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Keizō Murase
is a Japanese suitmaker, stuntman, sculptor, modeler, and film director. He is particularly well known for his work in giant monster films, including ''Mothra'' (1961), ''King Kong vs. Godzilla'' (1962), and '' The Mighty Peking Man'' (1977). Career In 1958, Toho hired Murase to sculpt the Varan suit for ''Varan the Unbelievable.'' An amateur photographer, Murase extensively documented his work which was published in his 2015 autobiography, ''Monster Maker: Keizo Murase''. After working for Daiei Film on ''Gamera'', he, Masao Yagi, and Akira Suzuki founded the modelling company, Ex Productions, he later left in 1972 to form his own company, Twenty. Filmography Film * ''The H-Man'' (1958) * ''Varan'' (1958) - Varan sculptor / Miniature construction * ''Mothra'' (1961) - Mothra imago sculptor * ''King Kong vs. Godzilla'' (1962) - King Kong and Godzilla sculptor * ''Gorath'' (1962) - Maguma sculptor * ''Matango'' (1963) - Matango sculptor * '' Mothra vs. Godzilla'' (1964) - ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ikeda, Hokkaido
is a List of towns in Japan, town located in Tokachi Subprefecture, Hokkaido, Japan. Tokachi has almost year-round blue skies, which results in warm summers and cold winters. In the summer, temperatures reach 30 degrees Celsius and in winter up to minus 30 degrees Celsius. The clear skies in winter make perfect ice skating conditions, and Ikeda is known for producing world class speed skaters. In the 2010 Winter Olympics in Vancouver, a speed skater from Ikeda won a silver medal for Japan. The main industry in Ikeda is producing Tokachi wine but there are also livestock and vegetable farming industries. Population As of April 30, 2017, Ikeda has a population of 6,933. Like many small towns in Hokkaido, Ikeda has a declining population. Geography Ikeda is located in central/East Tokachi. It has an area of 371.91 square kilometres. It is mainly flat, but has some small hills to the North of the town. From these hills can be seen the beautiful Hidaka Mountains on clear days. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorath
is a 1962 Japanese epic science fiction disaster film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Based on an idea by Jojiro Okami, the film is about mankind's efforts to move Earth out of its orbit to prevent it from colliding with a runaway white dwarf star. The film was extensively edited for its American release. Plot On September 29, 1979, the Interstellar Exploration Agency launches a Japanese rocket ship, the ''JX-1 Hawk'', into space on a nine-month journey to investigate Saturn. At its conclusion, however, the crew is given a new mission after scientists discover a runaway star, which the International Astronomical Union nicknamed "Gorath", is somehow running amok. Upon encountering and while investigating Gorath's rapid movement through the Solar System, the ''JX-1 Hawk'' crew discover it is smaller than Earth, yet has 6,000 times its gravity. They manage to transmit their data back to Earth before an enormous gravity well destroys the ship, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gyaos
is a 1967 Japanese ''kaiju'' film directed by Noriaki Yuasa, with special effects by Yuasa. Produced by Daiei Film, it is the third entry in the ''Gamera'' franchise and stars Kojiro Hongo, Kichijiro Ueda, Tatsuemon Kanamura, Reiko Kasahara, and Naoyuki Abe, with Teruo Aragaki as Gamera. In the film, Gamera and authorities must deal with the sudden appearance of a carnivorous winged creature awakened by volcanic eruptions. Plans for a third film were made immediately after the release of ''Gamera vs. Barugon'', with the film financed by the UniJapan Film Association. Due to the underperformance of the previous film, Yuasa was brought back as the director and special effects director, who decided to aim the film towards children. Gyaos was created as a response to Toho's ''Frankenstein Conquers the World'' and ''The War of the Gargantuas'', with Yuasa pitching to writer Niisan Takahashi his idea to turn Dracula into a ''kaiju''. ''Gamera vs. Gyaos'' was theatrically released in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamera Vs
is a fictional monster, or '' kaiju'', originating from a series of Japanese films. Debuting in the 1965 film ''Gamera, the Giant Monster'', the character and the first film were intended to compete with the success of Toho's ''Godzilla'' film series. Since then, Gamera has become a Japanese icon in his own right, appearing in a total of 12 films produced by Daiei Film and later Kadokawa Daiei Studio, and various media. Gamera is depicted as a giant, fire-breathing, prehistoric turtle monster, mutated by exposure to nuclear weapons. In the first film, Gamera is portrayed as aggressive and destructive, though he also saves a child. As the films progressed, Gamera took on a more benevolent role, becoming a protector of humanity, and especially children, from extraterrestrial races and other giant monsters. To date, ''Gamera, the Giant Monster'' is the only film to be released theatrically in the United States; however, it was heavily localized and retitled ''Gammera the Invin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daimajin Strikes Again
is a series of Japanese films. The trilogy of films were all shot simultaneously and released in 1966 with three different directors and predominantly the same crew. The series was produced by Daiei Film and contained similar plot structures involving villages being overthrown by warlords, leading to the villagers attempting to reach out to Daimajin, the great demon god, to save them. The ''Daimajin'' series was revived in 2010 as a television drama titled ''Daimajin Kanon'', broadcast on TV Tokyo. The Daimajin character also appears in the 2021 film '' The Great Yokai War: Guardians''. Films ''Daimajin'' In Japan, a household of peasants cower during a series of earth tremors that are interpreted as the escape attempts of Daimajin, a spirit trapped within the mountain. These events are observed by Lord Hanabasa, and his chamberlain, Samanosuke, who are attempting to seize power in the area. As the villagers pray at a shrine, Samanosuke and his henchmen slaughter Hanabasa's fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daimajin
is a series of Japanese films. The trilogy of films were all shot simultaneously and released in 1966 with three different directors and predominantly the same crew. The series was produced by Daiei Film and contained similar plot structures involving villages being overthrown by warlords, leading to the villagers attempting to reach out to Daimajin, the great demon god, to save them. The ''Daimajin'' series was revived in 2010 as a television drama titled ''Daimajin Kanon'', broadcast on TV Tokyo. The Daimajin character also appears in the 2021 film '' The Great Yokai War: Guardians''. Films ''Daimajin'' In Japan, a household of peasants cower during a series of earth tremors that are interpreted as the escape attempts of Daimajin, a spirit trapped within the mountain. These events are observed by Lord Hanabasa, and his chamberlain, Samanosuke, who are attempting to seize power in the area. As the villagers pray at a shrine, Samanosuke and his henchmen slaughter Hanabasa's fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Return Of Daimajin
is a series of Japanese films. The trilogy of films were all shot simultaneously and released in 1966 with three different directors and predominantly the same crew. The series was produced by Daiei Film and contained similar plot structures involving villages being overthrown by warlords, leading to the villagers attempting to reach out to Daimajin, the great demon god, to save them. The ''Daimajin'' series was revived in 2010 as a television drama titled ''Daimajin Kanon'', broadcast on TV Tokyo. The Daimajin character also appears in the 2021 film '' The Great Yokai War: Guardians''. Films ''Daimajin'' In Japan, a household of peasants cower during a series of earth tremors that are interpreted as the escape attempts of Daimajin, a spirit trapped within the mountain. These events are observed by Lord Hanabasa, and his chamberlain, Samanosuke, who are attempting to seize power in the area. As the villagers pray at a shrine, Samanosuke and his henchmen slaughter Hanabasa's fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamera (film)
is a 1965 Japanese ''kaiju'' film directed by Noriaki Yuasa, with special effects by Yonesaburo Tsukiji. Produced and distributed by Daiei Film, it is the first film in the ''Gamera'' franchise and the Shōwa era. The film stars Eiji Funakoshi, Harumi Kiritachi, and Junichiro Yamashita. In the film, authorities deal with the attacks of Gamera, a giant prehistoric turtle unleashed in the Arctic by an atomic bomb. The success of '' The Birds'' and Toho's ''Godzilla'' films influenced studio head Masaichi Nagata to produce a similar film. In 1964, Daiei attempted to produce '' Nezura'', with Yuasa directing. However, the project was shut down by the health department, since the project was to have used dozens of live rats. Nagata then conceived Gamera to replace ''Nezura'' on the schedule. Due to a low budget and tight schedule, Yuasa was forced to use outdated equipment, faulty props, and faced belittlement from colleagues. Yuasa was determined to complete the film with Daiei's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baragon
is a fictional monster, or ''kaiju'', which first appeared in Ishirō Honda's 1965 film ''Frankenstein Conquers the World'', produced and distributed by Toho. Depicted as a four-legged, horned dinosaur-like creature with large ears, Baragon appeared alongside Godzilla and other monster characters in films in the ''Godzilla'' franchise, also produced by Toho, including ''Destroy All Monsters'' and '' Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack''. Overview Showa series In the film ''Frankenstein Conquers the World'', Baragon is depicted as a kaiju that evolved from the fictional dinosaur ''Baranosdragon'' and burrowed underground to escape the extinction of the dinosaurs and other prehistoric creatures. It adapted and survived over the years but when the sounds of a nearby factory disturb and awaken him during the events of the film, Baragon emerges from underground and attacks the factory. It later attacks and destroys a village and eats all of a farm's li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankenstein Conquers The World
is a 1965 '' kaiju'' film directed by Ishirō Honda with special effects by Eiji Tsuburaya. The film stars Nick Adams, Kumi Mizuno and Tadao Takashima, with Koji Furuhata as Frankenstein and Haruo Nakajima as Baragon. An international co-production of Japan and the United States; it was the first collaboration between Toho Co., Ltd and Henry G. Saperstein. In the film, scientists investigate the origins of a mysterious boy and his resistance to radiation that makes him grow to monstrous size, while a second monster ravages the countryside. ''Frankenstein vs. Baragon'' was theatrically released in Japan on August 8, 1965, followed by a theatrical release in the United States on July 8, 1966 by American International Pictures under the title ''Frankenstein Conquers the World''. The film was followed by ''The War of the Gargantuas'', released on July 31, 1966. Plot During World War II in Nazi Germany, Nazi officers confiscate the living heart of the Frankenstein Monster from Dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Ghidorah
is a fictional monster, or ''kaiju'', which first appeared in Ishirō Honda's 1964 film ''Ghidorah, the Three-Headed Monster''. Although the name of the character is officially trademarked by Toho as "King Ghidorah", the character was originally referred to as Ghidorah or Ghidrah in some English markets. Although King Ghidorah's design has remained largely consistent throughout its appearances (an armless, bipedal, golden and yellowish-scaled dragon with three heads, two fan-shaped wings and two tails), its origin story has varied from being an extraterrestrial planet-destroying dragon, a genetically engineered monster from the future, a guardian monster of ancient Japan, or a god from another dimension. The character is usually portrayed as an archenemy of Godzilla and a foe of Mothra, though it has had one appearance as an ally of the latter. Despite rumors that Ghidorah was meant to represent the threat posed by China, which had at the time of the character's creation jus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
