prambanan temple. Among the Javanese, Sundanese, and Balinese, the has o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Batangan
Batangas Tagalog (also known as Batangan or Batangueño ) is a dialect of the Tagalog language spoken primarily in the province of Batangas and in portions of Cavite, Quezon, Laguna and on the island of Mindoro. It is characterized by a strong accent and a vocabulary and grammar closely related to Old Tagalog. Grammar The most obvious difference is the use of the passive imperfect in place of the present progressive tense. In Manila, this is done by inserting the infix ''-um-'' after the first syllable and repeating the first syllable. In the Batangan dialect, this form is created by adding the prefix ''na-'' to the word. This conjugation is odd, because it would be the passive past to Manileños. The answer to ''Nasaan si Pedro?'' (Where is Pedro?) is ''Nakain ng isda!'' (He's eating a fish!). To those unfamiliar with this usage, the statement might mean "He was eaten by a fish!"; however, a Batangas Tagalog user can distinguish between the two apparently-identical forms b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imbal
''Imbal'' () or ''imbalan'' (''imbal-imbalan'', ''demung imbal'') is a technique used in Indonesian Javanese gamelan. It refers to a rapid alternation of a melodic line between instruments, in a way similar to hocket in medieval music or ''kotekan'' in Balinese gamelan. "A style of playing in which two identical or similar instruments play interlocking parts forming a single repetitive melodic pattern." In Javanese gamelan, it is used especially for the '' sarons'' and the ''bonangs''. On the ''bonangs'', an ''imbal'' pattern is divided between the ''bonang panerus'' and ''bonang barung'', in the octave or so of range that both instruments have. When played on ''sarons'', generally two of the same instrument are used. Both ''bonang'' and ''saron'' patterns generally are made of scalar passages that end on the ''seleh'' at the end of the '' gatra''. Each key is dampened as soon as the other instrument plays, and it allows the melody to be played faster or more smoothly than is p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saron (instrument)
The saron is a musical instrument of Indonesia, which is used in the gamelan. It normally has seven bronze bars placed on top of a resonating frame (''rancak''). It is usually about 20 cm (8 in) high, and is played on the floor by a seated performer. In a pelog scale, the bars often read 1-2-3-5-6-7 across (the number four is not used because of its relation to death) (in kepatihan notation, kepatihan numbering); for slendro, the bars are 6-1-2-3-5-6-1; this can vary from gamelan to gamelan, or even among instruments in the same gamelan. Slendro instruments commonly have only six keys. It provides the core melody (balungan) in the gamelan orchestra. Varieties Sarons typically come in a number often sizes, from smallest to largest: *Saron panerus (also: peking) *Saron barung (sometimes just saron) *Saron demung (often just called demung) Each one of those is pitched an octave below the previous. The slenthem or slentho performs a similar function to the sarons one oct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Senggakan
Alok is an Indian given name of Sanskrit origin. People with the given name Alok * Alok (DJ) (born 1991), Brazilian DJ and music producer *Alok Bhargava (born 1954), Indian-American econometrician * Alok R. Chaturvedi, Professor of Information Systems * Alok Dixit, journalist and social activist * Alok Jena (born 1948), Indian cricketer *Alok Kapali (born 1984), Bangladeshi cricketer * Alok Mehta, Indian Hindi journalist, editor-in-chief of ''National Dunia'' * Alok Kumar Mehta (born 1966), Indian politician, member of the 14th Lok Sabha of India *Alok Mukherjee (born c. 1945), Canadian human rights and equity facilitator *Alok Nath (born 1956), Indian film actor *Alok Nembang, Nepali singer and director *Alok Sharma (born 1967), Indian-born British politician * Alok Tiwari (born 1979), Indian politician * Alok Vaid-Menon (born 1991), Indian-American artist and activist. See also * Alok Industries, a textile manufacturing company based in Mumbai, India *Alok Senior Secondary Schoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan Instruments
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called ''kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a '' rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or '' gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan Theory
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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