Kaupanger Stave Church
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Kaupanger Stave Church
Kaupanger Stave Church ( no, Kaupanger stavkyrkje) is the largest stave church in Vestland county, Norway. It is a parish church of the Church of Norway in Sogndal Municipality and it is located in the village of Kaupanger, on the northern shore of the Sognefjorden. It is the church for the Kaupanger parish which is part of the Sogn prosti (deanery) in the Diocese of Bjørgvin. The brown, wooden church was built in the mid-12th century (around 1140) and it has been in use ever since that time. The church seats about 125 people. The church is a Norwegian Directorate for Cultural Heritage, Norwegian Cultural Heritage Site and it is owned by the Society for the Preservation of Ancient Norwegian Monuments. The nave is supported by 22 staves (large bearing columns), eight on each of the longer sides and three on each of the shorter. The elevated chancel is carried by four free standing staves. The church has the largest number of staves to be found in any one stave church. It is the lar ...
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Sogndal Municipality
Sogndal is a List of municipalities of Norway, municipality in Vestland Counties of Norway, county, Norway. It is located on the northern shore of the Sognefjorden in the Districts of Norway, traditional district of Sogn. The village of Hermansverk is the administrative center of Sogndal municipality. Other villages include Kaupanger, Kjørnes, Fimreite, Nornes, Norway, Nornes, and Fjærland. Sogndal Airport, Haukåsen is located southwest of Kaupanger. The Norwegian language, Norwegian dialect spoken in Sogndal is called ''sognamål''. In 1917, a farmer in Sogndal (Kato Linde) plowed up the Eggja stone, a gravestone with runic alphabet, runic inscriptions important for the history of the Old Norse language. The municipality is the 84th largest by area out of the 356 municipalities in Norway. Sogndal is the 96th most populous municipality in Norway with a population of 12,097. The municipality's population density is and its population has increased by 10.8% over the previou ...
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Society For The Preservation Of Ancient Norwegian Monuments
Society for the Preservation of Ancient Norwegian Monuments ( no, Fortidsminneforeningen) is an organization focused on conservation preservation in Norway. The Society was founded in 1844. The founders were painters, historians, art historians and archeologists, including J. C. Dahl and Joachim Frich. Nicolay Nicolaysen became chairman in 1851 and from 1860 was the association antiquarian. The purpose of the association is to protect and preserve buildings, churches and other forms of cultural heritage. It owns forty structures directly, including the stave churches at Borgund, Urnes, Hopperstad and Uvdal. The Society has 18 county branches and 37 local branches in the counties. The branch structure resembles the county structure of Norway, except that Oslo and Akershus are together, Møre and Romsdal is split into Sunnmøre, Nordmøre and Romsdal, and the town of Røros is a division of its own. See also *Norwegian Directorate for Cultural Heritage The Directorat ...
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Chancel
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. I ...
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Baptistery
In Christian architecture the baptistery or baptistry (Old French ''baptisterie''; Latin ''baptisterium''; Greek , 'bathing-place, baptistery', from , baptízein, 'to baptize') is the separate centrally planned structure surrounding the baptismal font. The baptistery may be incorporated within the body of a church or cathedral, and provided with an altar as a chapel. In the early Church, the catechumens were instructed and the sacrament of baptism was administered in the baptistery. Design The sacramental importance and sometimes architectural splendour of the baptistery reflect the historical importance of baptism to Christians. The octagonal plan of the Lateran Baptistery, the first structure expressly built as a baptistery, provided a widely followed model. The baptistery might be twelve-sided, or even circular as at Pisa. In a narthex or anteroom, the catechumens were instructed and made their confession of faith before baptism. The main interior space centered upon the b ...
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Arne Nordheim
Arne Nordheim (20 June 1931 – 5 June 2010) was a Norwegian composer. Nordheim received numerous awards for his compositions, and from 1982 lived in the Norwegian government's honorary residence, Grotten, next to the Royal Palace in Oslo. He was elected an honorary member of the International Society for Contemporary Music in 1997. On 18 August 2006, Arne Nordheim received a doctor honoris causa degree at the Norwegian Academy of Music. He died at the age of 78 and was given a state funeral. Musical education At the then Oslo Conservatory of Music (now the Norwegian Academy of Music), where Nordheim studied from 1948 to 1952, he started out as a theory and organ student, but changed to composition, studying with Karl August Andersen (1903–1970), Bjarne Brustad, and Conrad Baden. Then in 1955 he studied with Vagn Holmboe in Copenhagen, and studied ''musique concrète'' in Paris. Later he studied electronic music in Bilthoven (1959), and paid many visits to the Studio Ekspe ...
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Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ...
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Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ...
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Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below. Most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some ...
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Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ...
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Sverris Saga
''Sverris saga'' is one of the Kings' sagas. Its subject is King Sverre Sigurdsson of Norway (r. 1177–1202) and it is the main source for this period of Norwegian history. As the foreword tells us, the saga in its final form consists of more than one part. Work first began in 1185 under the king’s direct supervision. It is not known when it was finished, but presumably it was well known when Snorri Sturluson began writing his ''Heimskringla'' in the 1220s since Snorri ends his account where ''Sverris saga'' begins. Thus the saga is contemporary or near-contemporary with the events it describes. The saga is obviously written by someone sympathetic to Sverre’s cause, but the strict demands of the genre ensure some degree of impartiality. Authorship and composition The first distinct part of the saga is called ''Grýla'' and describes the events until the aftermath of Sverre's first major victory at the Battle of Kalvskinnet (''slaget på Kalvskinnet'') outside Nidaros in ...
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Dendrochronology
Dendrochronology (or tree-ring dating) is the scientific method of dating tree rings (also called growth rings) to the exact year they were formed. As well as dating them, this can give data for dendroclimatology, the study of climate and atmospheric conditions during different periods in history from wood. Dendrochronology derives from Ancient Greek (), meaning "tree", (), meaning "time", and (), "the study of". Dendrochronology is useful for determining the precise age of samples, especially those that are too recent for radiocarbon dating, which always produces a range rather than an exact date. However, for a precise date of the death of the tree a full sample to the edge is needed, which most trimmed timber will not provide. It also gives data on the timing of events and rates of change in the environment (most prominently climate) and also in wood found in archaeology or works of art and architecture, such as old panel paintings. It is also used as a check in radiocar ...
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Sverre Of Norway
Sverre Sigurdsson ( non, Sverrir Sigurðarson) (c. 1145/1151 – 9 March 1202) was the king of Norway from 1184 to 1202. Many consider him one of the most important rulers in Norwegian history. He assumed power as the leader of the rebel party known as the Birkebeiner in 1177, during their struggle against King Magnus Erlingsson. After Magnus fell at the Battle of Fimreite in 1184, Sverre ruled as sole king of Norway. Differences with the Church, however, led to his excommunication in 1194. Another civil war began against the church-supported Baglers, which lasted beyond Sverre's death in 1202. The most important historical source on Sverre's life is his biography, the ''Sverris saga'', in part written while Sverre was alive. This saga is likely biased, since the foreword states that part was written under Sverre's direct sponsorship. Correspondence between the pope and the Norwegian bishops can be used as an alternate source when it comes to church affairs. The saga and the let ...
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