Keep An Eye On The Sky
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Keep An Eye On The Sky
''Keep an Eye on the Sky'' is a 4-CD, 98-song career retrospective box set from United States, American rock group Big Star, released in 2009. It features 52 unreleased tracks: demos, alternate takes, and live performances. As well as material from founder member Chris Bell (musician), Chris Bell's earlier bands Rock City and Icewater, it includes all titles (in many cases as alternate mixes or demos) from Big Star's first three studio albums, ''Number 1 Record, #1 Record'', ''Radio City (album), Radio City'', and ''Third/Sister Lovers'', and a recording of a 1973 Big Star concert. Staged in January at Lafayette's Music Room, the Memphis venue used again in May for the Rock Writers' Convention, the concert took place after Bell's departure and before the remainder of the group began work on ''Radio City''. The box set's liner notes won a 2011 Grammy Award for author Robert Gordon (writer and filmmaker), Robert Gordon. Track listing ;Disc one # "Psychedelic Stuff" (original mix)&nbs ...
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Big Star
Big Star was an American rock band formed in Memphis, Tennessee, in 1971 by Alex Chilton (vocals, guiar), Chris Bell (vocals, guitar), Jody Stephens (drums), and Andy Hummel (bass). The group broke up in early 1975, and reorganized with a new lineup 18 years later following a reunion concert at the University of Missouri. In its first era, the band's musical style drew on the Beatles, the Rolling Stones, and the Byrds. Big Star produced a style that foreshadowed the alternative rock of the 1980s and 1990s. Before they broke up, Big Star created a "seminal body of work that never stopped inspiring succeeding generations", in the words of ''Rolling Stone'', as the "quintessential American power pop band", and "one of the most mythic and influential cult acts in all of rock & roll". Three of Big Star's studio albums are included in the Rolling Stone's list of the Top 500 Albums of All-Time. Big Star's debut album, 1972's '' #1 Record'', was met by enthusiastic reviews, but ineffec ...
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September Gurls
"September Gurls" is a song by the rock band Big Star. Written by Alex Chilton, it was featured on the group's second studio album '' Radio City''. The track was released in 1974. Background The song was named in tribute to the Beach Boys' "California Girls". "September Gurls" was also released as a single. While it never was a big seller, it is considered a classic song by publications such as ''Rolling Stone'' and Allmusic. The track was rated #180 by ''Rolling Stone'' in the magazine's top 500 songs of all time, and is described as a "power pop classic". Jason Ankeny of Allmusic describes the song as "sweetly gorgeous sound that's both familiar and novel; poignantly ragged and breathlessly reckless..." and says it "reveals a surprising tenderness, tempering its venom with achingly lovely vocals and sun-kissed harmonies". Novelist Michael Chabon calls the song "the pocket history of power pop" and claims that it is "the greatest number-one song that never charted". Cover ...
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2009 Live Albums
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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Big Star Live Albums
Big or BIG may refer to: * Big, of great size or degree Film and television * ''Big'' (film), a 1988 fantasy-comedy film starring Tom Hanks * ''Big!'', a Discovery Channel television show * ''Richard Hammond's Big'', a television show presented by Richard Hammond * ''Big'' (TV series), a 2012 South Korean TV series * ''Banana Island Ghost'', a 2017 fantasy action comedy film Music * '' Big: the musical'', a 1996 musical based on the film * Big Records, a record label * ''Big'' (album), a 2007 album by Macy Gray * "Big" (Dead Letter Circus song) * "Big" (Sneaky Sound System song) * "Big" (Rita Ora and Imanbek song) * "Big", a 1990 song by New Fast Automatic Daffodils * "Big", a 2021 song by Jade Eagleson from ''Honkytonk Revival'' * The Notorious B.I.G., an American rapper Places * Allen Army Airfield (IATA code), Alaska, US * BIG, a VOR navigational beacon at London Biggin Hill Airport * Big River (other), various rivers (and other things) * Big Island (disamb ...
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Rhino Records Compilation Albums
A rhinoceros (; ; ), commonly abbreviated to rhino, is a member of any of the five extant species (or numerous extinct species) of odd-toed ungulates in the family Rhinocerotidae. (It can also refer to a member of any of the extinct species of the superfamily Rhinocerotoidea.) Two of the extant species are native to Africa, and three to South and Southeast Asia. Rhinoceroses are some of the largest remaining megafauna: all weigh at least one tonne in adulthood. They have a herbivorous diet, small brains (400–600 g) for mammals of their size, one or two horns, and a thick (1.5–5 cm), protective skin formed from layers of collagen positioned in a lattice structure. They generally eat leafy material, although their ability to ferment food in their hindgut allows them to subsist on more fibrous plant matter when necessary. Unlike other perissodactyls, the two African species of rhinoceros lack teeth at the front of their mouths; they rely instead on their lips to plu ...
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2009 Compilation Albums
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mo ...
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Enhanced CD
Enhanced CD is a certification mark of the Recording Industry Association of America for various technologies that combine audio and computer data for use in both Compact Disc and CD-ROM players. Formats that fall under the "enhanced CD" category include mixed mode CD (Yellow Book CD-ROM/Red Book CD-DA), CD-i, CD-i Ready, and CD-Extra/CD-Plus (Blue Book, also called simply Enhanced Music CD or E-CD).What is an Enhanced CD?
The technology was popular in the late 1990s and early 2000s with the increase of computer usage. Music CDs often included s, wallpapers, and other various content. However, more recently, acts wishing to include enhanced content often include a

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Nature Boy (song)
"Nature Boy" is a song first recorded by American jazz singer Nat King Cole. It was released on March 29, 1948, as a single by Capitol Records, and later appeared on the album, ''The Nat King Cole Story''. It was written by eden ahbez as a tribute to Bill Pester, who practiced the Naturmensch and Lebensreform philosophies adopted by ahbez. The lyrics of the song relate to a 1940s Los Angeles-based group called "Nature Boys", a subculture of proto-hippies of which ahbez was a member. "Nature Boy" was released during the American Federation of Musicians (AFM) ban of 1948. It reached the top of the ''Billboard'' music charts and sold over a million copies, helping to establish Cole's solo career, and introducing him to the white music market. "Nature Boy" was the subject of lawsuits, with Yiddish composer Herman Yablokoff claiming that it was plagiarized from his song "" (, "Be Still My Heart"). Eventually, ahbez and Yablokoff settled out of court. In 1999, the song was awarded t ...
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Ray Davies
Sir Raymond Douglas Davies ( ; born 21 June 1944) is an English musician. He was the lead vocalist, rhythm guitarist, and main songwriter for the rock band the Kinks, which he led with his younger brother Dave on lead guitar and backing vocals. He has also acted in, directed, and produced shows for theatre and television. Known for focusing his lyrics on English culture, nostalgia, and social satire, he is often referred to as the "Godfather of Britpop", though he disputes this title. He was inducted into the Rock and Roll Hall of Fame as a member of the Kinks in 1990. After the dissolution of the Kinks in 1996, he embarked on a solo career. Early years Raymond Douglas Davies was born at 6 Denmark Terrace in the Fortis Green area of London on 21 June 1944. He is the seventh of eight children born to working-class parents, including six elder sisters and younger brother Dave Davies. His father, Frederick George Davies (1902–1975), was a slaughterhouse worker.London, Englan ...
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Till The End Of The Day
"Till the End of the Day" is a song by the Kinks, written by Ray Davies and released as a single in 1965 and later on their album ''The Kink Kontroversy''. It centres on a power chord, like many of the group's early hits, and was similarly successful, reaching number eight in the United Kingdom and number 50 in the United States, spending eight weeks or more in each chart. "Till the End of the Day" chart history Billboard.com. Retrieved 3 August 2011. Background Davies recalled of the process of writing the song, Of the song's meaning, Davies said, "That song was about freedom, in the sense that someone's been a slave or locked up in prison. It’s a song about escaping something. I didn't know it was about my state of mind." ''Billboard'' described the song as a "rockin' dance beat wailer with up-beat lyric." ''Cash Box'' described the single as a "rollicking, fast-moving, bluesy romancer about a fella who is especially hung-up on his gal." Cover versions A cover version by ...
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Whole Lotta Shakin' Goin' On
"Whole Lotta Shakin' Goin' On" (sometimes rendered "Whole Lot of Shakin' Going On") is a song written by Dave "Curlee" Williams and sometimes also credited to James Faye "Roy" Hall. The song was first recorded by Big Maybelle, though the best-known version is the 1957 rock and roll/rockabilly version by Jerry Lee Lewis. Origins of the song The origins of the song are disputed, but the writing is usually co-credited to singer/songwriter Dave "Curlee" Williams, and pianist and club owner James Faye "Roy" Hall. Hall stated: On 21 March 1955, Big Maybelle made the first recording for Okeh Records. The songwriting was credited to D. C. Williams, and the session was conducted and arranged by Quincy Jones. Roy Hall recorded the song in September 1955 for Decca Records and maintained that he had written it and had secured the legal copyright as co-writer under the pseudonym of "Sunny David". On the ''Pop Chronicles'' documentary, Jerry Lee Lewis incorrectly credited Big Mama Thornto ...
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Lou Reed
Lewis Allan Reed (March 2, 1942October 27, 2013) was an American musician, songwriter, and poet. He was the guitarist, singer, and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground became regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career. Having played guitar and sung in doo-wop groups in high school, Reed studied poetry at Syracuse University under Delmore Schwartz, and had served as a radio DJ, hosting a late-night avant garde music program while at college. After graduating from Syracuse, he went to work for Pickwick Records in New York City, a low-budget record company that specialized in sound-alike recordings, as a songwriter and sess ...
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