Kanakambari
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Kanakambari
Kanakangi (pronounced kanakāngi, meaning ''the golden bodied one'') is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 1st ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Kanakāmbari in the Muthuswami Dikshitar school.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 1st rāgam in the 1st ''chakra Indu''. The mnemonic name is ''Indu-Pa''. The mnemonic phrase is ''sa ra ga ma pa dha na''. Its ' structure (ascending and descending scale) has all ''shuddha swaras'', as follows (see Swara#Svaras in Carnatic music, ''swaras'' in Carnatic music for details on below notation and terms): *Arohana, : *Avarohana, : (the notes are ''shuddha rishabham, shuddha gandharam, shuddha madhyamam, panchamam, shuddha dhaivatham, shuddha nishadham'') It is a sampurna raga, ''sampurna ...
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Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ...
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