Karl Maria Zwißler
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Karl Maria Zwißler
Karl Maria Zwißler (12 August 1900 – 15 September 1984) was a German conductor, and academic. He was for decades the Generalmusikdirektor and Intendant of the Staatstheater Mainz. He taught conducting at the music universities of Stuttgart and Frankfurt. Career Born in Ludwigshafen am Rhein, Zwißler studied at the music universities of Heidelberg and Munich from 1920 to 1924, and the following year at the Akademie der Künste in Berlin. Among his teachers were Bernhard Sekles, Hans Knappertsbusch, Hans Pfitzner and Erich Kleiber, among others.Wolfgang Balzer: ''Mainz – Persönlichkeiten der Stadtgeschichte.'' vol II: ''Personen des religiösen Lebens, Personen des politischen Lebens, Personen des allgemein kulturellen Lebens, Wissenschaftler, Literaten, Künstler, Musiker.'' Druckerei und Verlag Gebr. Kügler, Mainz 1989, pp 362–363. From 1924 he was Kapellmeister at the Bavarian State Opera. Three years later he went as conductor to the ''Deutsche Oper'' (German Op ...
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Ludwigshafen Am Rhein
Ludwigshafen, officially Ludwigshafen am Rhein (; meaning " Ludwig's Port upon Rhine"), is a city in the German state of Rhineland-Palatinate, on the river Rhine, opposite Mannheim. With Mannheim, Heidelberg, and the surrounding region, it forms the Rhine Neckar Area. Known primarily as an industrial city, Ludwigshafen is home to BASF, the world's largest chemical producer, and other companies. Among its cultural facilities are the Staatsphilharmonie Rheinland-Pfalz. It is the birthplace and deathplace of the former German chancellor Helmut Kohl. In 2012, Ludwigshafen was classified as a global city with ' Sufficiency' status by the Globalization and World Cities Research Network (GaWC). History Early history In antiquity, Celtic and Germanic tribes settled in the Rhine Neckar area. During the 1st century B.C. the Romans conquered the region, and a Roman auxiliary fort was constructed near the present suburb of Rheingönheim. The Middle Ages saw the foundation of some o ...
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Kapellmeister
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ...
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Walter De Gruyter
Walter de Gruyter GmbH, known as De Gruyter (), is a German scholarly publishing house specializing in academic literature. History The roots of the company go back to 1749 when Frederick the Great granted the Königliche Realschule in Berlin the royal privilege to open a bookstore and "to publish good and useful books". In 1800, the store was taken over by Georg Reimer (1776–1842), operating as the ''Reimer'sche Buchhandlung'' from 1817, while the school’s press eventually became the ''Georg Reimer Verlag''. From 1816, Reimer used the representative Sacken'sche Palace on Berlin's Wilhelmstraße for his family and the publishing house, whereby the wings contained his print shop and press. The building became a meeting point for Berlin salon life and later served as the official residence of the president of Germany. Born in Ruhrort in 1862, Walter de Gruyter took a position with Reimer Verlag in 1894. By 1897, at the age of 35, he had become sole proprietor of the h ...
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Alois Ickstadt
Alois Ickstadt (born 22 September 1930) is a German pianist, choral conductor, university professor and composer. He was professor at the Musikhochschule Frankfurt. He promoted choral singing from children's choir to adult groups for the state broadcaster Hessischer Rundfunk, namely the Figuralchor Frankfurt which he founded in 1966 and conducted until 2011. Life Ickstadt studied music pedagogy at the Musikhochschule Frankfurt. He also studied piano with Erich Flinsch, composition with Kurt Hessenberg and conducting with Walther Davisson and Karl Maria Zwißler. Interested in cultural relevance, he also studied German, musicology, philosophy and history at the Johann Wolfgang Goethe-Universität Frankfurt am Main. He took classes with Theodor Adorno and Max Horkheimer, whose philosophy shaped his life. During his studies, he worked as a pianist for radio stations, with a focus on contemporary music, collaborating with conductors such as Pierre Boulez, Dean Dixon, Sixten ...
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Concerto In E-flat "Dumbarton Oaks"
Concerto in E-flat, inscribed ''Dumbarton Oaks, 8.v.38'' (1937–38) is a chamber concerto by Igor Stravinsky, named for the Dumbarton Oaks estate of Robert Woods Bliss and Mildred Barnes Bliss in Washington, D.C., who commissioned it for their thirtieth wedding anniversary. Composed in Stravinsky's neoclassical period, the piece is one of Stravinsky's two chamber concertos (the other being the Concerto in D, for strings, 1946) and is scored for a chamber orchestra of flute, B clarinet, bassoon, two horns, three violins, three violas, two cellos, and two double basses. The three movements, Tempo giusto, Allegretto, and Con moto, performed without a break, total roughly twelve minutes. The concerto was heavily inspired by Bach's set of Brandenburg Concertos, and was the last work Stravinsky completed in Europe, started in spring 1937 at the Château de Montoux near Annemasse, near Geneva, Switzerland, and finished in Paris on March 29, 1938. The commission had been brokered b ...
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The Firebird (Stravinsky)
''The Firebird'' (french: L'Oiseau de feu, link=no; russian: Жар-птица, Zhar-ptitsa, link=no) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. It was first performed at the Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece. Stravinsky was a young, virtually unknown composer when Diaghilev recruited him to create works for the Ballets Russes; ''L'Oiseau de feu'' was the first such major project. The success of the ballet was t ...
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Symphony Of Psalms
The ''Symphony of Psalms'' is a choral symphony in three movements composed by Igor Stravinsky in 1930 during his neoclassical period. The work was commissioned by Serge Koussevitzky to celebrate the 50th anniversary of the Boston Symphony Orchestra. The symphony derives its name from the use of Psalm texts in the choral parts. History According to Stravinsky, the commission for the work came about from "a routine suggestion" from Koussevitzky, who was also Stravinsky's publisher, that he write something "popular" for orchestra without chorus. Stravinsky, however, insisted on the psalm-symphony idea, which he had had in mind for some time. The choice of Psalm 150, however, was in part because of the popularity of that text. The symphony was written in Nice, and Echarvines near Talloires, which was Stravinsky's summer home in those years. The three movements are performed without break, and the texts sung by the chorus are drawn from the Vulgate versions in Latin. Unlike many p ...
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Petrushka (ballet)
''Petrushka'' (french: link=no, Pétrouchka; russian: link=no, Петрушка) is a ballet and orchestral concert work by Russian composer Igor Stravinsky. It was written for the 1911 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine and stage designs and costumes by Alexandre Benois, who assisted Stravinsky with the libretto. The ballet premiered at the Théâtre du Châtelet on 13 June 1911 with Vaslav Nijinsky as Petrushka, Tamara Karsavina as the lead ballerina, Alexander Orlov as the Moor, and Enrico Cecchetti the charlatan. ''Petrushka'' tells the story of the loves and jealousies of three puppets. The three are brought to life by the Charlatan during the 1830 Shrovetide Fair (''Maslenitsa'') in Saint Petersburg, Russia. Petrushka loves the Ballerina, but she rejects him. She prefers the Moor. Petrushka is angry and hurt, and challenges the Moor. The Moor kills him with his scimitar. Petrushka's ghost rises above ...
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Degenerate Music
Degenerate music (german: Entartete Musik, link=no, ) was a label applied in the 1930s by the government of Nazi Germany to certain forms of music that it considered harmful or decadent. The Nazi government's concerns about degenerate music were a part of its larger and better-known campaign against degenerate art (german: Entartete Kunst, link=no). In both cases, the government attempted to isolate, discredit, discourage, or ban the works. Racial emphasis Jewish composers such as Felix Mendelssohn and Gustav Mahler were disparaged and condemned by the Nazis. In Leipzig, a bronze statue of Mendelssohn was removed. The regime commissioned music to replace his incidental music to '' A Midsummer Night's Dream''. Though the Nazis wanted to discredit Jewish artists because of their ethnicity, they also wanted to have a better reason . The excuse was that some music was "anti-German" and that was why some songs needed to be banned . The certainty of this philosophy was contrasted by th ...
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Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ...
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Philharmonisches Staatsorchester Mainz
The Philharmonisches Staatsorchester Mainz (literally: Philharmonic State Orchestra of Mainz), is the resident orchestra of the Staatstheater Mainz. In addition to musical theater and Tanztheater (concert dance) youth symphony and chamber concerts are part of the activity of the orchestra. It is one of the three symphony orchestras of Rhineland-Palatinate. Since September 2011, Hermann Bäumer has been principal conductor. History 16th and 17th century Under Cardinal Elector Albert of Mainz, who obtained the Electorate of Mainz in 1514, and in 1518 was made a cardinal at the age of 28, the orchestra is first mentioned as electoral court orchestra. The first verifiable conductor, Jan le Febure took up its duties at the Mainz court in 1601. In the following years the musical arrangement of numerous imperial coronations is evident, whereby the Mainz electoral court orchestra already gained early supraregional recognition. For example the orchestra performed in 1612 during the ...
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Hofkapellmeister
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ...
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