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Kassav'
Kassav' is a French Caribbean band formed in Guadeloupe in 1979. The core members of the band are Jacob Desvarieux, Jocelyne Béroard, Jean-Philippe Marthély, Patrick St. Eloi, Jean-Claude Naimro, Claude Vamur, and Georges Décimus (who left to form Volt Face and returned). Kassav' have issued over 20 albums, with a further 12 solo albums by band members. The music of Kassav' is an extension of cadence-lypso or compas bands, such as Grammacks, Exile One, Les Aiglons and Experience 7 of the 1970s. History Kassav' was formed in 1979 by Pierre-Edouard Décimus (former musicians from the Les Vikings de Guadeloupe) and Paris studio musician Jacob Desvarieux. Together and under the influence of well-known Dominican, Haitian and Guadeloupean kadans or compas bands like Experience 7, Grammacks, Exile One, Les Aiglons, Tabou Combo, Les Freres Dejean, etc., they decided to make Guadeloupean carnival music recording it in a more fully orchestrated yet modern and polished ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Desvarieux (deceased)
Kassav' is a French Caribbean band formed in Guadeloupe in 1979. The core members of the band are Jacob Desvarieux, Jocelyne Béroard, Jean-Philippe Marthély, Patrick St. Eloi, Jean-Claude Naimro, Claude Vamur, and Georges Décimus (who left to form Volt Face and returned). Kassav' have issued over 20 albums, with a further 12 solo albums by band members. The music of Kassav' is an extension of cadence-lypso or compas bands, such as Grammacks, Exile One, Les Aiglons and Experience 7 of the 1970s. History Kassav' was formed in 1979 by Pierre-Edouard Décimus (former musicians from the Les Vikings de Guadeloupe) and Paris studio musician Jacob Desvarieux. Together and under the influence of well-known Dominican, Haitian and Guadeloupean kadans or compas bands like Experience 7, Grammacks, Exile One, Les Aiglons, Tabou Combo, Les Freres Dejean, etc., they decided to make Guadeloupean carnival music recording it in a more fully orchestrated yet modern and polished ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Desvarieux
Kassav' is a French Caribbean band formed in Guadeloupe in 1979. The core members of the band are Jacob Desvarieux, Jocelyne Béroard, Jean-Philippe Marthély, Patrick St. Eloi, Jean-Claude Naimro, Claude Vamur, and Georges Décimus (who left to form Volt Face and returned). Kassav' have issued over 20 albums, with a further 12 solo albums by band members. The music of Kassav' is an extension of cadence-lypso or compas bands, such as Grammacks, Exile One, Les Aiglons and Experience 7 of the 1970s. History Kassav' was formed in 1979 by Pierre-Edouard Décimus (former musicians from the Les Vikings de Guadeloupe) and Paris studio musician Jacob Desvarieux. Together and under the influence of well-known Dominican, Haitian and Guadeloupean kadans or compas bands like Experience 7, Grammacks, Exile One, Les Aiglons, Tabou Combo, Les Freres Dejean, etc., they decided to make Guadeloupean carnival music recording it in a more fully orchestrated yet modern and polished ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jocelyne Béroard
Jocelyne Béroard (born 12 September 1954) is a Martinican singer and songwriter. She is one of the lead singers of the Zouk and Compas band Kassav'. As a solo artist, she helped create zouk Beton, a music genre started by Kassav'. The main members are from Guadeloupe and Martinique. Biography Béroard was born in Fort-de-France, Martinique, and studied in France, attending the National School of Fine Arts in Paris, before beginning to work with Caribbean artistes as a background singer in 1980. She has served as a lead singer of Kassav' since 1983. She has also recorded several albums as a solo artist. In 1986, she won a Gold Disc for her album ''Siwo'' (the all-time biggest seller for an album by a female in the West Indies). In 1987, she recorded a duet with Philippe Lavil, the hit single " Kolé séré", which peaked at number four in France. In 1999, she was made a Chevalier de la Légion d’Honneur. In 2014, she sang "On n'oublie pas" (written by Serge Bilé) with s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Guadeloupe
The music of Guadeloupe encompasses a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Guadeloupe and Martinique.Ledesma and Scaramuzzo, pgs. 289-303 Zouk's origins are in the folk music of Guadeloupe and Martinique, especially Guadeloupan gwo ka and Martinican chouval bwa, and the pan-Caribbean calypso tradition. Folk music Carnival is a very important festival in Guadeloupe and Martinique. Music plays a vital role, with Guadeloupean gwo ka ensembles, zouk music and guadeloupean big bands marching across the island, and travelling and performing music known as C (or just ''videé'') in a manner akin to Brazilian samba schools. Carnival in both islands declined following World War II, bouncing back with new band formats and new traditions only in the 1980s. Both islands feature participator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Guadeloupe
The music of Guadeloupe encompasses a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Guadeloupe and Martinique.Ledesma and Scaramuzzo, pgs. 289-303 Zouk's origins are in the folk music of Guadeloupe and Martinique, especially Guadeloupan gwo ka and Martinican chouval bwa, and the pan-Caribbean calypso tradition. Folk music Carnival is a very important festival in Guadeloupe and Martinique. Music plays a vital role, with Guadeloupean gwo ka ensembles, zouk music and guadeloupean big bands marching across the island, and travelling and performing music known as C (or just ''videé'') in a manner akin to Brazilian samba schools. Carnival in both islands declined following World War II, bouncing back with new band formats and new traditions only in the 1980s. Both islands feature participator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Martinique
The music of Martinique has a heritage which is intertwined with that of its sister island, Guadeloupe. Despite their small size, the islands have created a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Martinique and Guadeloupe.Ledesma and Scaramuzzo, pgs. 289–303 Zouk's origins are in the folk music of Martinique and Guadeloupe, especially Martinican chouval bwa, and Guadeloupan gwo ka. There's also notable influence of the pan-Caribbean calypso tradition and Haitian kompa. Folk music Carnival is a very important festival, known as Vaval on Martinique. Music plays a vital role, with Martinican big bands marching across the island. Vaval declined following World War II, bouncing back with new band formats and new traditions only in the 1980s. Like Guadeloupe, Martinique features part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zouk (musical Movement)
Zouk is a musical movement pioneered by the French Antillean band Kassav' in the early 1980s. It was originally characterized by a fast tempo (120–145 bpm), a percussion-driven rhythm and a loud horn section. The fast zouk béton of Martinique and Guadeloupe faded away during the 1980s. Musicians from Martinique and Guadeloupe added MIDI instrumentation to their compas style, which developed into zouk-love. Zouk-love is effectively the French Lesser Antilles' compas.Popular Musics of the Non Western World. Peter Manuel, New York Oxford University Press, 1988, p74 Zouk gradually became indistinguishable from the genre known as compas. This light compas influenced the Cape-Verdean new generation. Zouk béton The original fast carnival style of zouk, best represented by the band Kassav', became known as "zouk béton", "zouk chiré" or "zouk hard". Zouk béton is considered a synthesis of various French Antillean dance music styles of the 20th century: kadans (cadence), konpa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mazurka
The mazurka ( Polish: ''mazur'' Polish ball dance, one of the five Polish national dances and ''mazurek'' Polish folk dance') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka (in Polish ''mazur'', the same word as the mazur) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form. History The folk origins of the ''mazurka'' are three Polish folk dances which are: * '' mazur'', most characteristic due to its inconsistent rhythmic accents, * slow and melancholic ''kujawiak'', * fast '' oberek''. The ''mazurka'' is always found to have either a triplet, trill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compas
Compas, also known as compas direct or compas direk (; Haitian Creole: ''konpa'', ''kompa'' or ''kompa dirèk''), is a modern méringue dance music genre of Haiti. The genre was popularized following the creation of Ensemble Aux Callebasses in (1955), which became Ensemble Nemours Jean-Baptiste In 1957. The frequent tours of the many Haitian bands have cemented the style in all the Caribbean. Therefore, compas is the main music of several countries such as Dominica and the French Antilles. Whether it is called zouk, where French Antilles artists of Martinique and Guadeloupe have taken it, or compas in places where Haitian artists have toured, this méringue style is influential in part of the Caribbean, Portugal, Cape Verde, France, part of Canada, South and North America. Etymology and characteristics The word "Compas" means "measure" in Spanish or "rhythm", and one of the most distinctive characteristics of compas is the consistent pulsating tanbou beat, a trait common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compas
Compas, also known as compas direct or compas direk (; Haitian Creole: ''konpa'', ''kompa'' or ''kompa dirèk''), is a modern méringue dance music genre of Haiti. The genre was popularized following the creation of Ensemble Aux Callebasses in (1955), which became Ensemble Nemours Jean-Baptiste In 1957. The frequent tours of the many Haitian bands have cemented the style in all the Caribbean. Therefore, compas is the main music of several countries such as Dominica and the French Antilles. Whether it is called zouk, where French Antilles artists of Martinique and Guadeloupe have taken it, or compas in places where Haitian artists have toured, this méringue style is influential in part of the Caribbean, Portugal, Cape Verde, France, part of Canada, South and North America. Etymology and characteristics The word "Compas" means "measure" in Spanish or "rhythm", and one of the most distinctive characteristics of compas is the consistent pulsating tanbou beat, a trait common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guadeloupe
Guadeloupe (; ; gcf, label= Antillean Creole, Gwadloup, ) is an archipelago and overseas department and region of France in the Caribbean. It consists of six inhabited islands— Basse-Terre, Grande-Terre, Marie-Galante, La Désirade, and the two inhabited Îles des Saintes—as well as many uninhabited islands and outcroppings. It is south of Antigua and Barbuda and Montserrat, north of the Commonwealth of Dominica. The region's capital city is Basse-Terre, located on the southern west coast of Basse-Terre Island; however, the most populous city is Les Abymes and the main centre of business is neighbouring Pointe-à-Pitre, both located on Grande-Terre Island. It had a population of 384,239 in 2019.Populations légales 2019: 971 Guadeloupe INSEE Like the other overseas departm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Aiglons
Les Aiglons was a 1970s Guadeloupean cadence band. Their single "Cuisse-la" was the greatest selling record of any Antillean band until Kassav's ''Zouk la sé sèl médikaman nou ni'' in 1985. History Les Aiglons was a classic Guadeloupean band of the '70s kadans era who were heavily influenced by the Haitian music that overwhelmed the Antilles from the late '50s' to the early 80s. The full-horn section kadans band Exile One led by Gordon Henderson was the first to introduce the newly arrived synthesizers to their music that other young cadence or compas bands from Haiti (mini-jazz Mini-jazz ( ht, mini-djaz) is a reduced méringue-compas band format of the mid-1960s characterized by the rock band formula of two guitars, one bass, and drum-conga-cowbell; some use an alto sax or a full horn section, while others use a keyb ...) and the French Antilles emulated in the 1970s. les Aiglons took it to another level after creating "Cuisse-la" a style that featured a full-horn sect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |