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Kecak
''Kecak'' (pronounced ("kechak"), alternate spellings: ''kechak'' and ''ketjak''), known in Indonesian as ''tari kecakilolahhe'', is a form of Balinese Hindu dance and music drama that was developed in the 1930s in Bali, Indonesia. Since its creation, it has been performed primarily by men, with the first women's ''kecak'' group having started in 2006. The dance is based on the story of the ''Ramayana'' and is traditionally performed in temples and villages across Bali. Also known as the Ramayana monkey chant, the dance is performed by a circle of as many as 150 performers wearing checked cloths around their waists, percussively chanting "''chak''" and moving their hands and arms. The performance depicts a battle from the ''Ramayana'', in which the monkey-like Vanaras, led by Hanuman, help Prince Rama fight the evil King Ravana. ''Kecak'' has roots in ''sanghyang,'' a trance-inducing exorcism dance. History ''Kecak'' was originally a trance ritual accompanied by a male chor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kecak Kanisius
''Kecak'' (pronounced ("kechak"), alternate spellings: ''kechak'' and ''ketjak''), known in Indonesian as ''tari kecakilolahhe'', is a form of Balinese Hindu dance and music drama that was developed in the 1930s in Bali, Indonesia. Since its creation, it has been performed primarily by men, with the first women's ''kecak'' group having started in 2006. The dance is based on the story of the ''Ramayana'' and is traditionally performed in temples and villages across Bali. Also known as the Ramayana monkey chant, the dance is performed by a circle of as many as 150 performers wearing checked cloths around their waists, percussively chanting "''chak''" and moving their hands and arms. The performance depicts a battle from the ''Ramayana'', in which the monkey-like Vanaras, led by Hanuman, help Prince Rama fight the evil King Ravana. ''Kecak'' has roots in ''sanghyang,'' a trance-inducing exorcism dance. History ''Kecak'' was originally a trance ritual accompanied by a male chor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kecak Dancers, Uluwatu, Bali
''Kecak'' (pronounced ("kechak"), alternate spellings: ''kechak'' and ''ketjak''), known in Indonesian as ''tari kecakilolahhe'', is a form of Balinese Hindu dance and music drama that was developed in the 1930s in Bali, Indonesia. Since its creation, it has been performed primarily by men, with the first women's ''kecak'' group having started in 2006. The dance is based on the story of the ''Ramayana'' and is traditionally performed in temples and villages across Bali. Also known as the Ramayana monkey chant, the dance is performed by a circle of as many as 150 performers wearing checked cloths around their waists, percussively chanting "''chak''" and moving their hands and arms. The performance depicts a battle from the ''Ramayana'', in which the monkey-like Vanaras, led by Hanuman, help Prince Rama fight the evil King Ravana. ''Kecak'' has roots in ''sanghyang,'' a trance-inducing exorcism dance. History ''Kecak'' was originally a trance ritual accompanied by a male chor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kecak In Pura Dalem Ubud 1
''Kecak'' (pronounced ("kechak"), alternate spellings: ''kechak'' and ''ketjak''), known in Indonesian as ''tari kecakilolahhe'', is a form of Balinese Hindu dance and music drama that was developed in the 1930s in Bali, Indonesia. Since its creation, it has been performed primarily by men, with the first women's ''kecak'' group having started in 2006. The dance is based on the story of the ''Ramayana'' and is traditionally performed in temples and villages across Bali. Also known as the Ramayana monkey chant, the dance is performed by a circle of as many as 150 performers wearing checked cloths around their waists, percussively chanting "''chak''" and moving their hands and arms. The performance depicts a battle from the ''Ramayana'', in which the monkey-like Vanaras, led by Hanuman, help Prince Rama fight the evil King Ravana. ''Kecak'' has roots in ''sanghyang,'' a trance-inducing exorcism dance. History ''Kecak'' was originally a trance ritual accompanied by a male chor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bali
Bali () is a province of Indonesia and the westernmost of the Lesser Sunda Islands. East of Java and west of Lombok, the province includes the island of Bali and a few smaller neighbouring islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan to the southeast. The provincial capital, Denpasar, is the most populous city in the Lesser Sunda Islands and the second-largest, after Makassar, in Eastern Indonesia. The upland town of Ubud in Greater Denpasar is considered Bali's cultural centre. The province is Indonesia's main tourist destination, with a significant rise in tourism since the 1980s. Tourism-related business makes up 80% of its economy. Bali is the only Hindu-majority province in Indonesia, with 86.9% of the population adhering to Balinese Hinduism. It is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metalworking, and music. The Indonesian International Film Festival is held every year in Bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balinese Dance
Balinese dance ( id, Tarian Bali; ban, ᬇᬕᬾᬮᬦ᭄ᬩᬮᬶ) is an ancient dance tradition that is part of the religious and artistic expression among the Balinese people of Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. Balinese dancers express the stories of dance-drama through the bodily gestures including gestures of fingers, hands, head and eyes. There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most of the dances in Bali are connected to Hindu or traditional folk rituals, such as the Sanghyang Dedari sacred dance that invoke benevolent hyang spirits, believed to possess the dancers in a trance state during the performance. Other Balinese dances are not linked to religious rituals and are created for certain occasions or purposes, such as the Baris or Pendet welcoming dances and Joged dance, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baris (dance)
''Baris'' dance ( ban, ᬩᬭᬶᬲ᭄) is a family of traditional war dances in Bali, Indonesia, accompanied by gamelan, in which dancers depict the feelings of a young warrior prior to battle, glorify the manhood of the triumphant Balinese warrior, and display the sublimity of his commanding presence. ''Baris'' derives its name from the word ''bebarisan'', which literally means "line" or "file formation", referring to the soldiers who served the ancient rajas of Bali. Performance There are two main types of ''baris'' dance which can be found throughout the island of Bali. The non-ritual dance is performed by a solo male dancer, and is often the first dance that a budding dancer learns. However, there are over thirty different types of ritual ''baris'' dances, each of which is performed by a group of people, still imitating the movements of the warrior. ''Baris tunggal'' A ''baris tunggal'' dancer, namely a ''baris'' dancer who performs on his own, is dressed in white leggings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanghyang
( ban, ᬲᬂᬳ᭄ᬬᬂ) is a traditional sacred Balinese dance originated from the Indonesian island of Bali, it is based on the premise that an unseen force enters the body of an entranced performer. The force, identified as ''hyang'', is an important type of spiritual entity in ancient Indonesian mythology. The ''sanghyang'' dances are considered sacred ritual dances and are performed exclusively at Balinese religious ceremonies. Variants ''Sanghyang bojog'' The dancer is a man dressed like a monkey (''bojog'') and accompanied by a chorus of chanting ''sanghyang''. Before it begins, the dancer goes through the phases of summoning ape spirits. After conceding, the dancer will jump into a tree and mimic the behavior of an ape. This dance is only found in Bugbug, Karangasem. ''Sanghyang celeng'' This is a ''sanghyang'' dance variant only found in Duda, Karangasem, danced by a man wearing palm fiber clothing. The dancer mimics the movements of a pig. ''Sanghyang ded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exorcism
Exorcism () is the religious or spiritual practice of evicting demons, jinns, or other malevolent spiritual entities from a person, or an area, that is believed to be possessed. Depending on the spiritual beliefs of the exorcist, this may be done by causing the entity to swear an oath, performing an elaborate ritual, or simply by commanding it to depart in the name of a higher power. The practice is ancient and part of the belief system of many cultures and religions. Buddhism The practice of reciting or listening to the Paritta began very early in the history of Buddhism. It is a Buddhist practice of reciting certain verses and scriptures from Pali Canon in order to ward off misfortune or danger. The belief in the effective spiritual power to heal, or protect, of the '' Sacca-kiriyā'', or asseveration of something quite true is an aspect of the work ascribed to the ''paritta''. Several scriptures in the Paritta like Metta Sutta, Dhajagga Sutta, or Ratana Sutta can be reci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rakshasa
Rakshasas ( sa, राक्षस, IAST: : Pali: ''rakkhaso'') lit. 'preservers' are a race of usually malevolent demigods prominently featured in Hindu mythology. According to the Brahmanda Purana, the rakshasas were created by Brahma when he assumed a body of ''tamas'' (darkness), the beings springing forth and promising to protect the waters of creation. They are often depicted to be man-eaters (''nri-chakshas'', ''kravyads''), acting as embodiments of the powers of evil in the Vedic scriptures. They are offered a distinction from yakshas, their cousins who are depicted to be forces of destruction. The term is also used to describe asuras, a class of power-seeking beings that oppose the benevolent devas. They are often depicted as antagonists in Hindu scriptures, as well as in Buddhism and Jainism. The female form of rakshasa is rakshasi. Hinduism In Vedas The Hymn 87 of the tenth mandala of the ''Rigveda'' mentions about Rakshasas. They are classified amongst the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
