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Kashchey The Immortal
''Kashchey the Immortal'' (subtitle: A Little Autumn Fairy Tale) ( rus, Кащей бессмертный, Kashchéy bessmértny , ''Kashchey the Immortal'') is a one-act opera in three scenes by Nikolai Rimsky-Korsakov. The libretto was written by the composer, and is based on a Russian fairy tale about Koschei the Deathless, an evil, ugly old wizard, who menaced principally young women. Rimsky-Korsakov perceived it as 'an autumn tale' that is juxtaposed to his previous 'spring tale', ''The Snow Maiden''. A similar fairy tale was also used by Igor Stravinsky (Rimsky-Korsakov's pupil) and Michel Fokine to create their iconic ballet, ''The Firebird''. The opera was composed during 1901–1902 and the work was completed in 1902. It was first performed the same year in Moscow. Performance history The premiere took place on 25 December ( O.S. 12 December) 1902 at the Solodovnikov Theater in Moscow. It was conducted by Mikhail Ippolitov-Ivanov with set designs by Sergey Malyutin. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsky-Korsakow''.The BGN/PCGN transliteration of Russian is used for his name here. ALA-LC system: Nikolaĭ Andrevich Rimskiĭ-Korsakov, ISO 9 system: Nikolaj Andreevič Rimskij-Korsakov. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—'' Capriccio Espagnol'', the ''Russian Easter Festival Overture'', and the symphonic suite ''Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Ippolitov-Ivanov
Mikhail Mikhailovich Ippolitov-Ivanov (russian: Михаи́л Миха́йлович Ипполи́тов-Ива́нов; 28 January 1935) was a Russian and Soviet composer, conductor and teacher. His music ranged from the late-Romantic era into the 20th century era. Biography He was born in 1859 at Gatchina, near St. Petersburg, where his father was a mechanic employed at the palace. His birth name was Mikhail Mikhailovich Ivanov; later he added Ippolitov, his mother's maiden name, to distinguish himself from a composer and music critic with an identical name ( Mikhail Ivanov). He studied music at home and was a choirboy at the cathedral of St. Isaac, where he also had musical instruction, before entering the St. Petersburg Conservatory in 1875. In 1882 he completed his studies as a composition pupil of Rimsky-Korsakov, whose influence was to remain strong. Ippolitov-Ivanov's first appointment was to the position of director of the music academy and conductor of the orc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CitiOpera
CitiOpera was originally known as Melbourne City Opera, which in turn produced the "spin off" company, Melbourne Opera. CitiOpera is a semi-professional opera company based in Melbourne, Australia. Formed in 1997, it was the successor of Globe Opera. In 2007 the company began performing at the BMW Edge, a 450-seat indoor amphitheatre located in Federation Square. Initially the company made its home at the National Theatre, the Comedy Theatre and later at the Melbourne Athenaeum, and featured Suzanne Steele, Ronald Dowd, Margaret Nisbett, Maureen Howard, and Ron Stevens in productions of ''La bohème'', ''Faust'', ''Carmen'', ''Pagliacci'', ''Cavalleria rusticana'', ''Madama Butterfly'', ''The Merry Widow'', ''Die Fledermaus'', ''The Student Prince'', and many others. The 2007 season began with productions of Verdi's ''Il corsaro'', ''Attila'' and ''The Pavarotti Story'', devised and narrated by director Joseph Talia and conducted by Erich Fackert. In 2008 the season comme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melbourne Recital Centre
Melbourne Recital Centre is a venue for live music in Melbourne and welcomes over 200,000 visitors each year. The organisation programs and presents more than 500 concerts and events a year across diverse range of musical genres including classical and chamber, contemporary, pop, folk, rock, electronica, indie, jazz, cabaret and world music. It was opened in 2009, as part of the Melbourne Recital Centre and Melbourne Theatre Company Southbank Theatre complex designed by Ashton Raggat McDougall, and is located on the corner of Southbank Boulevard and Sturt Street in the Melbourne Arts Precinct, Southbank. It is Melbourne's second largest auditorium for classical music (after Hamer Hall in Arts Centre Melbourne). Facilities The centre features two auditoria, the Elisabeth Murdoch Hall, and a smaller Salon. The former, a "modified shoe box" shaped music venue, is named after Dame Elisabeth Murdoch. It has seating for 1000 on two levels and was designed by Ashton Raggatt McDougall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Bogart
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", "Dick", "Dickon", " Dickie", "Rich", "Rick", "Rico", "Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (other) * Ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
