Kelly's Stables (New York City)
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Kelly's Stables (New York City)
Kelly’s Stables, also referred to as Kelly’s Stable, was a jazz club on Manhattan's 52nd Street (Manhattan), 52nd Street in New York City, opened by jazz band leader Bert Kelly (jazz musician), Bert Kelly. History Following the success of his Chicago nightclub, Kelly's Stables (Chicago), Kelly's Stables, in Tower Town, one of the jazz hotspots of the 1920s, Kelly opened a second venue in New York. 141 51st Street (Manhattan), West 51st Street : The original Kelly's Stable(s) was located on 51st Street, near 7th Avenue. 137 52nd Street (Manhattan), West 52nd Street : Arthur Jarwood, who was a part owner in the 51st Street location, had also built O'Leary's Barn on 52nd Street (Manhattan), West 52nd Street, which he sold to Ralph Watkins (1907–1979) and George Lynch, and in March of 1940, O'Leary's Barn became Kelly's Stable(s) — at 137 W 52nd Street.52nd Street, The Street of Jazz'' Arnold Shaw (author), Arnold Shaw, Da Capo Press (1977) Musicians : In 1939, Coleman Hawk ...
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Manhattan
Manhattan (), known regionally as the City, is the most densely populated and geographically smallest of the five boroughs of New York City. The borough is also coextensive with New York County, one of the original counties of the U.S. state of New York. Located near the southern tip of New York State, Manhattan is based in the Eastern Time Zone and constitutes both the geographical and demographic center of the Northeast megalopolis and the urban core of the New York metropolitan area, the largest metropolitan area in the world by urban landmass. Over 58 million people live within 250 miles of Manhattan, which serves as New York City’s economic and administrative center, cultural identifier, and the city’s historical birthplace. Manhattan has been described as the cultural, financial, media, and entertainment capital of the world, is considered a safe haven for global real estate investors, and hosts the United Nations headquarters. New York City is the headquarters of ...
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National Academy Of Recording Arts And Sciences
The Recording Academy (formally the National Academy of Recording Arts and Sciences; abbreviated NARAS) is an American Learned society, learned academy of musicians, producers, recording engineers, and other musical professionals. It is famous for its Grammy Awards, which recognize achievements in the music industry of songs and music which are popular worldwide. The Recording Academy is a founding partner of the Grammy Museum, a non-profit organization whose stated mission is preserving and educating about music history and significance. The Recording Academy also founded MusiCares, a charity that states it serves to impact the health and welfare of the music community. The Recording Academy’s Advocacy team lobbies for music creators’ rights at the local, state, and federal levels. History The origin of the academy dates back to the beginning of the 1950s Hollywood Walk of Fame project. The Hollywood Chamber of Commerce asked the help of major recording industry executives ...
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Jazz Clubs In New York City
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational sty ...
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Nat King Cole
Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American singer, jazz pianist, and actor. Cole's music career began after he dropped out of school at the age of 15, and continued for the remainder of his life. He found great popular success and recorded over 100 songs that became hits on the pop charts. His trio was the model for small jazz ensembles that followed. Cole also acted in films and on television and performed on Broadway. He was the first African-American man to host an American television series. He was the father of singer Natalie Cole (1950–2015). Biography Early life Nathaniel Adams Coles was born in Montgomery, Alabama, on March 17, 1919. He had three brothers: Eddie (1910–1970), Ike (1927–2001), and Freddy (1931–2020), and a half-sister, Joyce Coles. Each of the Coles brothers pursued careers in music. When Nat King Cole was four years old, the family moved to Chicago, Illinois, where his ...
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Billie Holiday
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills. After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson produced the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out conce ...
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Gillespie, Dizzy
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy Gille ...
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Al Gibson
AL, Al, Ål or al may stand for: Arts and entertainment Fictional characters * Al (''Aladdin'') or Aladdin, the main character in Disney's ''Aladdin'' media * Al (''EastEnders''), a minor character in the British soap opera * Al (''Fullmetal Alchemist'') or Alphonse Elric, a character in the manga/anime * Al Borland, a character in the ''Home Improvement'' universe * Al Bundy, a character in the television series ''Married... with Children'' * Al Calavicci, a character in the television series ''Quantum Leap'' * Al McWhiggin, a supporting villain of ''Toy Story 2'' * Al, or Aldebaran, a character in ''Re:Zero − Starting Life in Another World'' media Music * ''A L'', an EP by French singer Amanda Lear * ''American Life'', an album by Madonna Calendar * Anno Lucis, a dating system used in Freemasonry Mythology and religion * Al (folklore), a spirit in Persian and Armenian mythology * Al Basty, a tormenting female night demon in Turkish folklore * ''Liber AL'', the ce ...
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Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents (" dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York between 1951 and 1956, performing with the ...
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Sonny White
Ellerton Oswald White (November 11, 1917, Panama City, Panama - April 28, 1971, New York City), better known as Sonny White, was a jazz pianist. White took on the nickname Sonny while a member of Jesse Stone's band in the middle of the 1930s. Later in the decade he played with Willie Bryant, Sidney Bechet, Teddy Hill (whose band at the time also included Dizzy Gillespie and Kenny Clarke), and Frankie Newton. White recorded several sessions with Billie Holiday, with whom he had a yearlong affair in 1939, and their engagement was announced in '' Melody Maker'' that May. White was a member of different line-ups backing Holiday in New York between January 1939 and October 1940, including the classic recording of " Strange Fruit"; in her autobiography, '' Lady Sings the Blues'', Holiday mistakenly credits White with having co-written the music, to a poem by Lewis Allan. In the 1940s he spent time in the bands of Artie Shaw, Benny Carter, with whom he played both directly before and d ...
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Charlie Drayton
Charles Henderson Drayton (5 May 1919 Brooklyn, New York – 31 July 1953 Los Angeles) was an American jazz double bass, bassist who performed and recorded from the late 1930s until his death with artists that include Louis Jordan, Benny Carter, Dizzy Gillespie, Pete Brown (jazz musician), Pete Brown, Ben Webster, Joan C. Edwards, Joan Edwards, Timmie Rogers, Savannah Churchill, the Basin Street Boys, Barney Bigard, Billie Holiday, Coleman Hawkins, Woody Herman, Julia Lee (musician), Julia Lee, Jack Teagarden, Louis Armstrong, Fletcher Henderson, Russell Jacquet, Marion Abernathy, The Treniers, Billy Taylor, Helen Humes, and Teddy Bunn. In 1946, he played several times with artists at Jazz at the Philharmonic. Drayton's performances — including the known fifty-two jazz recording sessions from 1938 to 1953 — with artists at the vanguard of bebop during the height of its development, placed him in the flow of many historic settings in jazz that marked the careers of musicians. I ...
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John Collins (jazz Guitarist)
John Elbert Collins (September 20, 1913 – October 4, 2001) was an American jazz guitarist who was a member of the Nat King Cole trio. Career A native of Alabama, Collins grew up in Chicago. When he was fourteen, her performed with his mother, Georgia Gorham, who was a jazz pianist. At twenty-one, he played with Art Tatum in the 1930s, followed by Roy Eldridge, Billie Holiday, Lester Young, Fletcher Henderson, and Benny Carter. At the end of the 1930s, he started playing electric guitar. Collins served in the U.S. Army during the 1940s, then returned to his musical career, working with Slam Stewart, Kenny Clarke, Ike Quebec, Eddie "Lockjaw" Davis, Erroll Garner, Billy Taylor, Tadd Dameron, Coleman Hawkins, Artie Shaw, and Vic Dickenson. Collins replaced Irving Ashby as the guitarist for the Nat King Cole trio. He was a member of the trio until Cole died in 1965. Collins then worked with vocalist Patti Page, followed by several years with Bobby Troup. In the early 1 ...
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Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award. Career Carter was born in New York City in 1907. He was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He appeared on record for the first time in 1927 as a membe ...
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