Katie Webster
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Katie Webster
Katie Webster (January 11, 1936 – September 5, 1999), born Kathryn Jewel Thorne, was an American boogie-woogie pianist. Career Webster was initially best known as a session musician behind Louisiana musicians on the Excello and Goldband record labels, such as Lightnin' Slim and Lonesome Sundown. She also played piano with Otis Redding in the 1960s, but after his death went into semi-retirement. In the 1980s she was repeatedly booked for European tours and recorded albums for the German record label, Ornament Records, with Gary Wiggins and Chris Rannenberg - ''The International Blues Duo''. She cut ''You Know That's Right'' with the band Hot Links, and the album that established her in the United States; ''The Swamp Boogie Queen'' with guest spots by Bonnie Raitt and Robert Cray. '' Two-Fisted Mama!'' was released in 1989. She performed at both the San Francisco Blues Festival and Long Beach Blues Festival. Webster suffered a stroke in 1993 while touring Greece but returned ...
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Houston
Houston (; ) is the most populous city in Texas, the most populous city in the Southern United States, the fourth-most populous city in the United States, and the sixth-most populous city in North America, with a population of 2,304,580 in 2020. Located in Southeast Texas near Galveston Bay and the Gulf of Mexico, it is the seat and largest city of Harris County and the principal city of the Greater Houston metropolitan area, which is the fifth-most populous metropolitan statistical area in the United States and the second-most populous in Texas after Dallas–Fort Worth. Houston is the southeast anchor of the greater megaregion known as the Texas Triangle. Comprising a land area of , Houston is the ninth-most expansive city in the United States (including consolidated city-counties). It is the largest city in the United States by total area whose government is not consolidated with a county, parish, or borough. Though primarily in Harris County, small portions of the ...
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Ornament Records
Ornament Records is a German record label set up in 1972 by Siegfried A. "Ziggy" Christmann. It initially specialised in issuing live recordings of blues artists who were touring Germany. Soon the label started releasing jazz and German (especially Moselle Franconian) folk music as well. Artists who were recorded for the label or in some cases whose US recordings were released on the label included Doctor Ross, Willie Mabon, John Lee Hooker, Blind John Davis, Jim Kahr Group, Champion Jack Dupree, Sunnyland Slim, Tommy Tucker, Big Joe Williams, Fernest Arceneaux, Louisiana Red, Al Rapone, Katie Webster, Big Jay McNeely, Detroit Gary Wiggins & Chris Rannenberg as the International Blues Duo and Black Cat Bone. Almost all of the label's original blues LPs were—some with additional bonus tracks—re-released on CD on the CMA label in 1991. Some of these were released again on the Chrisly label in 2000 under the Ornament Blues Masters series. Ornament also had two short-l ...
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Louisiana Blues
Louisiana blues is a genre of blues music that developed in the period after World War II in the state of Louisiana. It is generally divided into two major subgenres, with the jazz-influenced New Orleans blues based on the musical traditions of that city and the slower tempo swamp blues incorporating influences from zydeco and Cajun music from around Baton Rouge. Major artists in the New Orleans tradition include Professor Longhair and Guitar Slim and for swamp blues Slim Harpo and Lightnin' Slim. Both genres peaked in popularity in the 1960s; interest declined in the later 1960s, but there have been occasional revivals since the 1970s. New Orleans blues The blues that developed in the 1940s and 1950s in and around the city of New Orleans was strongly influenced by jazz and incorporated Caribbean influences, it is dominated by piano and saxophone but has also produced major guitar bluesmen. Major figures in the genre include Professor Longhair and Guitar Slim, who both produce ...
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List Of New Orleans Blues Musicians
New Orleans blues is a subgenre of blues that developed in and around the city of New Orleans, influenced by jazz and Caribbean music. It is dominated by piano and saxophone, but also produced guitar bluesmen. Characteristics As a style, New Orleans blues is primarily driven by piano and horn, enlivened by Caribbean rhythms and Dixieland music. It is generally cheerful in delivery regardless of the subject, with a laid back tempo and complex rhythms falling just behind the beat. Vocals range from laid-back crooning to full-throated gospel shouting. History New Orleans is generally credited as the birthplace of jazz music, but has attracted less attention as a center of the blues. The 12-bar blues were well known in the city before most of the rest of the country. Buddy Bolden's band was remembered at excelling on playing blues before 1906. Anthony Maggio's "I Got the Blues" was an early example of published blues sheet music from 1908. The Original Dixieland Jass Band's ...
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Swamp Blues
Swamp blues is a type of Louisiana blues that developed in the Black communities of Southwest Louisiana in the 1950s.Malone, Evelyn Levingston, "Swamp Blues: Race And Vinyl From Southwest Louisiana" (2016). Publicly Accessible Penn Dissertations. 2457. https://repository.upenn.edu/edissertations/2457 It incorporates influences from other genres, particularly zydeco and Cajun. Its most successful proponents include Slim Harpo and Lightnin' Slim, who enjoyed national rhythm and blues hits. Characteristics Swamp blues has a laid-back, slow tempo, and generally is a more rhythmic variation of Louisiana blues, incorporating influences from New Orleans blues, zydeco, soul music and Cajun music. It is characterized by simple but effective guitar work and is influenced by the boogie patterns used on Jimmy Reed records and the work of Lightnin' Hopkins and Muddy Waters.. The sound of swamp blues was characterized by "eerie echo, shuffle beats, tremolo guitars, searing harmonica and spa ...
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Music Of Louisiana
The music of Louisiana can be divided into three general regions: rural south Louisiana, home to Creole Zydeco and Old French (now known as cajun music), New Orleans, and north Louisiana. The region in and around Greater New Orleans has a unique musical heritage tied to Dixieland jazz, blues, and Afro-Caribbean rhythms. The music of the northern portion of the state starting at Baton Rouge and reaching Shreveport has similarities to that of the rest of the US South. Southern region The music of rural south Louisiana features significant input from non-Creoles, most notably African Americans who are critical to the cultural/musical identity. Four main musical genres are indigenous to this area — Creole music (i.e. zydeco), swamp pop, and swamp blues. These historically-rooted genres, with unique rhythms and personalities, have been transformed with modern sounds and instruments. The southwestern and south central Louisiana areas herald many artists and songs that have become ...
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New Orleans Rhythm And Blues
New Orleans rhythm and blues is a style of rhythm and blues that originated in New Orleans. It was a direct precursor to rock and roll and strongly influenced ska. Instrumentation typically includes drums, bass, piano, horns, electric guitar, and vocals. The style is characterized by syncopated " second line" rhythms, a strong backbeat, and soulful vocals. Artists such as Roy Brown, Dave Bartholomew, and Fats Domino are representative of the New Orleans R&B sound.McKnight Mark, "Researching New Orleans Rhythm and Blues," ''Black Music Research Journal'' 8/1 (1988), p. 115 Characteristics New Orleans rhythm and blues can be characterized by predominant piano, "singing" horns, and call-and-response elements.Jason Berry, Jonathon Foose, and Tad Jones, ''Up From the Cradle of Jazz'' (Athens: University of Georgia Press, 1986), p. 5, Clear influences of Kansas City Swing bands can be heard through the extensive use of trumpet and saxophone solos.Gérard Herzhaft, ''Encyclopedia of t ...
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List Of Louisiana Blues Musicians
Louisiana blues is a genre of blues music that developed in the period after World War II in the state of Louisiana. It is generally divided into two major subgenres, with the jazz-influenced New Orleans blues based on the musical traditions of that city and the slower tempo swamp blues incorporating influences from zydeco and Cajun music from around Baton Rouge. Major artists in the New Orleans tradition include Professor Longhair and Guitar Slim and for swamp blues Slim Harpo and Lightnin' Slim. Both genres peaked in popularity in the 1960s; interest declined in the later 1960s, but there have been occasional revivals since the 1970s. New Orleans blues The blues that developed in the 1940s and 1950s in and around the city of New Orleans was strongly influenced by jazz and incorporated Caribbean influences, it is dominated by piano and saxophone but has also produced major guitar bluesmen. Major figures in the genre include Professor Longhair and Guitar Slim, who both produced ...
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List Of Swamp Blues Musicians
Blues musicians are musical artists who are primarily recognized as writing, performing, and recording blues music. They come from different eras and include styles such as ragtime-vaudeville, Delta and country blues, and urban styles from Chicago and the West Coast. In the last several decades, blues music has developed a less regional character and has been influenced by rhythm and blues, rock, and other popular music. Pre-1940 blues 1940–1979 blues Blues since 1980 See also *Lists of blues musicians by genre * '''' References Citations Sources * * * * * * {{blues, state=collapsed Blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the Afr ...
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Long Beach Blues Festival
The Long Beach Blues Festival, in Long Beach, California, United States, was established in full in 1980, and was one of the largest blues festivals and was the second oldest on the West coast of the United States, West Coast (first being the San Francisco Blues Festival). It was held on Saturday and Sunday of Labor Day weekend. For many years it was held on the athletic field on the California State University, Long Beach campus. The 2009 festival, the 30th annual, was held at Rainbow Lagoon in downtown Long Beach. The Festival went on hiatus in 2010, and has not been held since. The festival was organized and used as a Fundraising, fund raiser by KKJZ, a publicly supported radio station on the CSULB campus broadcasting blues and jazz in Southern California. History The Festival was started in 1980 by jazz radio station KLON (later renamed to KKJZ) in Long Beach, California under the direction of Bernie Pearl, who was the host of a blues program "Nothing But The Blues" on KLO ...
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San Francisco Blues Festival
The San Francisco Blues Festival was active from 1973 until 2008, and was located in San Francisco, California. It was the one of the longest running blues festival in the United States. History Tom Mazzolini, the event's producer, founded the blues festival to educate the public about the history and evolution of the blues. Many of the performers at the early concerts were the pioneers and originators of the West Coast blues sound. In 2008, Mazzolini announced that after 37 consecutive years, the festival was forced to cease production due to economic reasons. Notable performers The 1970s 1973 Jimmy McCracklin, Charlie Musselwhite, Dave Alexander, K. C. Douglas, Little Willie Littlefield, L. C. Robinson, Luther Tucker, Johnny Fuller, Gary Smith Blues Band, Mr. Boogie, The Hi Tide Harris Blues Band 1974 Little Joe Blue, Sugar Pie DeSanto, Mark St. Mary, Cool Papa, Robert Lowery, K. C. Douglas, L. C. Robinson, Boogie Jake, Dave Alexander 1975 Queen Ida, Sonn ...
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Two-Fisted Mama!
''Two-Fisted Mama!'' is an album by the American musician Katie Webster, released in 1989. Webster promoted the album with a North American tour. The album was nominated for a Bammy Award, in the "Blues Album" category. Production The album was produced by Webster, Bruce Iglauer, Vasti Jackson, and Ice Cube Slim. The Memphis Horns guested on ''Two-Fisted Mama!'' Webster wrote or cowrote six of the album's songs; " So Far Away" is a cover of the Dire Straits song. "Red Negligee" is done in a talking blues style. Many songs address women listeners by providing relationship advice. Critical reception Robert Christgau wrote: "Boogie as in woogie, not as in bar band, is her gift—a rolling piano style she certainly didn't invent and just as certainly owns—and here the experts get it down." ''Newsday'' noted that, "like most great blues artists, she uses the irregular, the unexpected, to make musical points; where others might use a melisma, she sings the phrase straight and sweet ...
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