Kate Champion
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Kate Champion
Kate Champion is an Australian choreographer and artistic director. Biography Champion is the incoming artistic director of Black Swan State Theatre Company. She was the founding artistic director/CEO of Force Majeure (2002–2015), an influential dance theatre company based in Sydney. Champion has worked in theatre, dance, film, circus, opera and musical theatre with arts companies and institutes including Belvoir, Sydney Theatre Company, State Theatre Company of South Australia, Performing Lines, The English National Opera, Opera Australia, The Hayes Theatre, Ensemble, NIDA, NICA and National Theatre of Parramatta. Champion choreographed the original stage version of Dirty Dancing (Australia, UK, US, Europe). She has created and performed two critically acclaimed solo shows, Face Value and About Face. As artistic director of Force Majeure, Kate co-devised and directed ''Same, Same But Different, Already Elsewhere, Tenebrae, The Age I’m In, Not in a Million Years'', and '' ...
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Black Swan State Theatre Company
Black Swan State Theatre Company (formerly The Black Swan Theatre Company) is Western Australia's state theatre company. It runs an annual subscription season in Perth at the State Theatre Centre of Western Australia, tours its productions regionally and interstate, and screens live broadcasts around the state. Black Swan's Artistic Director is Clare Watson; past artistic directors include Kate Cherry, Andrew Ross and Tom Gutteridge. History Black Swan's inaugural production was ''Twelfth Night'' in 1991. The Australian’s Alison Farmer claimed that the new company "soared triumphant", and that "at last West Australian theatre can be said to have found its own unique way of dealing with the Bard". Black Swan's founding Artistic Director was Andrew Ross; he held the position until 2003. Black Swan's office and rehearsal room was located at the Old Masonic Hall in Nedlands, and its productions were performed in various theatres around Perth. Some of its productions from this ...
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Australian Dance Theatre
Australian Dance Theatre (ADT), known as Meryl Tankard Australian Dance Theatre from 1993 to 1999, is a contemporary dance company based in Adelaide, South Australia, established in 1965 by Elizabeth Cameron Dalman . The ADT was the first modern dance company in Australia, and drew on the techniques of Martha Graham for its inspiration. The company has garnered many industry awards, was the first Australian company invited to the Edinburgh Festival, and is the only Australian company to be invited to perform at Théâtre de la Ville in Paris. The company has toured performances extensively throughout Australia as well as internationally. the artistic director of the company is Daniel Riley, who took over after Garry Stewart had spent 22 years at the helm. History The Australian Dance Theatre was founded by Elizabeth Dalman (later Elizabeth Cameron Dalman ) in 1965. Dalman sought to "open the horizons for provocative contemporary and cutting edge dance". The ADT was the first ...
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Dublin Theatre Festival
The Dublin Theatre Festival is Europe's oldest specialised theatre festival. It was founded by theatre impresario Brendan Smith in 1957 and has, with the exception of two years, produced a season of international and Irish theatre each autumn. It is one of a number of key post-World War II events established to foster tolerance and cultural understanding between nations. Over the past five decades, the festival has become a crucial part of Ireland's cultural landscape. It has played a dual role as a window to world theatre, having presented almost every great theatre artist of the late 20th century, and as a champion of Irish writing on the world stage The Festival is unique in its ability to stage major international theatre of scale, and has hosted productions by the world's most highly regarded artists, while also premiering work by Ireland's leading playwrights. History The Dublin Theatre Festival was founded by Brendan Smith, who also ran the Olympia Theatre and the Br ...
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Adelaide Festival
The Adelaide Festival of Arts, also known as the Adelaide Festival, an arts festival, takes place in the South Australian capital of Adelaide in March each year. Started in 1960, it is a major celebration of the arts and a significant cultural event in Australia. The festival is based chiefly in the city centre and its parklands, with some venues in the inner suburbs (such as the Odeon Theatre, Norwood) or occasionally further afield. The Adelaide Festival Centre and River Torrens usually form the nucleus of the event, and in the 21st century Elder Park has played host to opening ceremonies. It comprises many events, usually including opera, theatre, dance, classical and contemporary music, cabaret, literature, visual art and new media. The four-day world-music event, WOMADelaide, and the literary festival, Adelaide Writers' Week, form part of the Festival. The festival originally operated biennially, along with the (initially unofficial) Adelaide Fringe; the Fringe has ta ...
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Melbourne Festival
Melbourne International Arts Festival, formerly Spoleto Festival Melbourne – Festival of the Three Worlds, then Melbourne International Festival of the Arts, becoming commonly known as Melbourne Festival, was a major international arts festival held in Melbourne, Australia, from 1986 to 2019. It was to be superseded by a new festival called Rising from 2020 (which was subsequently derailed by the COVID-19 pandemic in Australia). History Names Spoleto Melbourne – Festival of the Three Worlds, under the direction of composer Gian Carlo Menotti, was established in 1986 by the Cain government, as a sister festival of the Festival dei Due Mondi in Spoleto and the Spoleto Festival USA held in Charleston, South Carolina. The festival changed its name to the Melbourne International Festival of the Arts in 1990. It then became known as Melbourne International Arts Festival from 2003, becoming commonly known as Melbourne Festival. The Festival was later renamed Melbourne Interna ...
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Brisbane Festival
Brisbane Festival is one of Australia's leading international arts festivals, and is held each September in Brisbane, Australia. Its presence dominates the city for three weeks in September and its line-up of classical and contemporary music, theatre, dance, comedy, opera, circus and major public events such as Riverfire attracts an audience of around one million people every year. In 2019, Artistic Director David Berthold transformed the Festival into Australia's largest major international arts festival, presenting more works to more people than any other. History Brisbane Festival was first held in 1996 as a joint initiative of the Queensland Government and Brisbane City Council, intended to foster the arts. The festival evolved from Brisbane's Warana Festival, first held in 1961. Originally held biennially, Brisbane Festival became an annual event in 2009 when it merged with Riverfire. The festival has had five artistic directors; Tony Gould (1996–2004), Lyndon Terra ...
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Sydney Festival
Sydney Festival is a major arts festival in Australia's largest city, Sydney that runs for three weeks every January, since it was established in 1977. The festival program features in excess of 100 events from local and international artists and includes contemporary and classical music, dance, circus, drama, visual arts and artist talks. The festival attracts approximately 500,000 people to its large-scale free outdoor events and 150,000 to its ticketed events, and contributes more than A$55 million to the economy of New South Wales. History The origins of the Sydney Festival are in the Waratah Festival which was established in 1956 by the Sydney Committee and took place from late October to early November, coinciding with the blooming of the NSW emblematic flower the Waratah. It was an important cultural event which included a parade, a popular art competition, beauty contests, exhibitions, performances and the Lord Mayor's reception at the Sydney Town Hall. Sydney Festival ...
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Cloudstreet
''Cloudstreet'' is a novel by Australian writer Tim Winton published in 1991. It chronicles the lives of two working-class families, the Pickles and the Lambs, who come to live together in a large house called Cloudstreet in Perth, Western Australia, over a period of twenty years, 1943 to 1963. The novel received several awards, including a Miles Franklin Award in 1992, and has been adapted into various forms, including a stage play and a television miniseries. In 2022, the novel was included on the "Big Jubilee Read" list of 70 books by Commonwealth authors, selected to celebrate the Platinum Jubilee of Elizabeth II. Plot summary In 1943, precipitated by separate personal tragedies, two poor families, the Lambs and the Pickles, flee their rural homes to share a large house called Cloudstreet in Perth, Western Australia. The Pickles include the father, Sam, the mother, Dolly, and their three children, Ted, Rose, and Chub. The Lambs are led by father, Lester, and mother, Ori ...
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Neil Armfield
Neil Geoffrey Armfield (born 22 April 1955) is an Australian director of theatre, film and opera. Biography Born in Sydney, Armfield is the third and youngest son of Len, a factory worker at the nearby Arnott's Biscuits factory and Nita Armfield. He was brought up in the suburb of Concord, adjacent to Exile Bay. He was educated at the Homebush Boys High School where, in 1972, he was the Vice-Captain. In that year, Armfield directed the school's production of Milne's "Toad of Toad Hall" which garnered him the award of "Best Director" at the NSW High Schools Drama Festival. When asked in 2019: “Who or what was your biggest influence?” Armfield said; “Lindsay Daines at Homebush State High School, who encouraged my theatrical aspirations.” He then went on to study at the University of Sydney, graduating in 1977, and became Co-Artistic Director of the Nimrod Theatre Company in 1979. He joined South Australia's Lighthouse Theatre before returning to Sydney in 1985, where h ...
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Green Room Award
The Green Room Awards are peer awards which recognise excellence in cabaret, dance, drama, fringe theatre, musical theatre and opera in Melbourne. The awards were started in 1982 when Blair Edgar and Steven Tandy formed the Green Room Awards Association. The inaugural awards ceremony was held in 1984 at the Melbourne Concert Hall. The association today is composed of members of Melbourne's performing arts community, including journalists, performers, writers, directors, choreographers, academics, theatre technicians and administrators. The current patrons of the association are Rachel Griffiths and David Atkins. Previous winners include Dale Ferguson, David Hersey, Stephen Baynes, Greg Horsman, Eddie Perfect, Laurie Cadevida, Stephen Daldry, Genevieve Lemon, Michael Dameski, Julian Gavin, and Steve Mouzakis. Award categories As of 2013, award categories include: Theatre (companies) *Production *Direction *Female actor *Male actor *Ensemble *Set/costume *Lighting *Sound/c ...
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Robert Helpmann
Sir Robert Murray Helpmann CBE ( Helpman, 9 April 1909 – 28 September 1986) was an Australian ballet dancer, actor, director, and choreographer. After early work in Australia he moved to Britain in 1932, where he joined the Vic-Wells Ballet (now The Royal Ballet) under its creator, Ninette de Valois. He became one of the company's leading men, partnering Alicia Markova and later Margot Fonteyn. When Frederick Ashton, the company's chief choreographer, was called up for military service in the Second World War Helpmann took over from him while continuing as a principal dancer. Helpmann, from the outset of his career was an actor as well as a dancer, and in the 1940s he turned increasingly to acting in plays, at the Old Vic and in the West End. Most of his roles were in Shakespeare plays but he also appeared in works by Shaw, Coward, Sartre and others. As a director his range was wide, from Shakespeare to opera, musicals and pantomime. Helpmann became co-director of the Austra ...
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Enter Achilles
''Enter Achilles'' is a performance created by the dance and theatre company DV8 Physical Theatre and directed by Lloyd Newson. First performed on 7 June 1995 at Vienna Festwochen in Vienna, Austria, the piece initially toured around the UK and Europe in 1995, before moving to Australia in early 1996. The performance was later revived and toured in 1997, visiting Europe and North America, and again in 1998, where it toured Europe and Japan. An award-winning film version was released in 1996. It was revived in a new production in 2020, premiering at the Adelaide Festival. Description The performance, with a run time of 75 minutes, explores masculinity and our perception of the stereotypical "bloke". Set in a dark, dusty, British pub, a group of men gather around the blasting jukebox, a pint in one hand and a cigarette in the other. Movement- and dance-based, this physical theatre performance uncovers the men's insecurities and vulnerability. The concept of gender is investig ...
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